| Eric Porter | ... | Dr. John Pritchard | |
| Angharad Rees | ... | Anna | |
| Jane Merrow | ... | Laura | |
| Keith Bell | ... | Michael Pritchard | |
| Derek Godfrey | ... | Dysart | |
| Dora Bryan | ... | Mrs. Golding | |
| Marjorie Rhodes | ... | Mrs. Bryant | |
| Lynda Baron | ... | Long Liz | |
| Marjie Lawrence | ... | Dolly | |
| Margaret Rawlings | ... | Madame Bullard | |
| Elizabeth MacLennan | ... | Mrs. Wilson | |
| Barry Lowe | ... | Mr. Wilson | |
| A.J. Brown | ... | Rev. Anderson | |
| April Wilding | ... | Catherine | |
| Anne Clune | ... | 1st Cell Whore | |
| Vicki Woolf | ... | 2nd Cell Whore | |
| Katya Wyeth | ... | 1st Pub Whore | |
| Beulah Hughes | ... | 2nd Pub Whore | |
| Tallulah Miller | ... | 3rd Pub Whore | |
| Peter Munt | ... | Pleasants | |
| Philip Ryan | ... | Police Constable | |
| Molly Weir | ... | Maid | |
| Charles Lamb | ... | Guard | |
| rest of cast listed alphabetically: | |||
| Norman Bird | ... | Police Inspector | |
| Ann Way | ... | Seamstress (uncredited) | |
Directed by | |||
| Peter Sasdy | |||
Writing credits(in alphabetical order) | ||
| L.W. Davidson | ||
| Edward Spencer Shew | story | |
Produced by | |||
| Aida Young | .... | producer | |
Original Music by | |||
| Christopher Gunning | |||
Cinematography by | |||
| Kenneth Talbot | |||
Film Editing by | |||
| Chris Barnes | |||
Art Direction by | |||
| Roy Stannard | |||
Makeup Department | |||
| Patricia McDermott | .... | hair styles supervisor (as Pat McDermott) | |
| Bunty Phillips | .... | makeup supervisor | |
| Roy Ashton | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Christopher Sutton | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ariel Levy | .... | assistant director | |
Sound Department | |||
| Ken Barker | .... | dubbing mixer | |
| Frank Goulding | .... | sound editor | |
| Kevin Sutton | .... | sound recordist | |
| Graham V. Hartstone | .... | sound re-recording mixer (uncredited) | |
| Otto Snel | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Cliff Culley | .... | special effects | |
Camera and Electrical Department | |||
| Bob Kindred | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Rosemary Burrows | .... | wardrobe supervisor | |
| Eileen Sullivan | .... | wardrobe mistress | |
Music Department | |||
| Philip Martell | .... | music supervisor | |
Other crew | |||
| Gladys Goldsmith | .... | continuity | |
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| Jack the Ripper | Schizo | Black Christmas | Psycho | Murder by Decree |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
Not your typical Hammer vehicle starring Eric Porter as a doctor, influenced by the work of Sigmund Freud, who wants to study a young 17 year-old girl he knows to be a murderer. Porter thinks by analyzing her past he can find out why people murder and maybe prevent the act of murder in the human race in the process. The film is interesting in its objectives yet is a bit uneven in its execution. Directed by Peter Sasdy, who has obvious talent and directed Taste the Blood of Dracula nd Countess Dracula, the film works very hard at focussing on the relationship of childhood memories with adult behaviour, but at the same time wants to incorporate typical Hammer stuff such as big bosoms busting through stretched corsets and lots of blood and bizarre deaths. Angharad Rees plays the murderous daughter of the Whitechapel killer who as a child saw her mother brutally killed and then was orphaned. She does a good job as do all the actors. My biggest problem is with Porter, not his performance, but his character's motivation. I find it a little difficult to believe that a man supposedly intelligent would be so amoral, for he definitely seems to think that he is doing nothing wrong. The film is not all talk. There are several murders, all fairly brutal in their execution(no pun intended). The most ridiculous of these has to be a woman killed by her pince-nez glasses...but I'll let you decide if murder by pince-nez is realistic or not. There are some wonderful scenes too and the climatic one in St. Pauls is extremely powerful.