Loosely based on the life of Marilyn Monroe, the story of a young woman destined from childhood on to be adored by millions but unhappy in her own life. Patty Duke plays Emily Ann Faulkner ... See full summary »
Arthur Goldman is a rich Jewish industrialist, living in luxury in a Manhattan high-rise. He banters with his assistant Charlie, often shocking Charlie with his outrageousness and ... See full summary »
A bank temporarily housed in a mobile home while a new building is built, looks like an easy target to break into. On the other hand, why not steal the whole bank, and rob it in a safer ... See full summary »
George C. Scott,
Divorced working woman Alex and well-to-do Jewish family doctor Daniel Hirsh share not only the same answering service but also the favours of young Bob Elkin who bed-hops between them as ... See full summary »
A former getaway driver from Chicago (George C. Scott) has retired to a peaceful life in a Portuguese fishing village. He is asked to pull off one last job, involving driving a dangerous ... See full summary »
George C. Scott,
Trish Van Devere
Old St. Leopold's Hospital has many urban legends surrounding it, but the residents of Bridgeport all agree on one thing: tortured souls roam its abandoned halls. The mystery proves too ... See full summary »
Daniel Emery Taylor
Daniel Emery Taylor,
Herbert Bock is chief of medicine in a major teaching hospital. His wife has left him, he is impotent and his children have both disowned him. He is toying with the idea of suicide when patients begin dying, not from complications, but from the erroneous treatments the Hospital is giving them. People in the wrong beds are given wrong medicines, sent to operating theaters for incorrect surgery, and found in waiting rooms dead of natural causes. Barbara Drummond has come to take her comatose father back to the Sioux reservation where he operates a clinic and they each reach out to each other for emotional support, as a shadowy figure stalks the patients and staff of the hospital. Written by
John Vogel <email@example.com>
To avoid any interruptions to the day-to-day running of Metropolitan Hospital's vital services to patients, for interiors, the production took over two floors of a new psychiatric pavilion which were under construction and were not due to start receiving patients until January 1972 after principal photography had been completed. See more »
About ten minutes into the movie, as the characters walk down a hospital hallway, followed by the camera, a technician and his microphone are revealed behind a nurse's cart. The camera then tightens the shot around the actors. See more »
You know, when I say impotent, I don't mean merely limp. When I say impotent, I mean I've lost even my desire to work. That's a hell of a lot more primal passion than sex. I've lost my reason for being... my purpose. The only thing I ever truly loved.
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Although Barnard Hughes played two distinct roles, the end credits lists Hughes as playing the role of Drummond but not Dr. Mallory. See more »
" We have created the greatest Medical entity in the world and people are sicker than ever"
Read a biography of the late George C. Scott and you'll discover why he was so enormously talented. He was asked by an interviewer what his secret was when making each character he played his own. Scott replied, he possessed inside him a burning fire which drove him. In one of his last interviewers, he sadly revealed he had lost the drive. This was not the case when he starred in the movie, "The Hospital." In this offering, he plays talented doctor Bock, medical director of one of the finest hospitals in the country. However, life has dealt him some crippling problems, such as losing his wife to a divorce, becoming alienated from both his promising children and worse of all, believing himself to be physically impotent. At this point, he is now becoming complacent, morose and frequently fantasizes various ways of committing suicide. To add to his growing list of personal obstacles, his main reason for being, his hospital has come under siege by students and neighborhood protesters, incompetent doctors like Dr. Welbeck (Richard Dysart) and a mysterious MD. who is killing both patients and doctors alike, because he believes he is "the Wrath of the Lamb." (Barnard Hughes). Few choices are left to Bock. One is promising doctor Brubaker (Robert Walden) whom he confides in by saying, "If there were an oven around here, I would put my head in it." The second is a luscious young woman, named Barbara who is attracted to Bock because he acts like a wounded bear. Paddy Chayefsky wrote the screen-play and Arthur Hiller did an extremely good job of directing this dramatically interesting, dark story, but a vehicle nonetheless, lit by the fire of George C. Scott. ****
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