| Photos (See all 40 | slideshow) | Videos (see all 12) |
| Gene Hackman | ... | Jimmy Doyle | |
| Fernando Rey | ... | Alain Charnier | |
| Roy Scheider | ... | Det. Buddy Russo | |
| Tony Lo Bianco | ... | Sal Boca | |
| Marcel Bozzuffi | ... | Pierre Nicoli | |
| Frédéric de Pasquale | ... | Devereaux (as Frederic De Pasquale) | |
| Bill Hickman | ... | Mulderig | |
| Ann Rebbot | ... | Marie Charnier | |
| Harold Gary | ... | Weinstock | |
| Arlene Farber | ... | Angie Boca | |
| Eddie Egan | ... | Simonson | |
| André Ernotte | ... | La Valle (as Andre Ernotte) | |
| Sonny Grosso | ... | Klein | |
| Benny Marino | ... | Lou Boca | |
| Patrick McDermott | ... | Chemist (as Pat McDermott) | |
| Alan Weeks | ... | Pusher | |
| Al Fann | ... | Informant | |
| Irving Abrahams | ... | Police Mechanic | |
| Randy Jurgensen | ... | Police Sergeant | |
| William Coke | ... | Motorman | |
| The Three Degrees | ... | The Three Degrees | |
| rest of cast listed alphabetically: | |||
| Frank Adonis | ... | Bidder at New York Car Auction (uncredited) | |
| Gilda Albertoni | ... | Uncredited (uncredited) | |
| Robert Dahdah | ... | Man (uncredited) | |
| Sarina C. Grant | ... | Hooker on the Street (uncredited) | |
| Joe Lo Grippo | ... | Tollbooth Collector (uncredited) | |
| Melonie Haller | ... | Schoolgirl (uncredited) | |
| Eric Jones | ... | Little Boy (uncredited) | |
| Charles McGregor | ... | Baldy - Bar Patron in Drug Raid (uncredited) | |
| Lora Mitchell | ... | Woman with Baby Carriage (uncredited) | |
| Maureen Mooney | ... | Bicycle Girl (uncredited) | |
| Silvano Nolemi | ... | Dock Worker (uncredited) | |
| Burt Richards | ... | Auction Bidder (uncredited) | |
| Fat Thomas | ... | Mutchie (uncredited) | |
| Robert Weil | ... | Auctioneer (uncredited) | |
Directed by | |||
| William Friedkin | |||
Writing credits | ||
| Ernest Tidyman | (screenplay) | |
| Robin Moore | (based on the book by) | |
| Howard Hawks | uncredited | |
Produced by | |||
| Philip D'Antoni | .... | producer | |
| G. David Schine | .... | executive producer | |
| Kenneth Utt | .... | associate producer | |
Original Music by | |||
| Don Ellis | |||
Cinematography by | |||
| Owen Roizman | (director of photography) | ||
Film Editing by | |||
| Gerald B. Greenberg | (film editor) (as Jerry Greenberg) | ||
Casting by | |||
| Robert Weiner | |||
Art Direction by | |||
| Ben Kasazkow | (as Ben Kazaskow) | ||
Set Decoration by | |||
| Edward Garzero | (as Ed Garzero) | ||
Costume Design by | |||
| Joseph Fretwell III | (costumes) | ||
Makeup Department | |||
| Irving Buchman | .... | makeup artist | |
Production Management | |||
| Paul Ganapoler | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Terence A. Donnelly | .... | assistant director (as Terry Donnelly) | |
| William C. Gerrity | .... | assistant director | |
| Ron Walsh | .... | first assistant director (uncredited) | |
| Dwight Williams | .... | dga trainee (uncredited) | |
Art Department | |||
| Thomas Wright | .... | property master (as Tom Wright) | |
Sound Department | |||
| Christopher Newman | .... | sound (as Chris Newman) | |
| Theodore Soderberg | .... | sound | |
Special Effects by | |||
| Sass Bedig | .... | special effects | |
Stunts | |||
| Bill Hickman | .... | stunt coordinator | |
| Cliff Cudney | .... | stunts (uncredited) | |
| George Fisher | .... | stunts (uncredited) | |
| Bill Hickman | .... | stunt double: Gene Hackman (uncredited) | |
| Bill Hickman | .... | stunts (uncredited) | |
| Carey Loftin | .... | stunts (uncredited) | |
| Joe Pronto | .... | stunts (uncredited) | |
| Alex Stevens | .... | stunts (uncredited) | |
| Jerry Summers | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Enrique Bravo | .... | camera operator | |
| Robert Ward | .... | key grip | |
| William Ward | .... | chief electrician (as Billy Ward) | |
| Sandy Brooke | .... | assistant camera (uncredited) | |
| Gary Muller | .... | second assistant camera (uncredited) | |
| Tom Priestley Jr. | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Joseph W. Dehn | .... | wardrobe | |
| Florence Foy | .... | wardrobe | |
Editorial Department | |||
| Norman Gay | .... | associate editor | |
| Brent Eldridge | .... | colorist (digital color correction) (uncredited) | |
| Maurice Schell | .... | assistant editor (uncredited) | |
Music Department | |||
| Don Ellis | .... | music conductor | |
Other crew | |||
| Eddie Egan | .... | technical consultant | |
| Sonny Grosso | .... | technical consultant | |
| Nicholas Sgarro | .... | script supervisor (as Nick Sgarro) | |
| Fat Thomas | .... | location consultant | |
| Sue Dwiggins | .... | production secretary (uncredited) | |
| Monroe Friedman | .... | unit publicist (uncredited) | |
| James O'Neill | .... | unit publicist (uncredited) | |
| Ralph S. Singleton | .... | production assistant (uncredited) | |
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| The Departed | King of New York | Magnum Force | Bad Boys II | Beverly Hills Cop |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
My favorite movie of all time "A Clockwork Orange" lost at the best picture Acadamy Award ceremony against this movie. However looking at this movie I can't say that it's undeserved, for "The French Connection" truly is one of the best movies from at least the seventies and maybe of all time. It most certainly is the best cop movie ever made, in my opinion!
The movie has a perfect gritty and realistic kind of atmosphere and an unmistakably seventies feeling. I love it! The seventies truly were the golden age of film making and they simply don't make movies like this anymore.
The characters are perfectly realistic and director William Friedkin and the actors most certainly don't attempt to portray them as being heroic or 'good cops'. Gene Hackman really in a way is an anti-hero and he seems to be born to play 'Popeye' Doyle, who by now truly has grown into a classic movie character. Roy Scheider also is really great as his partner 'Cloudy' Russo, even though his character at times disappears too long out of the story. A shame because he and Hackman were a perfect screen duo. Both got an Oscar nomination but only Hackman got to take the statue home with him. The movie also won Oscar's for best director, best film editing, best picture and best writing, screenplay based on material from another medium and got nominated for three more.
The movie might have a slow pace by today's standards but the wonderful story and acting really make up for this, "The French Connection" has stand the test of time well. The slow pace even makes the famous car chase scene even more energetic and thrilling enough to make your adrenaline run.
Truly in my opinion, the ultimate cop movie!
10/10
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