| Cast overview, first billed only: | |||
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Eric Porter | ... |
Dr. John Pritchard
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| Angharad Rees | ... |
Anna
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| Jane Merrow | ... |
Laura
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Keith Bell | ... |
Michael Pritchard
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Derek Godfrey | ... |
Dysart
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| Dora Bryan | ... |
Mrs. Golding
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Marjorie Rhodes | ... |
Mrs. Bryant
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Lynda Baron | ... |
Long Liz
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Marjie Lawrence | ... |
Dolly
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Norman Bird | ... |
Police Inspector
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Margaret Rawlings | ... |
Madame Bullard
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Elizabeth MacLennan | ... |
Mrs. Wilson
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Barry Lowe | ... |
Mr. Wilson
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A.J. Brown | ... |
Rev. Anderson
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April Wilding | ... |
Catherine
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The infant daughter of Jack the Ripper is witness to the brutal murder of her mother by her father. Fifteen years later she is a troubled young woman who is seemingly possessed by the spirit of her father. While in a trance she continues his murderous killing spree but has no recollection of the events afterwards. A sympathetic psychiatrist takes her in and is convinced he can cure her condition. Soon, however, he regrets his decision. Written by Kevin Steinhauer <K.Steinhauer@BoM.GOV.AU>
Hands of the Ripper is directed by Peter Sasdy and written by L.W. Davidson and Edward Spencer Shew. It stars Eric Porter, Angharad Rees, Jane Merrow, Keith Bell, Derek Godfrey, Dora Bryan and Marjorie Rhodes. Music is by Christopher Gunning and cinematography by Kenneth Talbot.
The infant daughter of Jack the Ripper witnesses the brutal murder of her mother by her father. Now a young woman she is deeply troubled and seems to have inherited her father's murderous instincts. An eminent psychiatrist takes her in to his own home in the belief he can benefit medical science by studying her at close quarters...
A nifty late horror entry from Hammer Film Productions, Hands of the Ripper boasts the usual period delights and a on form cast doing justice to the intriguing twist on Ripper lore. The murders are delightfully gruesome in that colourful Hammer way, the Freudian beats penetrative and spicy and the suspense is well orchestrated by old pro Sasdy. Sasdy also has a keen eye for fluid camera techniques, and with Talbot making good use of shadows and light, it's an all round well constructed production that looks higher on monetary value than it actually was.
Naturally full of improbabilities and cliché contrivance, Hands of the Ripper is still a horror film of considerable substance. From the attention grabbing opening sequence as Jolly Jack returns home from his work, to the breath holding finale set at St Paul's Cathedral, it delivers many treats for fans of Hammer Horror. 7.5/10