Loosely based on the life of Marilyn Monroe, the story of a young woman destined from childhood on to be adored by millions but unhappy in her own life. Patty Duke plays Emily Ann Faulkner ... See full summary »
The concurrent sexual lives of best friends Jonathan and Sandy are presented, those lives which are affected by the sexual mores of the time and their own temperament, especially in ... See full summary »
Old St. Leopold's Hospital has many urban legends surrounding it, but the residents of Bridgeport all agree on one thing: tortured souls roam its abandoned halls. The mystery proves too ... See full summary »
Daniel Emery Taylor
Daniel Emery Taylor,
Herbert Bock is chief of medicine in a major teaching hospital. His wife has left him, he is impotent and his children have both disowned him. He is toying with the idea of suicide when patients begin dying, not from complications, but from the erroneous treatments the Hospital is giving them. People in the wrong beds are given wrong medicines, sent to operating theaters for incorrect surgery, and found in waiting rooms dead of natural causes. Barbara Drummond has come to take her comatose father back to the Sioux reservation where he operates a clinic and they each reach out to each other for emotional support, as a shadowy figure stalks the patients and staff of the hospital. Written by
John Vogel <email@example.com>
About ten minutes into the movie, as the characters walk down a hospital hallway, followed by the camera, a technician and his microphone are revealed behind a nurse's cart. The camera then tightens the shot around the actors. See more »
Now what in hell am I going to tell this boy Schaefer's parents? That a substitute nurse assassinated him because she couldn't tell the doctors from the patients on the floor?
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Although Barnard Hughes played two distinct roles, the end credits lists Hughes as playing the role of Drummond but not Dr. Mallory. See more »
George Scott gave the performance of a lifetime in Paddy Chayefsky's THE HOSPITAL, a very dark drama about an aging big city hospital and a middle-aged physician on the verge of suicide. Along comes Diana Rigg as a free spirit determined to save him from himself. Their dialog crackles, and it is clear they are made for each other from the outset. But will she save him? Their one sex scene is both graphic and memorable for its passion and fury. Meanwhile, the hospital is under siege by a group of agitators who don't want it to turn a condemned building into a cancer center. And a serial killer is loose in the hospital, specializing in doctors and nurses. A good part of the movie, though, is squarely focused on Scott. As it should be. What a difference a few years made back when this movie was made. 1962 had given us THE INTERNS, a hokey, old-fashioned reworking of DR. KILDARE with terrible acting and a cardboard script. Along came 1971 and THE HOSPITAL. Less than 10 years later. Hollywood did something right for a change. Watching THE HOSPITAL today is a reminder of how much medical shows like ST. ELSEWHERE and SCRUBS owe to this enduring classic. And if THE HOSPITAL reminds you of NETWORK, it should. Same scripter.
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