The Merchant of Four Seasons
(1971)
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The Merchant of Four Seasons
(1971)
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| Cast overview, first billed only: | |||
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Hans Hirschmüller | ... |
Hans Epp
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Irm Hermann | ... |
Irmgard Epp
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| Hanna Schygulla | ... |
Anna Epp, Hans's sister
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Andrea Schober | ... |
Renate Epp, Hans's daughter
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Gusti Kreissl | ... |
Mother Epp
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Klaus Löwitsch | ... |
Harry Radek
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Karl Scheydt | ... |
Anzell
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Ingrid Caven | ... |
The merchant's great love
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Kurt Raab | ... |
Kurt, Heide's husband
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Heide Simon | ... |
Heide, Hans's second sister
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Peter Chatel | ... |
Dr. Harlach
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Elga Sorbas | ... |
Marile Kosemund, a whore
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Lilo Pempeit | ... |
Customer
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Walter Sedlmayr | ... |
Fruit cart salesman
(as Walther Sedlmayer)
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El Hedi ben Salem | ... |
The Arab
(as Salem El Heïdi)
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Hans is a street fruit peddler and born-loser. His choice of career upsets his bourgeois family, causing him to turn to drinking and violence. After recovering from a debilitating heart attack, his business finally begins to take off. However the more he becomes a credit to his family, the more depressed he becomes. One sociable day, while toasting his friends and family, he decides to drink himself to death. Written by lucifershalo
I didn't find this film as accessible as 'Fox & his Friends' but it was a moving portrayal of a typical Fassbinder victim figure, the eponymous barrow-boy, Hans Epp, whose hopes and dreams are eventually crushed by stultifying conformity (family & society). Some of the scenes are exaggerated (the family confrontations) but I particularly liked the sequence where Hans is desperately searching for meaning & comfort; he tries to find some peace in natural surroundings, goes back to his first lost love in order to recapture past feelings (she's only interested in a quick fling before her husband returns) and visits his sister, perhaps the only person who has any degree of sympathy for him, only to find she's too busy with work.
A poignant story of a vulnerable inarticulate man crushed by his mundane surroundings and bourgeoise, middle-class German values obsessed with economic success and a upward mobility that conveniently papers over the cracks of its more disturbing past.