Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's ... See full summary »
Margarethe von Trotta
After the bankruptcy of their father's stonemasonry firm, brothers Nicola and Andrea emigrate to America to restore their fortunes. After many adventures and near-disasters, they end up in ... See full summary »
Joaquim de Almeida,
An American businessman's family convinces him to buy a Scottish castle and disassemble it to ship it to America brick by brick, where it will be put it back together. The castle though is ... See full summary »
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
An ex-convict struggles to survive by brute force alone in a turn-of-the-century slum in Braila. Codine (Alexandre Virgil Platon) is the thug who served 10 years for murdering a friend. He ... See full summary »
Alexandru Virgil Platon,
Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were ... See full summary »
Self-destructive and needy but wealthy teenager Harold is obsessed with death and spends his leisure time attending funerals, watching the demolition of buildings, visiting junkyards, simulating suicides trying to get the attention of his indifferent, snobbish and egocentric mother, and having sessions with his psychologist. When Harold meets the anarchic seventy-nine-year-old Maude at a funeral, they become friends and the old lady discloses other perspectives of the cycle of life for him. Meanwhile, his mother enlists him in a dating service and tries to force him to join the army. On the day of Maude's eightieth birthday, Harold proposes to her but he finds the truth about life at the end of hers. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The Cat Stevens songs 'Pop' 'Star', 'Shine,' 'Time,' and 'Fill My Eyes' were originally to be used in the film. See more »
About 50 minutes into the film, when Maude is doing donuts around the officer, the driver-side window of the truck is alternately up/down between shots. See more »
[after spotting Harold hanging from a noose in the living room]
I suppose you think that's very funny, Harold... Oh, dinner at eight, Harold. And do try and be a little more vivacious.
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A 'tour de force' of a film and one of Hal Ashby's best films
'Harold & Maude' is one of those 'sleeper' films that just seems to resonate that bit more with every passing year. Harold, played by the criminally under-utilized Bud Cort, is the quintessential disaffected rich kid wanting to find some meaning in a vacuous life who hooks up with the devil-may-care Maude through their mutual love of attending funerals (Joyce's word 'fun-for-all' springs readily to mind in those scenes). There is plenty to love about this film, the slower pace and the lampooning of easy targets, the 'gung-ho' military uncle and the fetishist priest for example. Here is a film that really stands up well to repeated viewings.
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