| Photos (See all 37 | slideshow) | Videos (see all 2) |
| Ruth Gordon | ... | Maude | |
| Bud Cort | ... | Harold | |
| Vivian Pickles | ... | Mrs. Chasen | |
| Cyril Cusack | ... | Glaucus | |
| Charles Tyner | ... | Uncle Victor | |
| Ellen Geer | ... | Sunshine Doré | |
| Eric Christmas | ... | Priest | |
| G. Wood | ... | Psychiatrist | |
| Judy Engles | ... | Candy Gulf | |
| Shari Summers | ... | Edith Phern | |
| Tom Skerritt | ... | Motorcycle Officer (as M. Borman) | |
| Susan Madigan | ... | Girlfriend | |
| Ray K. Goman | ... | Police Officer (as Ray Goman) | |
| Gordon Devol | ... | Police Officer (as Gordon DeVol) | |
| Harvey Brumfield | ... | Police Officer | |
| Henry Dieckoff | ... | Butler | |
| Philip Schultz | ... | Doctor | |
| Sonia Sorel | ... | Head Nurse (as Sonia Sorrell) | |
| Margot Jones | ... | Student Nurse | |
| Barry Higgins | ... | Intern | |
| rest of cast listed alphabetically: | |||
| Hal Ashby | ... | Bearded Man Watching Model Train (uncredited) | |
| Michael L. Davis | ... | Policeman (uncredited) (unconfirmed) | |
| Marjorie Eaton | ... | Madame Arouet (uncredited) | |
| William Lucking | ... | Policeman (uncredited) | |
| Jerry Randall | ... | (uncredited) | |
| Cat Stevens | ... | Man in Front of Maude at Funeral (uncredited) (unconfirmed) | |
Directed by | |||
| Hal Ashby | |||
Writing credits | ||
| Colin Higgins | (written by) | |
Produced by | |||
| Colin Higgins | .... | producer | |
| Mildred Lewis | .... | executive producer | |
| Charles Mulvehill | .... | producer (as Charles B. Mulvehill) | |
Cinematography by | |||
| John A. Alonzo | (director of photography) (as John Alonzo) | ||
Film Editing by | |||
| William A. Sawyer | (film editor) | ||
| Edward Warschilka | (film editor) | ||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Michael D. Haller | (as Michael Haller) | ||
Costume Design by | |||
| William Ware Theiss | (as William Theiss) | ||
Makeup Department | |||
| Kathryn Blondell | .... | hair stylist | |
| Bob Stein | .... | makeup artist | |
| Rebecca White | .... | hairdresser (uncredited) | |
Production Management | |||
| Wesley J. McAfee | .... | unit production manager (as Wes McAfee) | |
Second Unit Director or Assistant Director | |||
| Michael J. Dmytryk | .... | first assistant director (as Michael Dmytryk) | |
| Robert Enrietto | .... | second assistant director | |
Art Department | |||
| James Cane | .... | set dresser | |
| Eugene Booth | .... | props (uncredited) | |
| Steve Ferry | .... | props (uncredited) | |
Sound Department | |||
| Richard Portman | .... | re-recordist | |
| William Randall | .... | sound | |
| James Richard | .... | sound editor (as James A. Richards) | |
| Frank E. Warner | .... | sound editor (as Frank Warner) | |
| Charles Randall | .... | boom man (uncredited) | |
Special Effects by | |||
| A.D. Flowers | .... | special effects | |
| Paul J. Lombardi | .... | special effects (uncredited) | |
Stunts | |||
| Pamela Bebermeyer | .... | stunt double (as Pam Bebermeyer) | |
| Buddy Joe Hooker | .... | stunt co-ordinator (as Joe Hooker) | |
| Buddy Joe Hooker | .... | stunt double (as Joe Hooker) | |
| Jerry Randall | .... | stunt double | |
Camera and Electrical Department | |||
| Richard Hart | .... | gaffer | |
| Joe R. Marquette Jr. | .... | camera operator (as Joe Marquette Jr.) | |
| Charles Record | .... | head grip | |
| Jack Geraghty | .... | still photographer (uncredited) | |
| Randy Glass | .... | best boy (uncredited) | |
| King Nicholson | .... | assistant camera (uncredited) | |
| Elias Safar | .... | second assistant camera (uncredited) | |
| Larry Whitehead | .... | electrician (uncredited) | |
Casting Department | |||
| Ann Brebner | .... | casting: S.F. (uncredited) | |
Costume and Wardrobe Department | |||
| Andrea E. Weaver | .... | wardrobe supervisor (as Andrea Weaver) | |
| Rosa Lazar | .... | costume fitter (uncredited) | |
| Kirk Templeman | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Sam Gemette | .... | editorial apprentice | |
| Don Zimmerman | .... | editorial apprentice | |
| Jack Davies | .... | assistant editor (uncredited) | |
Music Department | |||
| Ken Johnson | .... | music editor | |
| Paul Samwell-Smith | .... | recording supervisor | |
| Cat Stevens | .... | composer: songs | |
| Cat Stevens | .... | performer: songs | |
Transportation Department | |||
| Charles Bricker | .... | driver (uncredited) | |
| James D. Brubaker | .... | driver (uncredited) | |
| Gene Clinesmith | .... | driver captain (uncredited) | |
| Dale Henry | .... | driver (uncredited) | |
| Allen Pettigrew | .... | driver (uncredited) | |
| Craig Pinkard | .... | driver (uncredited) | |
| Dalibos Raos | .... | driver (uncredited) | |
| Ray Tostado | .... | driver (uncredited) | |
| Gerald Vers | .... | driver (uncredited) | |
Other crew | |||
| Pablo Ferro | .... | titles | |
| Steven J. Silver | .... | production associate (as Steve Silver) | |
| Jeff Wexler | .... | production assistant | |
| R. Alberts | .... | craft service (uncredited) | |
| Julie Dressler | .... | production secretary (uncredited) | |
| Jan Haag | .... | intern (uncredited) | |
| Boone Lodge | .... | stand-in (uncredited) | |
| Susan Madigan | .... | stand-in (uncredited) | |
| Arnold H. Orgolini | .... | auditor (uncredited) | |
| Julie Pitkanen | .... | script continuity (uncredited) | |
| Bill Shur | .... | projectionist (uncredited) | |
| Barbara Ulrich | .... | secretary to director (uncredited) | |
| Arthur Wilde | .... | publicist (uncredited) | |
| Sheila Woodland | .... | production secretary (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
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'Harold & Maude' is one of those 'sleeper' films that just seems to resonate that bit more with every passing year. Harold, played by the criminally under-utilized Bud Cort, is the quintessential disaffected rich kid wanting to find some meaning in a vacuous life who hooks up with the devil-may-care Maude through their mutual love of attending funerals (Joyce's word 'fun-for-all' springs readily to mind in those scenes). There is plenty to love about this film, the slower pace and the lampooning of easy targets, the 'gung-ho' military uncle and the fetishist priest for example. Here is a film that really stands up well to repeated viewings.