An ambitious reporter gets in way-over-his-head trouble while investigating a senator's assassination which leads to a vast conspiracy involving a multinational corporation behind every event in the worlds headlines.
Alan J. Pakula
Ella Connors is a single woman who gets pressured to sell her failing cattle farm to her corrupt ex suitor, Jacob Ewing. She asks for help from her neighbor, Frank Athearn. As Ella and ... See full summary »
Ellen Gordon, a New York executive's mistress falls for the executive's young business associate when the young man is accidentally sent to use the apartment where the executive and his ... See full summary »
Mike Vecchio and Susan Henderson are preparing for their upcoming wedding. However, they seem to be the only two people at the wedding that are happy. Mike's brother Richie and his wife ... See full summary »
A group of misfits decide to leave for a place that they can all be free. There mode of transportation is a PBY flying boat. The only problem is that the PBY needs a lot of work and they ... See full summary »
In New York in the late 60s, a politically motivated group of students plans bombings of company offices who do business with dictators in Middle American countries. But when they contact a... See full summary »
Robert Allen Schnitzer
Six months after the disappearance of Tuscarora, PA businessman Tom Gruneman, his boss, Peter Cable, and his wife, Holly Gruneman, hire Tom's best friend, private detective John Klute to find out what happened to Tom, as the police have been unable to do so, and despite John having no expertise in missing persons cases. The only lead is a typewritten obscene letter Tom purportedly sent to Manhattan actress/model/call girl Bree Daniel, who admits to having received such letters from someone, and since having received several obscene telephone calls as well. The suggestion/belief is that Tom was one of Bree's past johns, although she has no recollection of him when shown his photograph. Bree tricking is more a compulsion than a financial need. In their initial encounters, John and Bree do whatever they can to exert their psychological dominance over the other, especially as Bree initially refused to even speak to him. Despite their less than friendly start, they embark on a personal ... Written by
When Bree has drinks with one of her clients in his hotel, there is much clinking of ice on soundtrack but no ice in drinks. See more »
Tell me, Klute. Did we get you a little? Huh? Just a little bit? Us city folk? The sin, the glitter, the wickedness? Huh?
Ah - that's so pathetic.
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"Klute" is a terrific showcase for its leading lady, but it isn't much as a thriller...
Permeated by a kind of haughty, stoned decadence, Alan J. Pakula's "Klute" concerns a sexy, shaggy prostitute in N.Y.C. who is the only real link to a missing family man from suburbia; a close friend of the man asserts himself as detective on the case, and after questioning the girl and trailing her, he finds himself drawn to her. Billed as a mystery-thriller, "Klute" is more of a dramatic character study, with preconceived plot threads devised by two screenwriters who can barely keep their secrets from spilling out. The final moments which piece the story together don't ring true (starting about the time Jane Fonda attacks Donald Sutherland and runs out into the street), but until then it's a dandy show-piece for Fonda, who gives an Oscar-winning performance. The ins-and-outs of the hooker-biz aren't really explored, but we get all we need just by listening to Fonda's dialogue (her complaints to her psychiatrist, her need for Sutherland's companionship) and by seeing her living alone in her apartment. For the actress, it's stellar work; for director Pakula, it's a bit thin around the edges. ***1/2 from ****
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