A young couple move into an apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
Self-destructive and needy but wealthy teenager Harold is obsessed with death and spends his leisure time attending funerals, watching the demolition of buildings, visiting junkyards, simulating suicides trying to get the attention of his indifferent, snobbish and egocentric mother, and having sessions with his psychologist. When Harold meets the anarchic seventy-nine-year-old Maude at a funeral, they become friends and the old lady discloses other perspectives of the cycle of life for him. Meanwhile, his mother enlists him in a dating service and tries to force him to join the army. On the day of Maude's eightieth birthday, Harold proposes to her but he finds the truth about life at the end of hers. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When she first meets Harold, Maude states her full name as Dame Marjorie Chardem (although it is spelled "Chardin" in the screenplay, novel, and transcript). See more »
When Maude pulls the banjo out of a cabinet, you see the reflection of crew and lights. See more »
[after spotting Harold hanging from a noose in the living room]
I suppose you think that's very funny, Harold... Oh, dinner at eight, Harold. And do try and be a little more vivacious.
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Brilliantly executed quirky comedy that could be the most romantic film ever
HAROLD AND MAUDE is one of the quirkiest comedies ever made, both heartwarming and hilarious. Just recently, it made the AFI's Top 100 Funniest Movies of All Time (#45). Not that the list means anything, it didn't include DUMB & DUMBER the funniest damn movie ever made, but I agreed with this choice.
Bud Cort is Harold, a morbid teenage boy neglected by his rich mother (Vivian Pickles), who spends her time trying to match him up with blind dates. Harold delights in pretending to kill himself to get attention from his mother and pulls some gruesome tricks out of his sleeve to scare away his blind dates. He goes to funerals as a hobby and while there, he meets Maude (Ruth Gordon), a carefree elderly woman. Maude helps to teach Harold the beauty of life and the two slowly fall in love.
HAROLD AND MAUDE was ever nominated for any Oscars, but it should have been. Bud Cort and Ruth Gordon are both brilliant in their roles; unfortunately, this would be the last good film either of them made. Cort was recently reduced to a bit part in THEODORE REX and Gordon died in 1985. But both here are at shining moments in their careers. Vivian Pickles is right on-target as Harold's rich, prissy mother who tries to run Harold's life for him until he breaks free. Maude is certainly one of the most heartwarming characters in cinema history; her philosophies are so very true that I couldn't help but apply them to my life after the movie was over. Some viewers may be disgusted at the thought of a teenage boy and an elderly woman being a hot item, but the idea and execution of it is more an act of respect and love for one another as people than an act of lust and romance, making this in my opinion the most romantic film of all time. HAROLD AND MAUDE is also told very realistically, making the story unfold gracefully and the twist ending is both poignant and reassuring.
HAROLD AND MAUDE is certainly one of the funniest movies of all time, but is also one of the most important human stories as well.
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