Stark naked man comes out from the sea and begins to walk the streets, interfering in daily episodes, always in search of justice. He names himself Finis Hominis (The End of Man, in latin),... See full summary »
After the death of his Nobel Prize-winning father, billionaire physicist Jerry Cornelius becomes embroiled in the search for the mysterious "Final Programme", developed by his father. The ... See full summary »
Coffin Joe is still looking for the perfect woman to give birth to a son of his, and, cleared of the past crimes in the first film (At Midnight I'll Take Your Soul), keeps terrorizing the ... See full summary »
José Mojica Marins
José Mojica Marins,
The first documentary on José Mojica Marins's (the legendary Zé do Caixão or Coffin Joe) life and work. The film tells Mojica's history, from his poor childhood in Vila Anastácio, São Paulo... See full summary »
José Mojica Marins,
A bankrupt playboy pays nightly visits to three rich, grieving widowed sisters disguised as their late husband's ghosts. When they all get pregnant, their father hires a priest to exorcise the "ghosts".
Stark naked man comes out from the sea and begins to walk the streets, interfering in daily episodes, always in search of justice. He names himself Finis Hominis (The End of Man, in latin), and soon becomes sort of a modern Messiah, capable of performing miracles. An adulterous woman and a cheated husband are among his most faithful followers, as well as a group of hippies. Written by
Now I know José Mojica Marins (a.k.a. Coffin Joe) is pretty much considered a demigod amongst a selected but avidly fanatic group of cult cinema lovers, and I also realize I still have to see more of his work before I can judge properly, but I'm really not the slightest bit impressed so far! I could only appreciate his experimental and genuinely macabre anthology "The Strange World of Coffin Joe", but his supposed masterpiece "At Midnight I'll Take Your Soul" and particularly this "The End of Man" couldn't fascinate me at all. My fellow reviewers around here whose opinions I usually follow blindly compare Marins' style with the oeuvres of Alejandro Jodorowsky, Luis Buñuel and even Mario Bava. I'm sorry, what?!? He may be a hard-working and versatile filmmaker, but he undeniably lacks the vision and talents of the aforementioned cinematic geniuses. If I had to describe "The End of Man" in just a couple of words, they would be: inventive but dull and totally incapable of dealing with budgetary restrictions. Some directors only just become considered as geniuses when they manage to camouflage their film's lack of funding through ingeniousness and creativity. Marins' doesn't have this quality, or at least not around the time he made this film. "The End of Man" looks even cheaper than it probably cost altogether and Marins doesn't even bother to camouflage it. It's a very disappointing film with only a couple of noteworthy moments.
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