When an ancient statue is moved for display in Expo '70, a giant, vaguely Triceratops-like monster is released. The monster goes to Japan in pursuit of the statue and ends up battling Gamera, the giant flying turtle.
An experimental lab animal called a gargantua escapes from his captors and is suspected to be the creature that is killing people all over the countryside. But when the gargantua from the ... See full summary »
King Kong is brought in by an evil ruler to dig for precious gems in a mine when the robot MechaKong is unable to do the task. This leads to the machine and the real Kong engaging in a tremendous battle that threatens to level Japan.
A pollution monster named Hedorah comes from outer space. First it terrorizes sea, then it goes on land where it encounters the big G. After it's after the fight with Godzilla it retreats, only to reappear again in a flying form, it's starts to kill people. Then it takes on it's final form, that's when the Big G comes and the battle that decides the fate of the world begins. Written by
This is the only movie in which Godzilla demonstrates his ability to fly by firing his atomic breath towards the ground and propelling himself backwards. See more »
When Dr. Yano and Yukio are discussing going to rescue Ken, fish can be seen swimming in the aquarium behind them even though all the fish in it were destroyed by the acid mist a few minutes earlier. See more »
It probably came from a sticky, dark planet far, far away. Now go to sleep.
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Special Effects director Teruyoshi Nakano's name is incorrectly rendered as Shokei Nakano in Toho's English credits for the film. Many other English versions mistranslated his name as Akiyoshi Nakano instead. See more »
This film has a really post modern feel to it. It begins with a song in Japanese called Save the Earth that (like The Lost Continent song) you won't stop singing (Kaishan! Kaishan! Kaishan!). The opening credits mix in shots of a girl singing the song with shots of a sludge clogged Tokyo harbor. Things get stranger from here. It opens with an annoying kid and his dad going swimming. The kid's father's face is disfigured and the kid gets his hand burned off by a smog monster named Hedorah who spits acid balls and inhales the fumes off smokestalks. Things get even stranger from there. Theres a Save the Earth concert or something with this girl in spandex with stuff painting on singing, this lava lamp like thing on the wall (definitely hippies) and this teenager who gets drunk and starts halucinating and sees everyone with fish masks on (when I saw this the first time when I was six, couldn't get why everyone started wearing fish masks and why the teen seemed so disturbed about it) until Hedorah suddenly attacks after sucking up fumes. Well Godzilla comes and saves everybody and they start fighting really bizarrely (similar to the Saturday night wrestling scenes from King Kong vs. Godzilla. They wrestle and wrestle some more. Though released in 1971, this is very sixties. Director Yoshimitsu Banno blends mind twisting images, real scenes of Tokyo bay covered with sludge, the scenes with the hippies, disturbing scenes with dying babies on mutiple screens, gory scenes of Hedorah's victems being reduced to skeletons, scenes with the kid and his scientist father trying to figure out how to stop the monster, and scenes with a newscaster. This is very poetic, bizarre, beautiful, and sometimes extremely disturbing and has about the strongest anti pollution messages I've ever seen (Japan was polluted the most back then). This is one colorful film. P.S. I don't know how this film got a G rating with all the disturbing images in it.
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