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Harold and Maude (1971)

Young, rich, and obsessed with death, Harold finds himself changed forever when he meets lively septuagenarian Maude at a funeral.

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Nominated for 2 Golden Globes. Another 2 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Glaucus
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Judy Engles ...
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Motorcycle Officer (as M. Borman)
Susan Madigan ...
Girlfriend
Ray K. Goman ...
Police Officer (as Ray Goman)
Gordon De Vol ...
Police Officer (as Gordon DeVol)
Harvey Brumfield ...
Police Officer
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Storyline

Young adult Harold Chasen, solitary and friendless by choice, is obsessed with death, this fascination manifesting itself in he staging his own fake suicides, driving a hearse and attending funerals, even of people he doesn't know, all to the chagrin of his exasperated wealthy mother with who he lives. Mrs. Chasen is determined for Harold to be "normal", including she sending him into therapy to deal with his issues and finding him a girlfriend through a computer dating service. It is at a series of funerals that Harold meets Maude, on the cusp of her eightieth birthday, she who too attends funerals of strangers. Unlike Harold, Maude is obsessed with life - her own life to be more precise - she doing whatever she wants to please herself, damned what others may think or how they may be affected. Since she can't take material possessions with her, she is more interested in experiences, with whatever material possessions she has - often "borrowed" without asking - only to further those ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

They met at the funeral of a perfect stranger. From then on, things got perfectly stranger and stranger. See more »

Genres:

Comedy | Drama | Romance

Certificate:

GP | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

20 December 1971 (USA)  »

Also Known As:

Ensina-me a Viver  »

Box Office

Budget:

$1,200,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Suzanne Somers: As a "deodorant girl" during a funeral. The scene was cut. See more »

Goofs

About 50 minutes into the film, when Maude is doing donuts around the officer, the driver-side window of the truck is alternately up/down between shots. See more »

Quotes

[first lines]
Mrs. Chasen: [after spotting Harold hanging from a noose in the living room] I suppose you think that's very funny, Harold... Oh, dinner at eight, Harold. And do try and be a little more vivacious.
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Connections

Referenced in Pop Culture Beast's Halloween Horror Picks: Shivers (2014) See more »

Soundtracks

Don't Be Shy
(1971) (uncredited)
Written and Performed by Cat Stevens during the opening credits
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Frequently Asked Questions

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User Reviews

Interesting love tale
2 June 2003 | by (Northern N.Y.) – See all my reviews

If so irreverent a story were to be told today, how would one react? As was probably the case when the film was released, people would probably find the theme edgy, if not inappropriate.

Such is the case with the cult film `Harold and Maude.' It openly explores themes of suicide, love, death and life with a fresh perspective.

The interesting part is how this film will likely find you. In most societies, an older man will likely fall for a woman years his junior. However, Harold (Bud Cort)-a shy teenager with an affinity for death-meets his 80-year-old true love Maude (Ruth Gordon), not at a dance or social event, but at funerals. The meeting almost seems reminiscent of Edward Norton's character's support group addiction in `Fight Club.'

Harold loves the attention he gets from staging fake suicides to frighten his obtuse and superficial haute-culture mother. In a reaction, she enlists him in a computer dating service in a vain matchmaking attempt to fix him up with Beetle-driving yuppies-to-be. The beauty is he frightens off all his prospective mates with cleverly staged fake suicides. At the same time, he meets Maude, a free-spirited senior who teaches him to appreciate life. After spending more time with her, he finds himself in love with her. However, a barrage of authority-i.e. priests, army-loving uncles and a psychiatrist-urge him not to follow through with his relationship.

`Harold and Maude' plays on '60s-esque themes of anti-establishment and open minds. Harold's militaristic uncle comes across as comical in his war-mongering vices-right down to his armless right sleeve that salutes when he pulls the string. Harold seems unhappy though he's surrounded by extravagance that rivals anything on MTV's `Cribs.' Not only that but his mother's lack of sense and indifference to her son mirrors her addiction to affluence. In addition to the swarm of brides-to-be, she tries to pacify him with material possessions-including a spanking-new Jaguar convertible, which he converts into a hearse.

Cat Stevens' open-air, acoustic-driven rock 'n' roll provides the soundtrack for the film. It gives the film a decent organic sound indicative of its demeanor.

This is a film that chases happiness wherever it can be found with a Woodstock-sense of responsibility. Maude's vices of vehicular larceny and bong smoking match Harold's love of fake hara-kiris and hearses. In a way, this movie comes across as a bit dated in that time has indeed erased the '60s anticipation of The Age of Aquarius and replaced it with `Fight Club' desperation.

However what the film lacks in reality, it makes up for in heart. This movie is not meant to be taken seriously; it's only to break down paradigms of societal thought.


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