Unable to deal with her parents, Jeannie Tyne runs away from home. Larry and Lyne Tyne search for her, and in the process meet other people whose children ran away. With their children gone... See full summary »
London, 1969 - two 'resting' (unemployed and unemployable) actors, Withnail and Marwood, fed up with damp, cold, piles of washing-up, mad drug dealers and psychotic Irishmen, decide to ... See full summary »
Richard E. Grant,
A young couple move into an apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
Self-destructive and needy but wealthy teenager Harold is obsessed with death and spends his leisure time attending funerals, watching the demolition of buildings, visiting junkyards, simulating suicides trying to get the attention of his indifferent, snobbish and egocentric mother, and having sessions with his psychologist. When Harold meets the anarchic seventy-nine-year-old Maude at a funeral, they become friends and the old lady discloses other perspectives of the cycle of life for him. Meanwhile, his mother enlists him in a dating service and tries to force him to join the army. On the day of Maude's eightieth birthday, Harold proposes to her but he finds the truth about life at the end of hers. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Cat Stevens appears in a brief, uncredited role during Ruth Gordon's second appearance in the film. He is the bearded gentleman wearing a hat at and a full coat at a graveside service. His profile can be seen a few times as he looks at displeasure at Ruth Gordon trying to grab Burt Cort's attention during the service. See more »
About 50 minutes into the film, when Maude is doing donuts around the officer, the driver-side window of the truck is alternately up/down between shots. See more »
[after spotting Harold hanging from a noose in the living room]
I suppose you think that's very funny, Harold... Oh, dinner at eight, Harold. And do try and be a little more vivacious.
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Over 30 years have passed since Harold and Maude premiered. Since then, there hasn't been a more "different" and enjoyable love story about two completely odd people. The story is so unique, it is held in a category all its own. A man, who only feels alive when he's dead is introduced to a woman who is planning on death but lives life day to day. The moral of the movie is to live and to be. I am hoping for a sequel where Harold becomes the old man and influences a young woman who reminds him of the child he once was to live life to the very fullest.
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