While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul... See full summary »
Based on the Edward Bulwer-Lytton novel. Set in the shadows of Mt. Vesuvius just before its famous eruption, the film begins with Glaucus, a Roman legionnaire, returning to his home from ... See full summary »
In Mexico at the time of the Revolution, Juan, the leader of a bandit family, meets John Mallory, an IRA explosives expert on the run from the British. Seeing John's skill with explosives, Juan decides to persuade him to join the bandits in a raid on the great bank of Mesa Verde. John in the meantime has made contact with the revolutionaries, and intends to use his dynamite in their service. Written by
According to Sergio Leone, Sam Peckinpah agreed to direct this film after Peter Bogdanovich had turned the project down, but for financial reasons was turned down by United Artists. Leone's collaborators (especially writers Sergio Donati and Luciano Vincenzoni), noting the director's frequent embellishment of the facts concerning his films, claim that Peckinpah did not even consider it - Donati claimed Peckinpah was "too shrewd to be produced by a fellow director". See more »
When the deserter is taken from the train to be executed along with two others the wall behind him is shot at and damaged on both sides of the deserter. The following close-up shot of the deserter getting shot in the back reveals no damage to the wall. See more »
Antoine Saint-John is credited as 'Dominigo Antoine' on Italian prints, while English prints refer to him as 'Jean Michel Antoine'. 'Vivienne Maya' and David Warbeck are not credited for playing John's girlfriend and Nolan respectively on Italian prints, but are credited on English prints in that order (Maya was credited as 'Vivienne Chandler'). See more »
I was lucky enough to see a newly struck print of a two and a half hour version of this film just yesterday, an immaculate print, as part of a Leone film retrospective here in Austin TX. I will not give a synopsis of the plot; what's important to note is that all the Leone hallmarks are there -- brilliant production design and camera work, carefully structured narrative, epic scale -- and some of the strangest music ever created by Mr. Morricone. The leads seem miscast, particularly Rod Steiger as the accidental Mexican revolutionary, but he gives an energetic performance that the film can hang its rather large weight upon.
I saw 'Good, Bad...' and '...West' immediately before I saw this picture and it is very much from the same cloth and in the same league as those two films -- more comic, a bit flawed and crude perhaps; but really it's evidence of an artist working on a grand scale and well worth your time.
If you consider yourself a fan of Mr. Leone's, do give MGM an email and demand the DVD release of this neglected, fascinating movie
Hopefully this picture will get the home video release it deserves. The VHS version of this film is much shorter and far more confusing -- a typical case of a long movie's being shortened in hopes that it will do better business, and being ruined in the process.
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