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Duck, You Sucker (1971)
"Giù la testa" (original title)

7.6
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Ratings: 7.6/10 from 15,686 users   Metascore: 77/100
Reviews: 97 user | 55 critic | 5 from Metacritic.com

An IRA explosives expert on the run in Mexico meets an amoral Mexican bandit; together they get drawn into the Mexican revolution.

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(story), (story), 5 more credits »
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Title: Duck, You Sucker (1971)

Duck, You Sucker (1971) on IMDb 7.6/10

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Cast

Cast overview, first billed only:
...
...
Romolo Valli ...
Dr. Villega
Maria Monti ...
Adelita, woman in stagecoach
Rik Battaglia ...
Santerna (as Rick Battaglia)
Franco Graziosi ...
Governor Jaime
Antoine Saint-John ...
Gutierez / Col. Günther Reza (as Domingo Antoine)
Giulio Battiferri ...
Miguel
Poldo Bendandi ...
Executed Revolutionary
Omar Bonaro
Roy Bosier ...
Landowner on stagecoach
John Frederick ...
American on stagecoach
Amato Garbini
Michael Harvey ...
Yankee
Biagio La Rocca ...
Benito
Edit

Storyline

In Mexico at the time of the Revolution, Juan, the leader of a bandit family, meets John Mallory, an IRA explosives expert on the run from the British. Seeing John's skill with explosives, Juan decides to persuade him to join the bandits in a raid on the great bank of Mesa Verde. John in the meantime has made contact with the revolutionaries, and intends to use his dynamite in their service. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Rod Steiger and James Coburn will blow you apart in "A Fistful of Dynamite" ("Duck You Sucker") by the master of adventure Sergio Leone

Genres:

Adventure | Western

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

20 October 1971 (Italy)  »

Also Known As:

A Fistful of Dynamite  »

Box Office

Gross:

SEK 613,387 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (initial US release) | (Laserdisc)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

In the flashback scenes, Irish republicans can be seen selling a paper called "Freedom", written in an Irish Celtic script. This is probably a reference to Fenian newspaper "Saoirse", which is "Freedom" in Irish. The original "Saoirse" first appeared in November 1910 and continued as a monthly publication until December 1914, when it was suppressed by the British authorities. A separate newspaper of the same name, has been published by Republican Sinn Féin (a splinter group of the main party) since the 1980s. See more »

Goofs

Juan's machine gun is not pointing at Gutierez as he shoots him. See more »

Quotes

American on wagon: You'll pay for this! I'm a citizen of the United States of America!
Juan's father: To me you are a naked son of a bitch.
See more »

Connections

Spoofed in Straight to Hell (1987) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Sergio Leone's Sad, Funny, Beautiful Epic Western
8 October 2004 | by (Savannah, GA) – See all my reviews

Coming off the triumphs of his "Man With No Name" series and his frustrations with the cutting of "The Good, The Bad & The Ugly" and "Once Upon a Time in the West," Sergio Leone directed the big budget, epic western, originally titled, "Once Upon a Time in the Revolution". Since "...West" had been released by Paramount and United Artists was releasing "...Revolution," some executive decide the rename the movie "Duck! You Sucker!" after the phrase Sean (James Coburn) uses repeatedly before blowing someone or something up with dynamite. Likely the same executive choose an advertising campaign reminiscent of "The Good, The Bad & The Ugly," creating caricatures of Sean and Juan (Rod Steiger) adding the caption "...the master of adventure, Sergio Leone". Well, I doubt many theater audiences knew who Sergio Leone was, since he was yet to be recognized as a directoral genius the equal of John Ford or Howard Hawks. Worse, the advertising implied "Duck! You Sucker! was a laugh romp, a parody of Leone's early masterpieces. This impression was made even worse when the film failed to perform. In any event, "A Fistfull of Dyanmite" was a dismal failure at the box office and Leone never made another big budget western drama.It's too bad, because "A Fistfull of Dynamite" is Leone's trueist work, his most accurate vision of life, politics and revolution. Neither Rod Steiger nor James Coburn were strongly associated with westerns, even though both played strong roles in earlier films (Steiger in "Run of the Arrow" and "Jubal," Coburn in "The Magnificent Seven" and "Ride Lonesome". Worse, Steiger's Juan looked like something of a buffoon and the movies villains were bland and underdeveloped. However, I believe this was Leone's intention: corrupt politicians and Prussian officers are pretty well interchangeable. Kill one and another pops up. This isn't a very satisfying truth, but it is truth, nonetheless. Juan is a peasant, a bandit with a large family of bandits. Sean is a Irish Republican Army terrorist, an explosives expert. In Leone's world, or at least in all his films, there are only two types of people: predators and victims. His major characters are all predators. The only thing that distinguishes his protagonists from his antagonists is that his antagonists start with a large body count and his protagonists usually spare the innocent. That works with a taut enough storyline, but "...Dynamite" covers large areas of real estate and the goal is never clear. Juan didn't plan to become a hero of the revolution, and that is small payment for his losses. When one looks at history, the rewards of revolution and warfare are never worth the sacrifices, for just as we kill one bastard, another takes his place.

I think "A Fistfull of Dynamite" largely reflects Leone's fate as well. Leone proved he was the greatest western director in less than four years with only four major films. Yet, he was hardly appreciated during his short life and only a few films after his magnificent achievement. "A Fistfull of Dynamite" is also Leone's saddest movie. A beautiful, big budget metaphor for a man's talent wasted by underappreciate film executive and smug, self-serving critics.

Coburn should have won an "Oscar" for "Dynamite." With the exception of some tabletop model trains, the effects are convincing and exciting. The color cinematography is phenomenal, clearly the equal of "Once Upon a Time in the West. The sound and music (by Ennio Morricone) is phenomenal, as usual. While not as satisfying as Leone's best films, "A Fistfull of Dynamite" is an exemplary film. I give it a "9".


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