Avoiding to settle in a nursing home, Joseph Kotcher, a retired salesman, is obliged to leave his son's family. He embarks on a road trip during which he strikes up a friendship with a ...
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Comedy duo Key & Peele make their big-screen debut in Keanu. Read up on the stolen-cat comedy and this week's other new releases in our In Theaters section, where you can watch trailers, buy tickets, and more.
José is a young journalist who gets fired over refusing to write an article about an American film crew, overdramatizing the situation in Argentina. When he goes looking for his old girlfriend, he runs into the crew again.
Sergio Poves Campos,
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In Curuguazu, located in the Argentinian countryside, seventeen year-old Daniel Montero has been raised by his grandmother for three years since the death of his parents in a car accident. ... See full summary »
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During a high profile Mafia testimony case in California's Riverside County, a hired killer checks-in a hotel room near the courthouse while his next door depressed neighbor wants to commit suicide due to marital problems.
After devoting his life to publish philosophy, history and psychoanalysis, the editor Mario Zavadikner, discontented with the social and intellectual reality, decides to shoot himself at ... See full summary »
Avoiding to settle in a nursing home, Joseph Kotcher, a retired salesman, is obliged to leave his son's family. He embarks on a road trip during which he strikes up a friendship with a pregnant teenager and begins to understand the true meaning of life as he helps the girl give birth to her child. Written by
Walter Matthau in the role only he could make so excitingly different...you'll start talking about it from the opening scene. Jack Lemmon directs. He takes his talent 'behind' the camera for the first time to add a new, fresh dimension to his brilliant career.
I had never seen Kotch, but had always wanted to because of the presence of Walter Matthau and because of Jack Lemmon as director. It finally showed up on TCM the other night and, after years of waiting, I sadly have to agree with the lone previous viewer who found it wretched. I hate to be, once again, the turd in the punchbowl of hosannas here, but there are no characters in this movie, only cardboard cutouts. Matthau (who I love) is simply not credible here as a man who needs to be put away; his off-the-wall performance never makes us believe he is anywhere close to senile. The opening scene, with its aforementioned treacly 70's score, is predictive of the dreck to come. The movie is never played for human drama but only for cheap laughs, and those are few and far between. In the end I did what I rarely do, i.e. said to myself "why I am torturing myself," shut it off, and put on a good Laurel and Hardy movie.
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