Avoiding to settle in a nursing home, Joseph Kotcher, a retired salesman, is obliged to leave his son's family. He embarks on a road trip during which he strikes up a friendship with a ... See full summary »
Three separate stories concerning relationship issues are presented, each largely taking place in suite 719 of the Plaza Hotel in New York City. In story one, suburban New Yorkers Sam and ... See full summary »
Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola, set to testify against the mob. As Trabucco heads off ... See full summary »
Unassuming and single thirty-three year old Tillie Shlain is at that phase of her life of being known as a soon to be spinster if she doesn't marry soon. She isn't looking forward to ... See full summary »
2 quirky Manhattanites crash into each other cute at an ophthalmologist's office. Peter is a grouchy cartoonist/author whose vision is failing, divorced mother Theresa is also reluctant to ... See full summary »
A bored housewife poses as a call girl for a movie star sex-symbol, hoping she can prove to her husband, the star's agent, that she is still desirable to other men and thereby, rekindle the... See full summary »
Avoiding to settle in a nursing home, Joseph Kotcher, a retired salesman, is obliged to leave his son's family. He embarks on a road trip during which he strikes up a friendship with a pregnant teenager and begins to understand the true meaning of life as he helps the girl give birth to her child. Written by
Bittersweet film directed by Jack Lemmon features real-life pal Walter Matthau as an unwanted old codger in Southern California who befriends an unmarried, pregnant teenager. The film makes points on several topics (retirement homes, married life in suburbia, the value of the elderly), yet it doesn't use this material to build momentum--and since the film isn't a satire, the humor (often condescending or sarcastic) comes off as smirking. Matthau does a very fine job--he even convinces us he's a baby lover!--but his relationship with the troubled girl fails to ring true (Matthau's pinched, icy daughter-in-law is a worse matter--she's a one-note caricature). At one point, Kotch goes on a road trip by bus and sends back lots of postcards to his son, but director Lemmon doesn't use this segment to bolster the plot (it's too sitcom-like and, with that silly music, plays like a geriatric "Midnight Cowboy" besides!). Lemmon is careful not to flood the movie with teary sentiment; he's generally gracious and attentive, and many of his details are wonderfully wry. The film is likable enough, but overall seems a bit fatigued. **1/2 from ****
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