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Fright (1971)

 -  Crime | Horror | Thriller  -  30 May 1972 (USA)
5.8
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Ratings: 5.8/10 from 740 users  
Reviews: 35 user | 28 critic

Young babysitter Amanda arrives at the Lloyd residence to spend the evening looking after their young son. Soon after the Lloyds leave, a series of frightening occurrences in the gloomy old... See full summary »

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Title: Fright (1971)

Fright (1971) on IMDb 5.8/10

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Cast

Credited cast:
...
Helen
...
Amanda
...
Brian
John Gregson ...
Dr. Cordell
George Cole ...
Jim
...
Chris
Tara Collinson ...
Tara
Maurice Kaufmann ...
Inspector
...
Constable (as Roger Lloyd-Pack)
Michael Brennan ...
Sergeant
Rest of cast listed alphabetically:
...
Dr. Peter Tompson (archive footage)
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Storyline

Young babysitter Amanda arrives at the Lloyd residence to spend the evening looking after their young son. Soon after the Lloyds leave, a series of frightening occurrences in the gloomy old house have Amanda's nerves on edge. The real terror begins, however, when the child's biological father appears after recently escaping from a nearby mental institution. Written by Kevin Steinhauer <K.Steinhauer@BoM.GOV.AU>

Plot Summary | Add Synopsis

Taglines:

The scream you can hear is your own

Genres:

Crime | Horror | Thriller

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

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Release Date:

30 May 1972 (USA)  »

Also Known As:

I'm Alone and I'm Scared  »

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Among horror fans this film is considered the first film to come up with the popular horror convention of a lone babysitter terrorized by a psychotic murderer. See more »

Goofs

When Amanda walks out the door into the yard she is frightened by clothing which hits her in the face from a spinning clothesline. In a subsequent shot we see the back door & clothesline positions in relation to each other. It would be highly unlikely and next to impossible that somebody exiting the door would not notice the white clothes on a spinning clothesline and avoid them instead of walking into the path of the clothes. See more »

Quotes

Inspector: How do you spell that word, "psychotic"?
Dr. Cordell: You may have to spell it M-U-R-D-E-R, murder, if you don't get someone over there quickly!
See more »

Connections

Remade as Trick or Treats (1982) See more »

Soundtracks

Ladybird
(uncredited)
Music by Harry Robertson
Lyrics by Bob Barratt
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User Reviews

 
A genuine horror film, absolutely shattering.
30 August 1999 | by (London) – See all my reviews

There's certainly no time wasted starting the scares in this film. From the opening few seconds the atmosphere is rife with nastiness, and the amazing direction and camerawork are so good you feel like you are being bodily forced into a nightmare, such is the power of the filmmaking. Susan George is simply superb as Amanda, a fine performance that moves from edginess and distress to total hysteria. The house is well chosen, being dull and creaky but not ludicrously so, and the baby is a joy to behold. Ian Bannen contributes a genuinely unhinged turn as the madman and the scenes of sexual and physical violence are unbelieveably strong for the period. Fright may be seen exemplifying the nasty exploitation movie that began to infest British cinema in the early 70s as censorship laws were relaxed. It is true that the film is nasty and throws everything and the kitchen sink into its witches brew to provoke distress in the viewer. However, by the same token it can be seen as one of the rare example of pure, unhindered terror in cinema, where the characters are offered no hope, no salvation, no happy endings. By those standards, as an insight into a waking nightmare, it is one of the finest examples ever made. Peter Collinson is a director who never was appreciated enough in his lifetime; even his most popular movie, The Italian Job really only achieved classic status in the 1990s. In Fright he really proves himself as a director, and as a master of the camera, which he uses to create a gallery of some of the most bizarre and distubing shots to be found in the genre. If you want to be pleasantly frightened, this is maybe not the film to watch, but for genuine evil few films have captured it better.


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