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End of Man (1971)
"Finis Hominis" (original title)

5.7
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Ratings: 5.7/10 from 199 users  
Reviews: 6 user | 7 critic

Stark naked man comes out from the sea and begins to walk the streets, interfering in daily episodes, always in search of justice. He names himself Finis Hominis (The End of Man, in latin),... See full summary »

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Director: José Mojica Marins
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Cast

Credited cast:
José Mojica Marins ...
Finis Hominis
Teresa Sodré ...
Madalena
Roque Rodrigues ...
Lázaro
Rosângela Maldonado ...
The Schemer
Mário Lima ...
The Lover
Andreia Bryan ...
The Nymphomaniac
Rest of cast listed alphabetically:
Antoninho
Ronaldo Beibe
Big Boy
Américo Camargo
Clara Clarestadi
Margareth Delta
Sílvio Francisco
Graveto
Paulo Mander
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Storyline

Stark naked man comes out from the sea and begins to walk the streets, interfering in daily episodes, always in search of justice. He names himself Finis Hominis (The End of Man, in latin), and soon becomes sort of a modern Messiah, capable of performing miracles. An adulterous woman and a cheated husband are among his most faithful followers, as well as a group of hippies. Written by <lukejoplin@infolink.com.br>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Horror

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Details

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Release Date:

18 December 1971 (Brazil)  »

Also Known As:

The End of Man  »

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Aspect Ratio:

1.33 : 1
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Featured in Coffin Joe's Vision's of Terror (1994) See more »

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User Reviews

 
Another alter-ego of director and actor Marins
4 May 2000 | by (Rotterdam) – See all my reviews

After Brazilian critics had told him he was only able to play his evil alter-ego Zé do Caixao (a.k.a. Coffin Joe), director and actor José Mojica Marins starred in another of his own films as a Messiah-like figure, apparently emerging from the sea, bringing kindness to the world around him.

What makes this movie stand out is the fact that Marins is seen walking naked through the streets of his home town, for which he could have been imprisoned at that time, a result of the harsh Brazilian dictatorship. However, state police never arrived on time at the scene to catch him in the act. It shows how far Marins would go to give that special edge to his films.

Although not the best of his films, still a piece of entertaining cult cinema.


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