Paris, 1942. Robert Klein cannot find any fault with the state of affairs in German-occupied France. He has a well-furnished flat, a mistress, and business is booming. Jews facing ... See full summary »
Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom ... See full summary »
The aristocratic Tony moves to London and hires the servant Hugo Barrett for all services at home. Barrett seems to be a loyal and competent employee, but Tony's girlfriend Susan does not ... See full summary »
Stephen is a married Oxford professor experiencing the pangs of a mid-life crisis as he begins to bristle at the stifling emotional repression of the society in which he lives. Things begin... See full summary »
This bio-pic is about Galileo, the 17th century Italian who laid the foundations of modern science. Galileo made himself one of the world's first telescopes and discovered the moons of ... See full summary »
Nora Helmer has years earlier committed a forgery in order to save the life of her authoritarian husband Torvald. Now she is being blackmailed lives in fear of her husband's finding out and... See full summary »
An ex-con who's taken part in the robbery of a racetrack is caught and sent back to prison, but he won't tell his fellow gang members where he's stashed the loot. The gang kidnaps his ... See full summary »
What is real and what is fiction? Faced with writer's block with his novel, Lewis Fielding turns to a film script about a woman finding herself after his wife Elizabeth returns from Baden ... See full summary »
Two escaped convicts (Robert Shaw and Malcolm McDowell) are on the run in an unnamed Latin American country. But everywhere they go, they are followed and hounded by a menacing black ... See full summary »
Summer 1900: Queen Victoria's last and the summer Leo turns 13. He's the guest of Marcus, a wealthy classmate, at a grand home in rural Norfolk. Leo is befriended by Marian, Marcus's twenty-something sister, a beauty about to be engaged to Hugh, a viscount and good fellow. Marian buys Leo a forest-green suit, takes him on walks, and asks him to carry messages to and from their neighbor, Ted Burgess, a bit of a rake. Leo is soon dissembling, realizes he's betraying Hugh, but continues as the go-between nonetheless, asking adults naive questions about the attractions of men and women. Can an affair between neighbors stay secret for long? And how does innocence end? Written by
After one of Marian's rendezvous in the shrubbery with Burgess, she emerges hurriedly, being called. Her modern-day brassiere is clearly visible through her thin blouse as she hustles out of the bushes. Though women were beginning to experiment with such "radical" garments in 1900, it is doubtful that a young, marriageable woman would have known of such things. See more »
It has been reported by sharp-eyed viewers that in the Tombland scene in Norwich, there is a shop window behind the action which reflects an image of the camera crew. See more »
Grown-up games of desire and passion as witnessed through a child's eyes...
In the early 1900s, a 12-year-old boy staying with his school-friend and his friend's family in the English countryside for the summer becomes indirectly involved in the clandestine affair between a privileged young woman and a lusty, low-class farmer. Harboring a crush on his friend's older sister, the lad is at first anxious to be her messenger, but his feelings soon sour once he realizes he's being used--as is the woman's rich, stuffy intended--in a game of love-play which he does not altogether understand. Harold Pinter's adaptation of the novel by L.P. Hartley smartly concentrates on the boy's perception of the events, although the flash-forwards in time (which culminate in an obtuse epilogue) fall rather flat. Joseph Losey directs in a clear, concise manner without too much dawdling about, building up the tension in the household with precision. Disapproving family matriarch Margaret Leighton, who sees the world through slanted, jaded eyes, has a terrifically charged moment late in the movie where she confronts the child over a letter in his pocket, and young Dominic Guard is excellent as well. The star-crossed lovers, Julie Christie and Alan Bates, have far less to work with (surprisingly), but do have superlative moments. The unvarying score by Michel Legrand becomes monotonous before long, and the production design and cinematography are disappointing, though the film has a quiet power that is unsettling. **1/2 from ****
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