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The Gang That Couldn't Shoot Straight More at IMDbPro »

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14 reviews in total

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11 out of 15 people found the following review useful:
Pretty poor, 26 November 2003

Author: Wayne Malin (wwaayynnee51@hotmail.com) from United States

"Comedy" about two warring Mafia gangs in Brooklyn.

Purportedly the original book is hilarious and this movie has a great cast--but something went wrong. The jokes aren't very funny and the cast just seems to be unable to put across the punchlines. Flat direction doesn't help either.

I'm only giving it a 3 for Leigh-Taylor Young and Robert DeNiro (who are both very good and play a very appealing couple) and Jo Van Fleet who has the movie's only funny lines in a very broad, over the top, amusing manner.

But, all in all, this really isn't worth seeing.

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7 out of 8 people found the following review useful:
One of Orbach's Best, 30 December 2004

Author: bigmike-3 from New York, NY

"The Gang That Couldn't Shoot Straight" was a blast in 1971 and it's just as funny today. Before the Godfather and The Sopranos, writer Jimmy Breslin and then-light comic and musical star Jerry Orbach had the hapless Bonnano crime family skewered. The gags alone would have made the film, but there's a brain at work here, too, in the portrayal of a benighted crime leader and his clownish goons.There's also a small part for an then-unknown unknown Robert DeNiro that forecast and anticipated what Bob would do. After Jerry Orbach's death, I was stunned that so few obits mentioned this film, suggesting his real movie debut was in Prince of the City. He was great in Prince of the City, but this one made him somebody to watch. Don't miss it. It still delights.

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6 out of 8 people found the following review useful:
Spot the star-in-waiting, 11 January 2002
Author: JoeytheBrit from www.moviemoviesite.com

From the moment the "wacky" cartoon credit sequence starts to play, it's obvious that this is going to be a movie that hasn't aged well. In fact, it was probably dated by the mid-seventies. This movie's a real mishmash that never really jells into anything even remotely enjoyable. Most of the broad humour is laboured and false (only the mob leader's method of ensuring his car isn't booby-trapped raised a smile), and is poorly delivered by a largely mediocre cast.

The only stand-out is a young Robert De Niro, looking incredibly fresh-faced and, in a winningly light-hearted performance, displaying little sign of the grittiness that he would soon bring to his roles - comedy or otherwise. He even manages a convincing Italian accent.

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6 out of 9 people found the following review useful:
Complete Miss, 2 January 2007
Author: DrPhilmreview from United States

This movie is a complete misfire, and a very talented cast (Jerry Orbacj, Lionel Stadler, George Loros, Joe Santos) is wasted thanks to a bad script and very sloppy direction. Comedy sequences fall flat; some scenes are so incomplete you can only guess they failed to get some shots; Herve Villacheve's dubbing is almost painful to watch.

The only reason to see this today would be if you are studying Robert DeNiro's acting career and want to see him in some early roles. He's actually quite good as an Italian biker come to New York who gets involved in a gang war. But he's not enough to save the movie, at least not for me.

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5 out of 8 people found the following review useful:
Dated But Still Fairly Funny, 9 September 2004
Author: louiepatti from Manassas, VA

I bought this film because it's one of DeNiro's first roles. Based on a book by Jimmy Breslin, the movie has a dated flavor to it that renders it rather stale; my kids didn't care much for it. However, it can still charm at times and the cast was very good overall. Orbach, without a drop of Italian blood in his veins, does a first-rate penny-ante mobster. There are plenty of sight gags, some more subtle than others, and many do make the viewer groan. The real problem is this type of movie requires a serious attention span on the part of the viewer, something sadly lacking in the modern era. DeNiro was no disappointment---he was fresh, funny and charming. The price of the video was worth every cent just to see him in such an unusually lightweight role. Who knew from watching this that he'd end up as one of film's toughest dramatic actors? In summary, not a great movie, but not awful, either.

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2 out of 3 people found the following review useful:
The Godfather Part 1.5 Great Screwball Gangter Comedy, 9 July 2010

Author: Jay Raskin from Orlando, United States

This film is closely linked to the Godfather, and in some ways its unsuccessful, ridiculous, younger brother. The novel by Jimmy Breslin followed Mario Puzo's 1969 "the Godfather" novel by nine months. It made it to the best seller list, although nowhere as successful as "the Godfather" which lasted 67 weeks on the list compared to 27 weeks for "Gang." It followed "The Godfather" to the screen in 1972, opening four months later, but it flopped, while "the Godfather" was the biggest grossing movie of 1972.

Ironically, Al Pacino had been cast in the lead supporting part of Mario when he won the part of the Michael Corleone in "Godfather". Pacino went for the "Godfather" role and was replaced by little known actor "Robert Deniro" who had flopped his first audition for the Godfather. After "Gang" Deniro won critical acclaim for "Mean Streets" and "Bang the Drum Slowly," and ended up in "Godfather Part 2".

While "the Godfather" glamorized organized crime as good family men doing whatever was necessary to rise in the capitalist world, "Gang" made fun of the same world, showing it as filled with violent imbeciles. It invites us to laugh at the same kind of exploits that "the Godfather" made so thrilling.

While the acting is uniformly fine, two performances stood out. Jerry Ohrbach is simply hilarious as the Kid Sally (based on historical gangster figure Joey Gallo) the punk gang leader looking to rise and take over. Jo Van Fleet, who was fabulous in "East of Eden" and "Cool Hand Luke" in small parts also is hysterical as Kid Sally's brutal mother "Big Momma". Instead of wanting to protect her children from violence, she demands that they torture and kill for the family's honor.

Leigh Taylor Young as Ohrbach's Mafia Princess sister, gives a rather thoughtful and subtle performance, which is surprising considering how outrageous she was in "Alice B. Toklas". Lionel Stander gives a broad performance as Godfather "Baccata" that is as funny as Brando's was dramatic.

Robert Deniro plays Mario, a bicycle rider from Italy who steals and pretends to be a priest in order to stay in America. It is a quirky, naturalist performance.

A lot of the humor is slapstick and some of the humor is so New York, 1960's specific that not many people alive today will get it. For example, the police hold off a raid until a news channel can get its news truck there. The joke is that the channel turns out to be WABC, channel 7, which for many years in the 60's had the lowest rated television news show in New York and the lowest budget. Later, it adopted an "Eyewitness News" format and became number one in N.Y. news shows.

There's a lion roaming around which really sets the flavor for the movie and tells us what the movie really is: a 1970's screwball comedy just like "Bringing Up, Baby," or "What's Up, Doc," but one inside a realistic Gangster World.

In the Godfather, there is an outsider character, Michael Corleone, who allows the audience as outsiders to discover the Gangster World. Unfortunately, there is no parallel character to introduce us to this world. The real life news reporter, Sandor Van Oker kinds of plays that part, but as a television reporter, the audience doesn't identify with him at all. Because, we are just thrust into the middle of these mad characters without any reason for being there, the film has a major problem. There is really nobody for the audience to identify and root for. Even Robert Deniro's Mario who is not a part of "the family" is too crazy and bizarre, for us to identify with. The way to get into the film, I think, is to imagine yourself as the writer Jimmy Breslin. You have just seen "the Godfather" glamorizing and making heroic a bunch of vicious stupid jerks and punks that you have known all your life. You are going to tell the truth about them.

Once you approach the film this way, I think you will enjoy it. Although crazy, this is probably a more truthful picture of Italian Gangster culture than anything Francis Coppola gave us in all three swings.

Note, the screenplay was written by Waldo Salt. He wrote this after "Midnight Cowboy" and before writing "Serpico". The three films form an amazing trilogy of life in New York in the late 1960's.

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2 out of 3 people found the following review useful:
the gang that can shoot straight.... from the hip, 23 January 2008

Author: sharkattack1978 from United Kingdom

This is one of those classics. Not only for the first starring role for Robert De Niro but also its a comedy that is lighthearted and funny. De Niro does a good job as Mario (with a well done Italian accent) as does the late and great Jerry Orbach as Kid Sally the hood who wants to be the boss but keep having it fall from his hands. Lionel Sander (from Hart to Hart fame) does well as Baccala, the main gangster that Kid Sally is trying to take over. I found this hilarious fairly slapstick in some parts but also some strong performances of a film of this calibre. It reminded me for the old 1920's silent films as some of it you could have watched with no speaking at all and you'd still understand what was going on. There are some great scenes with Orbach and his Mama which had me laughing a lot and there were some touching scenes to between Mario and Kid Sally's kid sister. It's one to be watched and not missed if you want to see De Niro and how he started before the greats like Mean Streets, Raging Bull and Goodfellas.

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2 out of 3 people found the following review useful:
great example of '70's cinema, 2 January 2005

Author: mollyshearergabel from New York

I went to see this movie with my mother when it first came out. Now I am waiting for this to come out on DVD because it is one of the few movies that I want to own. When we went to see it in 1971 I laughed so hard I thought I might either pee on myself or vomit. I'd never seen anything so funny…or so familiar. I'm sure that it helped that the action took place primarily in my own neighborhood in Brooklyn, but I believe this movie has something for everyone. The humor didn't seem subtle to me at the time but in light of the brainless fare that has become so popular this movie does require that you actually pay attention from beginning to end. If you get nothing else out of it, the realization that it's not possible to housebreak a lion is worth the price of admission. That and the valuable lessons about car bombs, but to talk about that would require a spoiler alert.

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2 out of 4 people found the following review useful:
A must for all De Niro fans, 25 September 1999

Author: roshike (roshike@usa.net)

Excellent comedy. this movie features bobby in a very different role. In short this movie is about the travails of a Italian Cyclist(Bobby) who is lost in NY. Jerry is extremely convincing as the floundering gang boss. Bobby is extremely funny in the sequences where he impersonates a priest in order to collect money. On the whole a must for all De Niro fans.

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2 out of 4 people found the following review useful:
Robert DeNiro's performance is worth seeing the movie., 31 May 1999

Author: sharo from Tampa, FL

Robert DeNiro has a comedic role in this movie as a member of an Italian cycling team who is stranded in New York City. It is the first movie in which I saw him, and I still recall his wonderful portrayal of a not too bright guy who raises money by impersonating a priest. He is very funny.

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