An ambitious reporter gets in way-over-his-head trouble while investigating a senator's assassination which leads to a vast conspiracy involving a multinational corporation behind every event in the worlds headlines.
Alan J. Pakula
Ellen Gordon, a New York executive's mistress falls for the executive's young business associate when the young man is accidentally sent to use the apartment where the executive and his ... See full summary »
Ella Connors is a single woman who gets pressured to sell her failing cattle farm to her corrupt ex suitor, Jacob Ewing. She asks for help from her neighbor, Frank Athearn. As Ella and ... See full summary »
Mike Vecchio and Susan Henderson are preparing for their upcoming wedding. However, they seem to be the only two people at the wedding that are happy. Mike's brother Richie and his wife ... See full summary »
A group of misfits decide to leave for a place that they can all be free. There mode of transportation is a PBY flying boat. The only problem is that the PBY needs a lot of work and they ... See full summary »
In New York in the late 60s, a politically motivated group of students plans bombings of company offices who do business with dictators in Middle American countries. But when they contact a... See full summary »
Robert Allen Schnitzer
Six months after the disappearance of Tuscarora, PA businessman Tom Gruneman, his boss, Peter Cable, and his wife, Holly Gruneman, hire Tom's best friend, private detective John Klute to find out what happened to Tom, as the police have been unable to do so, and despite John having no expertise in missing persons cases. The only lead is a typewritten obscene letter Tom purportedly sent to Manhattan actress/model/call girl Bree Daniel, who admits to having received such letters from someone, and since having received several obscene telephone calls as well. The suggestion/belief is that Tom was one of Bree's past johns, although she has no recollection of him when shown his photograph. Bree tricking is more a compulsion than a financial need. In their initial encounters, John and Bree do whatever they can to exert their psychological dominance over the other, especially as Bree initially refused to even speak to him. Despite their less than friendly start, they embark on a personal ... Written by
In the original script Bree's psychiatrist was male but Fonda felt in rehearsals, that the character would never open up to a man so she requested that the part be changed to a woman. Fonda requested to shoot the scenes with the shrink at the end of shooting so she would have already fully internalized the character of Bree. See more »
When Bree has drinks with one of her clients in his hotel, there is much clinking of ice on soundtrack but no ice in drinks. See more »
I can't believe that only one user has had a comment on this film after almost 34 years. I remember seeing this film as a undergraduate in 1971. As far as anything goes in 1971, this was as erotic as a film got in that year without garnering an "X" rating. God, life was simpler then. I just watched this film for the first time since 1971 (34 years ago) and every ounce of suspense was still there. Donald Southerland was new to film then and had not yet earned his reputation as the consummate character actor. Jane Fonda had not yet earned the epithet of "Hanoi Jane". And Jean Stapleton was not yet known as "Edit". Although this film seems a little dated as far as acting styles go. The "creep" factor is still there. Anyone who has viewed a few episodes of "Law and Order" will see the obvious villain in the first 30 minutes of this film but will also appreciate the strenuous character development that is evident in the film. Although it is obvious fairly early on who the bad guy is, it's interesting to see the expository effort that is expended in order to flesh out the characters. I am so glad that most of the actors involved in this endeavor went on to greater glory. I thank DARPA for the internet for my ability to inflict my opinions on more than a "small circle of friends".
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