History Professor Brad Fletcher heads west for his health, but falls in with Soloman Bennett's outlaw gang. Fascinated by their way of life, Fletcher finally takes over the gang, leading ... See full summary »
Gian Maria Volonté,
Set in Mexico, a nun called Sara is rescued from three cowboys by Hogan, who is on his way to do some reconnaissance, for a future mission to capture a French fort. The French are chasing ... See full summary »
During the last winter of the Civil War, cavalry officer Amos Dundee leads a contentious troop of Army regulars, Confederate prisoners and scouts on an expedition into Mexico to destroy a ... See full summary »
A Union Cavalry outfit is sent behind confederate lines in strength to destroy a rail/supply centre. Along with them is sent a doctor who causes instant antipathy between him and the ... See full summary »
After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
In Mexico at the time of the Revolution, Juan, the leader of a bandit family, meets John Mallory, an IRA explosives expert on the run from the British. Seeing John's skill with explosives, Juan decides to persuade him to join the bandits in a raid on the great bank of Mesa Verde. John in the meantime has made contact with the revolutionaries, and intends to use his dynamite in their service. Written by
According to Sergio Leone, Sam Peckinpah agreed to direct this film after Peter Bogdanovich had turned the project down, but for financial reasons was turned down by United Artists. Leone's collaborators (especially writers Sergio Donati and Luciano Vincenzoni), noting the director's frequent embellishment of the facts concerning his films, claim that Peckinpah did not even consider it - Donati claimed Peckinpah was "too shrewd to be produced by a fellow director". See more »
The dynamite Sean hands Juan before the bank raid is several sticks in a bundle, with a single fuse and cap in the center, but when Juan dynamites the vault door, he uses two single sticks, individually fused and capped. See more »
John H. Mallory:
Where are you going, for Christ's sake?
I don't know. I don't know, but something's wrong. I went into the bank. But when I go in the bank, there's nothing there, no money, nothing.
John H. Mallory:
Oh, well, the bank and the money were transferred to Mexico City over a month ago. Well, they've been using this place for a political prison ever since.
What? What do you mean a political prison?
John H. Mallory:
Well, I never said a thing about money. All I asked you was if you wanted to get inside.
But you know that this bank is ...
[...] See more »
Here is a tragedy -- a great film doomed by a terrible title.
I saw this movie as "Duck, You Sucker" in the theater in 1972 or '73. I still have images and haunting music burned in my brain from it. It has, for one thing, one of the biggest real explosions ever filmed, an absolutely awesome blast using real high explosives that makes today's fiery spectacles pale. I think the whole production company was stunned by it, certainly Sergio Leone was, because he gives it the full treatment: multiple cameras and angles, wide shots, lots of screen time giving us lots of looks. And it's worth it. If you're not a war veteran, you've never seen anything like this.
But this film is much more than its fx. It's a deep, moving story told on the grand scale, with Oscar-class cinematography. It is both a major outdoor adventure and a small, intimate story. It has some of the quirkiest scenes, blackest humor and darkest betrayals, too.
Don't look for it on TV, unless Turner Classic Movies shows it "uncut." It was horribly mutilated in editing for television, and therefore unpopular and rarely shown. Get the original theatrical version, and watch it undisturbed. A party atmosphere would ruin it for you.
It's on my top-20 all time list!
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