Avoiding to settle in a nursing home, Joseph Kotcher, a retired salesman, is obliged to leave his son's family. He embarks on a road trip during which he strikes up a friendship with a ... See full summary »
Three separate stories concerning relationship issues are presented, each largely taking place in suite 719 of the Plaza Hotel in New York City. In story one, suburban New Yorkers Sam and ... See full summary »
Unassuming and single thirty-three year old Tillie Shlain is at that phase of her life of being known as a soon to be spinster if she doesn't marry soon. She isn't looking forward to ... See full summary »
Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola, set to testify against the mob. As Trabucco heads off ... See full summary »
A bored housewife poses as a call girl for a movie star sex-symbol, hoping she can prove to her husband, the star's agent, that she is still desirable to other men and thereby, rekindle the... See full summary »
Avoiding to settle in a nursing home, Joseph Kotcher, a retired salesman, is obliged to leave his son's family. He embarks on a road trip during which he strikes up a friendship with a pregnant teenager and begins to understand the true meaning of life as he helps the girl give birth to her child. Written by
I saw this movie when I was a teenager. From what I remember of it, it was a waste of good talent. Walter Matthau did his best acting and Jack Lemmon did his best directing. However, somehow the script just didn't do justice for either one of these two celebrities. I've seen Deborah Winters in other movies and back then it seemed as though she gravitated towards controversial roles such as a 16-year old drug addict or pregnant teenager. I absolutely hate that song "Life Is What You Make It," because they played it throughout this entire movie over and over again; and seeing the pregnant teenage Deborah Winters and hearing Walter Matthau's New York accent as this unusually compassionate older man somehow reminded me constantly of how much I absolutely hate deadbeat teen fathers. I always got the feeling throughout the film that I just wanted a scene in which the teen father of this girl's baby got the tar knocked out of him for being such a jerk. I vaguely recall one scene in which he actually spoke with Deborah Winters after he had gotten her pregnant, but he was more annoying than anything. The kind of teen father that would create a precedent in our court system to make justifiable patricide perfectly legal for all youngsters who have the indignity of having someone like him for a biological father. By the way, I disagree with the title of that stupid song, "Life Is What You Make It." I can't believe that song even won an award. It's crass and callous in its lyrics, because some people are born more privileged than others in the real world and the lyrics of that song just don't own up to that same reality of life. If you have nothing better to do with your time, you may want to give this movie a peek. However, if you have limited time like me, it's probably not worth watching.
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