The tough gun-man Burt Sullivan (Franco Nero) leaves his job as a town sheriff to go to Mexico to find the man, Cisco, who killed his father many years ago. He and his younger brother ... See full summary »
A wealthy but neurotic Southern belle finds herself trapped in the hideout of a gang of vicious bootleggers. The gang's leader lusts after her, and is determined not to let anything stand in the way of his having her.
Jack La Rue
In the seacoast town of Boulogne, Hélène sells antique furniture, living with her step-son, Bernard, who's back from military duty in Algiers. An old lover of Hélène's comes to visit - ... See full summary »
In this riveting Italian exploitation thriller, three young men embark upon a terrifying series of bloody crimes, engaging in robbery, gunplay, and murder. As the entire police force ... See full summary »
In this period piece set in Italy, Nicola Bellizzi dreams of becoming a lawyer. However, when he seeks the reason that people are reluctant to help him in his goals, he discovers that some ... See full summary »
After a young girl's mother dies, she is cared for by Glico, a brassy hooker, who gives the girl the name "Ageha" (Butterfly). Ageha goes to work for a collection of oddballs who run a ... See full summary »
Because of a violation of traffic regulations an architect is put in prison. There he witnesses the grim reality of life behind bars: corrupt staff, corrupt inmates, an inhuman judicial system and the power of the Mafia.
"L´istruttoria e chiusa: dimentichi" - which translates into "The investigation is closed: forget about it" is one in a series of political thrillers Damiano Damiani (when he was good, he could to some extent rival Francesco Rosi, when he became pretentious and preachy he was intolerable) specialized in in the late 60´s through the 70´s. Its overall target is the corrupt Italian state of that day and age. Its means is classic melodrama of the wrongful accused who has to live through purgatory. Because he is wrongful accused, an intellectual and played by the then handsome Franco Nero we pity him for that (there is ample space for the suspicion that we would perceive his private hell in public custody as appropriate were he a criminal).To prove his case Damiani this time took the easy way out and that´s why his film is - judged by Damiani´s own best abilities - bordering on the mediocre side - and still worth watching; which is an achievement in itself.
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