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Klute (1971)
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Overview
User Rating:
Release Date:
25 June 1971 (USA) moreTagline:
One man is missing. Two girls lie dead. ...and someone breathing on the other end of the phone. [USA Theatrical] morePlot:
A small-town detective searching for a missing man has only one lead: a connection with a New York prostitute. full summary | add synopsisAwards:
Won Oscar. Another 5 wins & 5 nominations moreNewsDesk:
(10 articles)
Meet the New Oscar Recipients: Gordon Willis (From The Wrap. 14 September 2009, 9:50 AM, PDT)
Donald Sutherland directed toward CBS' 'Eastmans'
(From Hitfix. 26 March 2009, 12:01 AM, PDT)
User Comments:
"Are you a button freak?" more (64 total)Cast
(Cast overview, first billed only)| Jane Fonda | ... | Bree Daniels | |
| Donald Sutherland | ... | John Klute | |
| Charles Cioffi | ... | Peter Cable | |
| Roy Scheider | ... | Frank Ligourin | |
| Dorothy Tristan | ... | Arlyn Page | |
| Rita Gam | ... | Trina | |
| Nathan George | ... | Det. Lt. Trask | |
| Vivian Nathan | ... | Psychiatrist | |
| Morris Strassberg | ... | Mr. Goldfarb | |
| Barry Snider | ... | Berger | |
| Betty Murray | ... | Holly Gruneman | |
| Jane White | ... | Janie Dale | |
| Shirley Stoler | ... | Momma Reese | |
| Robert Milli | ... | Tom Gruneman | |
| Anthony Holland | ... | Actor's Agent |
Additional Details
Parents Guide:
View content advisory for parentsRuntime:
114 minCountry:
USALanguage:
EnglishColor:
Color (Technicolor)Aspect Ratio:
2.35 : 1 moreSound Mix:
MonoCertification:
Portugal:M/16 | Singapore:M18 | Iceland:16 | West Germany:18 (original rating) | Australia:M | Canada:14+ (Ontario) | France:Unrated | USA:X (original rating) | Argentina:18 | Finland:K-16 | Norway:15 | Norway:16 (1971) | Sweden:11 | UK:18 (video: 1988) | USA:R | Canada:18AFilming Locations:
Filmways Studios - 246 East 127th Street, East Harlem, Manhattan, New York City, New York, USA moreFun Stuff
Trivia:
According to her autobiography, Jane Fonda hung out with call girls and pimps for a week before beginning this film in order to prepare for her role. When none of the pimps offered to "represent" her, she became convinced she wasn't desirable enough to play a prostitute and urged the director to replace her with friend Faye Dunaway. moreGoofs:
Revealing mistakes: When Bree and Klute return to Bree's apartment from the market, the phone rings. Klute lifts the receiver halfway through the third ring whereupon the sound of the bell abruptly cuts off (rather than resonate a couple of seconds as it did during the first two rings), revealing the phone's ring as a studio recording. moreQuotes:
John Klute: Miss Daniels, can I ask you some questions now?Bree Daniel: [notices Klute's surveillance gear] You bastard! Is this a shakedown, hon'? 'Cause you picked a loser, I don't have it.
John Klute: I'm looking for Tom Gr...
Bree Daniel: [interrupts him] Jesus, do you think I'd still be living in this kip if I was still in the line fulltime? I'd be back on Park Avenue.
John Klute: Can I ask you some questions?
Bree Daniel: Or you'll have me thrown back in the brig, you mean.
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What an awesome film. A good movie to contrast this with, is the film "Devil's Own". Both were directed by the late, great Alan J. Pakula, but were products of vastly different quality. You couldn't pick up a paper, and not read about how much Harrison Ford and Brad Pitt hated each other, and the end product suffered because of it. You had the core of a good movie torn apart, because the Pitt part, and the Ford part didn't co-exist.
No Such problem with "Klute". Here, all the pieces fit together. Scheider's suave, non-chalant pimp, Sutherland's lonely, enigmatic pseudo-gumshoe, and Fonda's basket case call girl all fit wonderfully. In fact, there are no slackers in this cast. Michael Small's creepy score also deserves mention, as does Pakula's masterful use of gritty, realistic New York City.
It's almost depressing to watch the raw talent at work in films like "Klute". Nowadays, films are so much the result of magazine polling, and the ever-present bottom line. It's true, we still have independent films, but even they are getting co-opted by big money. Still, I suppose there still are the John Sayles' of the world holding out. God bless 'em.