In Mexico at the time of the Revolution, Juan, the leader of a bandit family, meets John Mallory, an IRA explosives expert on the run from the British. Seeing John's skill with explosives, Juan decides to persuade him to join the bandits in a raid on the great bank of Mesa Verde. John in the meantime has made contact with the revolutionaries, and intends to use his dynamite in their service. Written by
In the flashback scenes, Irish republicans can be seen selling a paper called "Freedom", written in an Irish Celtic script. This is probably a reference to the Fenian newspaper "Saoirse", which is "Freedom" in Irish. The original "Saoirse" first appeared in November 1910 and continued as a monthly publication until December 1914, when it was suppressed by British authorities. A separate newspaper of the same name has been published by Republican Sinn Féin (a splinter group of the main party) since the 1980s. See more »
When Sean sets his machine gun back on its tripod after setting the charges, it is loaded with a section of belt with no more than (possibly) fifty cartridges; he is never seen to reload it, but fires many more shots than that.
Also, when he stops shooting, it is because the gun has run out of ammunition - we can clearly see the bitter end of the belt go through the action, leaving empty links hanging on the right side, and no belt at all on the left side. But in later shots there is a belt with unfired cartridges visible on that side - though it seems to change length between shots. See more »
John H. Mallory:
[to Juan, who is lying on a map]
That's your country you're lyin' all over.
Not my country. My country is me and my family.
See more »
Uncut English-language prints of the film use 'Duck You Sucker' as its title, while edited reissues use 'A Fistful of Dynamite', with 'Duck, You Sucker' in smaller print and in parenthesis underneath. See more »
I was lucky enough to see a newly struck print of a two and a half hour version of this film just yesterday, an immaculate print, as part of a Leone film retrospective here in Austin TX. I will not give a synopsis of the plot; what's important to note is that all the Leone hallmarks are there -- brilliant production design and camera work, carefully structured narrative, epic scale -- and some of the strangest music ever created by Mr. Morricone. The leads seem miscast, particularly Rod Steiger as the accidental Mexican revolutionary, but he gives an energetic performance that the film can hang its rather large weight upon.
I saw 'Good, Bad...' and '...West' immediately before I saw this picture and it is very much from the same cloth and in the same league as those two films -- more comic, a bit flawed and crude perhaps; but really it's evidence of an artist working on a grand scale and well worth your time.
If you consider yourself a fan of Mr. Leone's, do give MGM an email and demand the DVD release of this neglected, fascinating movie
Hopefully this picture will get the home video release it deserves. The VHS version of this film is much shorter and far more confusing -- a typical case of a long movie's being shortened in hopes that it will do better business, and being ruined in the process.
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