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Fata Morgana (1971)

7.0
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Ratings: 7.0/10 from 2,038 users  
Reviews: 18 user | 29 critic

Footage shot in and around the Sahara Desert, accompanied only by a spoken creation myth and the songs of Leonard Cohen.

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(original screenplay)
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Title: Fata Morgana (1971)

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Cast

Credited cast:
Lotte Eisner ...
Narrator (voice)
Rest of cast listed alphabetically:
Eugen Des Montagnes
James William Gledhill
Wolfgang von Ungern-Sternberg
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Storyline

Footage shot in and around the Sahara Desert, accompanied only by a spoken creation myth and the songs of Leonard Cohen.

Plot Summary | Add Synopsis

Genres:

Documentary

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

1 February 1972 (West Germany)  »

Filming Locations:

 »

Company Credits

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Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Werner Herzog and his crew went to the African country of Cameroon a few weeks after a coup attempt took place to shoot the film. The police arrested the director after misidentifying a crew member as a wanted criminal. He and several crew members were beaten and thrown into a cell. Herzog contracted bilharzia, a blood parasite. See more »


Soundtracks

Suzanne
Written and Performed by Leonard Cohen
See more »

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User Reviews

 
The Viewer as Collaborator
10 December 2005 | by (Cullowhee, N.C.) – See all my reviews

You will be able to tell within the first 30 seconds of this film whether you want to finish watching it. The film opens with images of planes landing at an airport, one plane after another diving into a mirage-filled runway. You will be able to accurately guess that this movie is not about a "story." At first viewing, it's even easy to think the opening images are repetitive shots of the same plane. The initial drama is in the acuteness of your perception, which is built on your willingness to experience the film simply as a series of images. If after this opening, you want to see the movie, you will not be bored. You may even be mesmerized. The movie may be an emotional experience; it may be an intellectual experience; it may be both. Judging from the DVD commentary, which is essential, it was primarily an emotional experience for Herzog, and, at one point, he talks explicitly about how the film is a collaboration between filmmaker and viewer. There's plenty of room for the viewer to make of this film exactly what he or she wants to make of it. Take a gamble?


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