An ambitious reporter gets in way-over-his-head trouble while investigating a senator's assassination which leads to a vast conspiracy involving a multinational corporation behind every event in the worlds headlines.
Alan J. Pakula
Ellen Gordon, a New York executive's mistress falls for the executive's young business associate when the young man is accidentally sent to use the apartment where the executive and his ... See full summary »
Ella Connors is a single woman who gets pressured to sell her failing cattle farm to her corrupt ex suitor, Jacob Ewing. She asks for help from her neighbor, Frank Athearn. As Ella and ... See full summary »
Mike Vecchio and Susan Henderson are preparing for their upcoming wedding. However, they seem to be the only two people at the wedding that are happy. Mike's brother Richie and his wife ... See full summary »
The two brothers Treat and Philip lived alone since they were kids. Interdependent they dwell in a loft house and live on little thefts, until an aging minor criminal moves in with them and takes over the role of a father.
Alan J. Pakula
In New York in the late 60s, a politically motivated group of students plans bombings of company offices who do business with dictators in Middle American countries. But when they contact a... See full summary »
Robert Allen Schnitzer
Six months after the disappearance of Tuscarora, PA businessman Tom Gruneman, his boss, Peter Cable, and his wife, Holly Gruneman, hire Tom's best friend, private detective John Klute to find out what happened to Tom, as the police have been unable to do so, and despite John having no expertise in missing persons cases. The only lead is a typewritten obscene letter Tom purportedly sent to Manhattan actress/model/call girl Bree Daniel, who admits to having received such letters from someone, and since having received several obscene telephone calls as well. The suggestion/belief is that Tom was one of Bree's past johns, although she has no recollection of him when shown his photograph. Bree tricking is more a compulsion than a financial need. In their initial encounters, John and Bree do whatever they can to exert their psychological dominance over the other, especially as Bree initially refused to even speak to him. Despite their less than friendly start, they embark on a personal ... Written by
Bree's apartment was built on a sound stage at a New York film studio where Jane Fonda could spend the night. The director even had a working toilet installed in the bathroom of the set. Jane contributed to decorating the apartment by deciding Bree would be a romance reader and have a cat. Jane remembered an actress from Lee Strasberg's private class that occasionally serviced John F. Kennedy, so she decided Bree had done this as well. A signed photo of Kennedy appears on the fridge in Bree's apartment. See more »
The amount of tape in the take up reel of Klute's tape recorder when he stops it and rewinds while talking on the phone with Trask. See more »
I have no idea what's going to happen. I... I just can't stay in this city, you know? Maybe I'll come back. You'll probably see me next week.
[end credits roll]
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Accented throughout by the late Michael Small's unsettling piano-&-stoned-soprano soundtrack, "Klute" is one of the defining films of the 1970's. Fonda plays an NYC call girl named Bree Daniels attempting to break free from her sordid past who is being stalked by an ex-john into S&M sex. Sutherland is her hero John Klute, a very decent guy from Pennsylvania who works as a private investigator looking for a missing man who may have been this very client. Naturally, they fall in love, but it is an often brutal experience emotionally because Bree is a cold-hearted tart who has been in the business so long she is incapable of having an orgasm. Jane is phenomenal throughout, including her sessions with a psychiatrist (which have the feel of pure improv) and auditioning for a play (I thought she was pretty good) and Sutherland lends solid support, even if his face remains pretty much poker.
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