Neglected by her husband during the pre-Christmas rush, Mrs. Claus takes the reindeer and sleigh out for a drive, only to end up stranded in the multicultural neighborhood of Manhattan's ... See full summary »
When Grace comes to live with her daughter and son-in-law, she is eager to find a way to be useful in the community. She loves to read stories to children, and decides to read one on public... See full summary »
At the beginning of the twentieth century, Jews and Orthodox Christians live in the little village of Anatevka in the pre-revolutionary Russia of the Czars. Among the traditions of the Jewish community, the matchmaker arranges the match and the father approves it. The milkman Reb Tevye is a poor man that has been married for twenty-five years with Golde and they have five daughters. When the local matchmaker Yente arranges the match between his older daughter Tzeitel and the old widow butcher Lazar Wolf, Tevye agrees with the wedding. However Tzeitel is in love with the poor tailor Motel Kamzoil and they ask permission to Tevye to get married that he accepts to please his daughter. Then his second daughter Hodel (Michele Marsh) and the revolutionary student Perchik decide to marry each other and Tevye is forced to accept. When Perchik is arrested by the Czar troops and sent to Siberia, Hodel decides to leave her family and homeland and travel to Siberia to be with her beloved Perchik.... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
While the film's script remained very close to the original stage musical, it also capitalized on the vast possibilities offered by the medium itself. "In the theater, it is easier to accept a stylized, unreal atmosphere; film introduces the real world, with real scenery and real sounds," Jewison explained. "In film today, it is very difficult to use music and poetry and to suspend audiences' disbelief, as The Wizard of Oz (1939) once did so perfectly." See more »
Near the end of the dancing scene in Mordcha's inn, we see the Jews holding hands and dancing to one side, and the Russians walking ducked through the spaces between their bodies to the other side. In the first two takes, we see four Russians, and in the following two takes only three, the one on the right, with brown hair and a blue shirt, is gone. See more »
A fiddler on the roof. Sounds crazy, no? But here, in our little village of Anatevka, you might say every one of us is a fiddler on the roof trying to scratch out a pleasant, simple tune without breaking his neck. It isn't easy. You may ask 'Why do we stay up there if it's so dangerous?' Well, we stay because Anatevka is our home. And how do we keep our balance? That I can tell you in one word: tradition!
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Topol and the cast sing "Tradition" without any opening credits rolling. At the end of the number, the fiddler, standing on the left of the screen, launches into an extensive solo while the opening credits roll on the right of the screen. See more »
..."Fiddler on the Roof" stars Topol as Tevye, a Jewish milk man (and father of five) living in a small town in the time before WWII. The movie follows him over a long period of his life, mostly focusing on his three oldest daughters getting married, and Tevy's opposition towards their new husbands. Of course, it sounds a little depressing, but believe me, when you here the song "If I Were A Rich Man", you'll change your mind.
Musicals tend to become boring about halfway through (or at the beginning if they're really bad) because of overly dramatic songs or over acting. "Fiddler on the Roof" doesn't fall into this category. The songs please and warm your heart whenever they are sung, and the characters don't either overact or become boring.
Topol is hilarious and dramatic as Tevye, the dancing and singing father who speaks to God (and the audience) out loud. Topol narrates, sings, dances, and mingles joyfully with the other characters, never even coming close to slipping out of character. Tevye will go down in my book as one of the most memorable protagonists...ever.
The only thing going against "Fiddler on the Roof" is its monstrous running time. Not because it gets boring, but because whenever you'd like to watch it, you have to make sure you have about four hours of spare time, 9/10.
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