At the beginning of the twentieth century, Jews and Orthodox Christians live in the little village of Anatevka in the pre-revolutionary Russia of the Czars. Among the traditions of the Jewish community, the matchmaker arranges the match and the father approves it. The milkman Reb Tevye is a poor man that has been married for twenty-five years with Golde and they have five daughters. When the local matchmaker Yente arranges the match between his older daughter Tzeitel and the old widow butcher Lazar Wolf, Tevye agrees with the wedding. However Tzeitel is in love with the poor tailor Motel Kamzoil and they ask permission to Tevye to get married that he accepts to please his daughter. Then his second daughter Hodel (Michele Marsh) and the revolutionary student Perchik decide to marry each other and Tevye is forced to accept. When Perchik is arrested by the Czar troops and sent to Siberia, Hodel decides to leave her family and homeland and travel to Siberia to be with her beloved Perchik.... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
To get the look he wanted for the film, director Norman Jewison told Director of Photography Oswald Morris, who was famous for shooting color films in unusual styles, to shoot the film in an earthy tone. Morris saw a woman wearing brown nylon hosiery, thought, "That's the tone we want," asked the woman for the stockings on the spot and shot the entire film with a stocking over the lens. The weave can be detected in some scenes. Morris also shot the musical number "Tevye's Dream" in sepia rather than in full color. He had previously filmed Moulin Rouge (1952) with a color style made to resemble Toulouse-Lautrec's paintings and Moby Dick (1956) in a color style made to resemble 19th-century engravings of life at sea. See more »
When the family is preparing for the Sabbath, Golde tells Perchik to wash at the well, and she tells Hodel to help him. As they leave the room, Perchik goes out a side door and Hodel follows her sisters upstairs. See more »
A fiddler on the roof. Sounds crazy, no? But here, in our little village of Anatevka, you might say every one of us is a fiddler on the roof trying to scratch out a pleasant, simple tune without breaking his neck. It isn't easy. You may ask 'Why do we stay up there if it's so dangerous?' Well, we stay because Anatevka is our home. And how do we keep our balance? That I can tell you in one word: tradition!
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Topol and the cast sing "Tradition" without any opening credits rolling. At the end of the number, the fiddler, standing on the left of the screen, launches into an extensive solo while the opening credits roll on the right of the screen. See more »
Strong film adaptation of one of the greatest musicals ever. Jewison beautifully recaptures the essence of the Alchiem stories with wonderful cinematography, editing and performances from Teyve, Frey and Molly Picon. One of the last great movie musicals.
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