The world is shocked by the appearance of three talking chimpanzees, who arrived mysteriously in a U.S. spacecraft. They become the toast of society; but one man believes them to be a threat to the human race.
In a futuristic world that has embraced ape slavery, Caesar, the son of the late simians Cornelius and Zira, surfaces after almost twenty years of hiding out from the authorities, and prepares for a slave revolt against humanity.
J. Lee Thompson
Ten years after conquering the Earth, ape leader Caesar wants the ruling apes and enslaved humans to live in peace. But warring factions of apes led by a militant gorilla general as well as various human groups threaten the stability.
J. Lee Thompson
Following the events in "Beneath the Planet of the Apes", Cornelius and Zira flee back through time to 20th Century Los Angeles, where they face fear and persecution similar to what Taylor and Brent suffered in the future, and discover the origins of the stream of events that will shape their world. Written by
Marg Baskin <firstname.lastname@example.org>
Scenes of Zira mistaking a toothbrush for a hairbrush, and of Cornelius and Lewis playing golf were in an early version of the script, but were not used in the actual movie. See more »
(at around 27 mins) While in captivity, Cornelius explains that Dr. Milo savage the space ship and rebuilt it to travel backwards in time. The apes in the 40 century did not have the technology to savage the ship from the bottom of the ocean, let alone to rebuild it for travel back in time. We would call this today "reverse engineering." Do to such a feat; they would need a whole army of scientist and engineers, comparable to the scientist and engineers of the 1960s when America first started their space exploration. See more »
Dr. Lewis Dixon:
In a democracy, we do not shoot unarmed suspects on sight for a murder in which their participation is still unproven.
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The 20th Century Fox logo does not appear on this film. See more »
Following the cataclysmic finale of Beneath the Planet of the Apes, there was only one logical direction for the series to go---> back to the future. The result is an illogically conceived and satirical prequel that will amuse and delight and ultimately devastate with its bleak Shakesperean tragedy.
When Taylor's spacecraft unexpectedly splashes down in 1973 and is retrieved by a military envoy, the three astronauts that emerge from the capsule are not revealed to be Taylor, Landon and Dodge, but rather the astonishing simian ape-chimps Cornelius, Zira and Milo... the third of which is a completely disposable character who is appropriately killed off very early by a caged zoo gorilla who was probably jealous that the talking simian chimpanzees were getting all of the attention. With Milo out of the picture, the story focuses on the relationship between Cornelius and Zira in ways that were not afforded the opportunity in the two previous films and is filled with tongue-in-cheek episodes inspired by Pierre Boulle's original novel as Cornelius and Zira go around "aping" 20th century human culture (a subtle and clever mockery of our own) in an attempt to make themselves fit in to our society.
While Cornelius and Zira make themselves at home as cultural "celebrities" they are being carefully monitored under the watchful auspices of the nefarious Dr. Otto Hasslein played by recognizable character actor Eric Braeden (of Young and the Restless fame) who listens with great interest to what the talking chimps have to say about where they came from during a Presidential Inquiry and how they managed to arrive in Taylor's spacecraft as Cornelius explains that the capsule was found when it washed ashore and was repaired by Milo -- an implausibility which is the film's glaring continuity error since Taylor's spacecraft sunk into the depths of the Forbidden Zone it is a far fetched conclusion that they somehow managed to not only find, retrieve and repair it (even if they had repaired Astronaut Brent's crashed spacecraft from Beneath which was overlooked as well) with engineering far in advance of their own intellectual ape intelligence (which Milo only "half-understood" as Cornelius describes it) but managed to do so and escape within a very small window of time before the planet was obliterated by the shock-wave of destruction catapulting them backwards in time and arriving at roughly the same destination and era as Taylor's original point of departure (it could be argued that these narrative inconsistencies support evidence of "Hasslein's Observed Time Curve" which suggest that a predestination paradox created alternate intersecting timelines as illustrated by the incongruent timeline of events between Conquest and Battle). Nevertheless, once you get past the major plot hole and just go with it, Escape is a fun and dramatically intense film but is my least favorite second only to the weakest link in the evolutionary Apes chain; Battle For The Planet of the Apes.
When Zira announces that she is pregnant, the film takes a dark and conspiratorial turn when the government realizes the consequence a race of intelligent talking apes will have on the future of our human society. In an effort to protect their newborn, Cornelius and Zira find refuge with Armando, a sideshow circus entertainer played by the extravagant Ricardo Montalban who gladly welcomes the simian family with open arms, but it isn't long before Dr. Otto Hasslein picks up the fugitives' trail and hunts them down in a tragic and inevitable climax that sets up the paradox of the entire Planet of the Apes chronology.
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