Giornata nera per l'ariete (1971)An alcoholic journalist finds himself on the trail of a murderer after the police make him a suspect in their investigation. Director:Luigi Bazzoni |
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Giornata nera per l'ariete (1971)An alcoholic journalist finds himself on the trail of a murderer after the police make him a suspect in their investigation. Director:Luigi Bazzoni |
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| Cast overview, first billed only: | |||
| Franco Nero | ... |
Andrea Bild
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Silvia Monti | ... |
Helene
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| Wolfgang Preiss | ... |
Police Inspector
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Ira von Fürstenberg | ... |
Isabel Lancia
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Edmund Purdom | ... |
Edouard Vermont
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Rossella Falk | ... |
Sophia Bini
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| Renato Romano | ... |
Dr. Richard Bini
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Guido Alberti | ... |
Traversi
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Luciano Bartoli | ... |
Walter Auer
(as Luciano Baroli)
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Agostina Belli | ... |
Giulia
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Maurizio Bonuglia | ... |
John Lubbock
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Pamela Tiffin | ... |
Lu Auer
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Corrado Gaipa | ... |
Editor
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Andrea Scotti | ... |
Vogel
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Luigi Antonio Guerra | ... |
(as Guerra L. Antonio)
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After a high-class party in Rome, there's an assault. The victim is injured but lives. Andrea, an investigative reporter who drinks too much, is assigned the story. Then, always on Tuesdays, there are a series of murders. At each crime scene, a glove is left with a finger cut off for each victim. After four murders, Andrea thinks he's making progress, but by this time he may himself be a suspect, and someone he loves is in danger. Written by <jhailey@hotmail.com>
The Fifth Cord is a giallo from director Luigi Bazzoni, who was also responsible for another entry in the genre, the excellent Footprints on the Moon. This film is a lot more conventional than Footprints. In it, an alcoholic journalist becomes entangled in a series of murders that seem to be connected somehow. This plot-line is pretty unremarkable and typical. But three things make this one stand out. Firstly it has the charismatic Franco Nero in the central role, secondly it's got another impressive Ennio Morricone soundtrack and thirdly, and most importantly, it has exquisite photography from the great Vittorio Storaro who previously shot The Bird with the Crystal Plumage and later did Apocalypse Now. The cinematography really is fantastic here. Geometric spaces are shot with consummate skill and every frame seems to have been considered in detail. Aesthetically, The Fifth Cord is an unarguable triumph.
It's not particularly violent for a giallo. The murders are not very graphic at all. Although it does have some impressive suspenseful moments such as the sequence where a disabled woman - played by the always interesting Rossella Falk is terrorised in the dark by an unseen assailant. Otherwise it does have the usual combination of crazy components that are typical to the genre, such as sex parties, astrology and blackmail. Although I guess the story holds together more solidly than most other gialli. Bazzoni hasn't made a classic of the genre to be fair but he has directed a very stylish one. It comes from the slightly more restrained side of the genre but it should definitely interest seasoned fans of this type of thing.