| Hans Hass Jr. | ... | Adam | |
| Eva Garden | ... | Anna | |
| Ingeborg Steinbach | ... | Blonde Bride (as Ingrid Steinbach) | |
| Diane Winter | ... | Virgin | |
| Howard Vernon | ... | Anna's Father / The Inquisitor | |
| Herbert Weissbach | ... | Padre | |
| Christina von Blanc | ... | Eva (as Christine Werner) | |
| Robert Costor | |||
| Friedrich Quandt | |||
| rest of cast listed alphabetically: | |||
| Antonio de Cabo | |||
| Victor Mendés | |||
| Britt Nichols | |||
Directed by | |||
| Jesus Franco | (as Jess Frank) | ||
Writing credits(in alphabetical order) | ||
| Paul Alexander | ||
| Artur Brauner | story | |
Produced by | |||
| Artur Brauner | .... | producer | |
| Karl Heinz Mannchen | .... | executive producer | |
Original Music by | |||
| Rolf Bauer | |||
| Daniel White | |||
Cinematography by | |||
| José Climent | |||
Film Editing by | |||
| Renate Engelmann | |||
Costume Design by | |||
| Nicole Guettard | (as Nicole Franco) | ||
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| Teenage Playmates | Naughty Freshmen | Love Letters of a Portuguese Nun | Roman Za'ir | Schoolgirls Growing Up |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb West Germany section |
Part documentary, part mockumentary, part sexploitation, all Jess Franco. Well sort of. Tucked in between stock footage is a quasi-documentary about the loss of sexual innocence. Starting in the Garden of Eden we are taken on a voyage around the world that covers various rites of passage and cultures deflowering of the virgin. The film sits precariously in a mixture of genres, but sits comfortly in the mondo genre best. Told in a series of vignettes you see everything ranging from native stock footage inserts to footage shot to titillate the masses. Very tongue in cheek, I wouldn't call this a serious study but I'll give Jess credit for trying to pass it off as one. Good or bad is irrelevant when talking about a Franco film. Franco mixes the good, the bad, the beautiful and the ugly usually in the same film. This one appears to be rather obscure and its' occasional funny moment will most likely appeal to Francophiles everywhere.