| Franco Nero | ... | Andrea Bild | |
| Silvia Monti | ... | Helene | |
| Wolfgang Preiss | ... | Police Inspector | |
| Ira von Fürstenberg | ... | Isabel Lancia | |
| Edmund Purdom | ... | Edouard Vermont | |
| Rossella Falk | ... | Sophia Bini | |
| Renato Romano | ... | Dr. Richard Bini | |
| Guido Alberti | ... | Traversi | |
| Luciano Bartoli | ... | Walter Auer (as Luciano Baroli) | |
| Agostina Belli | ... | Giulia | |
| Maurizio Bonuglia | ... | John Lubbock | |
| Pamela Tiffin | ... | Lu Auer | |
| Corrado Gaipa | ... | Editor | |
| Andrea Scotti | ... | Vogel | |
| Luigi Antonio Guerra | (as Guerra L. Antonio) | ||
| Irio Fantini | |||
| rest of cast listed alphabetically: | |||
| Jean-Pierre Clarain | ... | Journalist in Bini's Home (uncredited) | |
| Nando Sarlo | ... | Man in Black Tie (uncredited) | |
Directed by | |||
| Luigi Bazzoni | |||
Writing credits(in alphabetical order) | ||
| Luigi Bazzoni | ||
| David McDonald Devine | novel (as D.M. Devine) | |
| Mario di Nardo | ||
| Mario Fanelli | (as Mario Fenelli) | |
Produced by | |||
| Manolo Bolognini | .... | producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Vittorio Storaro | |||
Film Editing by | |||
| Eugenio Alabiso | |||
Production Design by | |||
| Gastone Carsetti | |||
Costume Design by | |||
| Fiorenzo Senese | |||
Makeup Department | |||
| Maria Angelini | .... | hair stylist | |
| Vittorio Biseo | .... | makeup artist | |
| Marisa Marconi | .... | makeup artist | |
Production Management | |||
| Paolo Frascá | .... | production manager | |
| Carlo Giovagnorio | .... | production manager | |
| Ugo Valenti | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Luciano Marin | .... | assistant director | |
Art Department | |||
| Claudio Cinini | .... | assistant production designer | |
Camera and Electrical Department | |||
| Angelo Novi | .... | still photographer | |
| Mauro Pezzotti | .... | grip | |
| Enrico Umetelli | .... | camera operator | |
Editorial Department | |||
| Lorenzo Costantini | .... | assistant editor | |
| Giuseppe Romano | .... | assistant editor | |
| Recent Posts (updated daily) | User |
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| Pamela Tiffin (Slight spoilers) | kamikaze-4 |
| Franco Nero is hard to understand | joey-narcotic |
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| The Cat o' Nine Tails | The Case of the Scorpion's Tail | Black Belly of the Tarantula | The Bird with the Crystal Plumage | A Bay of Blood |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb Italy section |
A stylish, atmospheric giallo. Great score, great locations, superb cinematography by the great Storaro. The story, however, is quite muddled, but here, the mood makes up for that to a large extent. The cheesiest moments are the killings, where the cinematography jarringly becomes quite sloppy and day/night continuity goes out the window. This film makes me more curious about Luigi Bazzonis Footprints On The Moon/Le Orme, which I came across on VHS in a second-hand store many years ago. I was intrigued by the cover and the summary on the box, but I stupidly did not buy it. Regretting that the day after, I went there again and it was gone. Now my hope lies with Blue Underground, may they soon release it on DVD. Back to The Fifth Cord, its interesting to watch the blocking of some dialog scenes. What could easily have become, in a lesser director and cinematographers hands, simple crosscutting between two talking heads, here often becomes beautifully composed wide shots, sometimes with a dolly, sometimes static, using the rooms, spaces and architecture in a very cinematic way, and with great variety of the framing. A great lesson for aspiring filmmakers.