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Fata Morgana (1971)
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Overview
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Release Date:
1 February 1972 (West Germany) morePlot:
Footage shot in and around the Sahara Desert, accompanied only by a spoken creation myth and the songs of Leonard Cohen. | add synopsisUser Comments:
The Viewer as Collaborator more (14 total)Cast
(Credited cast) | Lotte Eisner | ... | Narrator (voice) |
| rest of cast listed alphabetically: | |||
| Eugen Des Montagnes | ||
| James William Gledhill | ||
| Wolfgang von Ungern-Sternberg | ||
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
Germany:79 minCountry:
West GermanyLanguage:
GermanColor:
ColorAspect Ratio:
1.37 : 1 moreSound Mix:
MonoFun Stuff
Trivia:
Herzog and his crew went to Cameroon a few weeks after a coup attempt took place to shoot the film. The police arrested the director after misidentifying a crew member as a wanted criminal. He and several crew members were beaten and thrown into a cell. Herzog contracted bilharzia, a blood parasite. moreMovie Connections:
Featured in Bis ans Ende... und dann noch weiter. Die ekstatische Welt des Filmemachers Werner Herzog (1989) (TV) moreSoundtrack:
Sweet Potato moreFAQ
This FAQ is empty. Add the first question.more (14 total)
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb West Germany section |
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You will be able to tell within the first 30 seconds of this film whether you want to finish watching it. The film opens with images of planes landing at an airport, one plane after another diving into a mirage-filled runway. You will be able to accurately guess that this movie is not about a "story." At first viewing, it's even easy to think the opening images are repetitive shots of the same plane. The initial drama is in the acuteness of your perception, which is built on your willingness to experience the film simply as a series of images. If after this opening, you want to see the movie, you will not be bored. You may even be mesmerized. The movie may be an emotional experience; it may be an intellectual experience; it may be both. Judging from the DVD commentary, which is essential, it was primarily an emotional experience for Herzog, and, at one point, he talks explicitly about how the film is a collaboration between filmmaker and viewer. There's plenty of room for the viewer to make of this film exactly what he or she wants to make of it. Take a gamble?