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King Lear (1971)

The Shakespeare tragedy that gave us the expression "How sharper than a serpent's tooth it is to have a thankless child." King Lear has not one but two ungrateful children, and it's ... See full summary »

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2 wins & 1 nomination. See more awards »
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Cast

Complete credited cast:
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Irene Worth ...
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Susan Engel ...
Regan
Tom Fleming ...
Anne-Lise Gabold ...
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Robert Langdon Lloyd ...
Edgar (as Robert Lloyd)
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Alan Webb ...
Søren Elung Jensen ...
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Storyline

The Shakespeare tragedy that gave us the expression "How sharper than a serpent's tooth it is to have a thankless child." King Lear has not one but two ungrateful children, and it's especially galling because he turned over his entire kingdom to them. Paul Scofield is an ancient, imposing shell of a Lear tormented by his too-long life as well as by daughters he calls "unnatural hags." At one point, the king looks his eldest daughter, Goneril (Ireme Worth), straight in the eye and declares, "Thou art a boil, a plague-sore, of embossed carbuncle in my corrupted blood." These are the troubles not even the best-trained family counselor could ever hope to resolve. Written by alfiehitchie

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Genres:

Drama

Certificate:

GP | See all certifications »
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Details

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Release Date:

4 February 1971 (Denmark)  »

Also Known As:

Kong Lear  »

Filming Locations:

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Technical Specs

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Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Filmways also produced Tony Richardson's " Hamlet" and the 1968 version of " A Midsummer's Nights Dream ". They had planned to film the Polanski " Macbeth " , but pulled out at the last minute. See more »

Crazy Credits

Not only is there no music in the film, but there are no "ambient sounds" at all during the opening credits, giving the impression that they were filmed using no soundtrack whatsoever. See more »

Connections

Version of Gran teatro: El Rey Lear (1964) See more »

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User Reviews

 
Who Gives Anything to Poor Brook?
10 April 2001 | by (Detroit, MI) – See all my reviews

Easily one of my favorite movies of all time, Peter Brook's King Lear demands that you think, and will disturb you because you are alive and will one day (statistically speaking) be an old, foolish, feeble, mistake-laden human. Comment to the angles and lighting and all the things that seem to consistently disturb viewers: place yourself in the mind of a slowly ebbing ego, driven to rage over confusion and denied shame--an old man of four score and not a day more, in love with his youngest daughter, living his final days having denied and banished her... of course you are never going to see someone clearly, steadily, squarely, or in the same screen area. This masterfully bleak representation of one of Shakespeare's more difficult plays is unjustly in moratorium. I have shown it to many of my classes and will continue until the tape is worn with holes. Brook's treatment of Edgar is so haunting, so perfect, if you leave this feeling empty and lost, bravo! He who scoffs at their first viewing of this film is simply not watching the film, but is watching their expectations dashed on the wall.


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