| Edward Connell | ... | David Fielding | |
| Barbara Hewitt | ... | Susan Turner | |
| Frank Bonner | ... | Jim Hudson (as Frank Boers Jr.) | |
| Robin Christopher | ... | Vicki | |
| Jack Woods | ... | Asmodeus | |
| James Phillips | ... | Reporter Sloan (as Jim Phillips) | |
| Fritz Leiber Jr. | ... | Dr. Arthur Waterman (as Fritz Leiber) | |
| Patrick Burke | ... | Branson | |
| Jim Duron | ... | Orderly | |
| Sharon Gray | |||
| Louis Clayton | |||
| Norvelle Brooks | |||
| Irving L. Lichtenstein | |||
| rest of cast listed alphabetically: | |||
| Forrest J Ackerman | ... | Doctor on tape recorder (voice) (uncredited) | |
| Jim Danforth | ... | Extra (uncredited) | |
| Jack H. Harris | ... | Detective Harrison (uncredited) | |
| Chuck Niles | ... | Voice (uncredited) | |
| R.J. Robertson | ... | (uncredited) | |
Directed by | |||
| Jack Woods | |||
| Mark Thomas McGee | (co-director) (uncredited) | ||
| Dennis Muren | (uncredited) | ||
Writing credits(in alphabetical order) | ||
| Mark Thomas McGee | story | |
| Jack Woods | ||
Produced by | |||
| Jack H. Harris | .... | producer | |
| Dennis Muren | .... | associate producer | |
Original Music by | |||
| Jaime Mendoza-Nava | (uncredited) | ||
Cinematography by | |||
| Mike Hoover | |||
Film Editing by | |||
| John Joyce | |||
Makeup Department | |||
| Robynne Hoover | .... | makeup artist | |
Production Management | |||
| Sam Altonian | .... | production manager | |
Sound Department | |||
| Bradley Lane | .... | sound mixer | |
Visual Effects by | |||
| David Allen | .... | special photographic effects | |
| Jim Danforth | .... | special photographic effects | |
| Dennis Muren | .... | special photographic effects | |
| Jim Danforth | .... | cel animator (uncredited) | |
| Jim Danforth | .... | matte artist (uncredited) | |
| Jim Danforth | .... | special equipment (uncredited) | |
| Ralph Rodine | .... | animation camera (uncredited) | |
| David Stipes | .... | visual effects (uncredited) | |
Camera and Electrical Department | |||
| Ed Begley Jr. | .... | assistant camera | |
| Joel Chernoff | .... | gaffer | |
| Ben Harwood Jr. | .... | grip | |
Music Department | |||
| John Caper Jr. | .... | music supervisor (as John Caper) | |
Other crew | |||
| Jill Murphy | .... | script supervisor | |
| Bob Woods | .... | production assistant | |
| Conrad Buff IV | .... | production staff (uncredited) | |
| Bill Goodwin | .... | production staff (uncredited) | |
| Alan Gould | .... | production staff (uncredited) | |
| Chris Koppel | .... | production staff (uncredited) | |
| Lin Kroll | .... | production staff (uncredited) | |
| David Stipes | .... | production staff (uncredited) | |
| Susan Turner | .... | production staff (uncredited) | |
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| Evil Dead II | The Brothers Grimm | The Dunwich Horror | The Evil Dead | Ghoulies |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Bad, good, it doesn't matter. This is one of the great film labors of love. Rent the criterion edition and do as I did. Listen to the commentary over the Muren cut of the film. Then Switch to the Jack Harris, Jack Woods commentary over their cut. I was under the false impression as I watched the kids cut that Woods did not add much when he made his cut. Watching Woods cut you see how much effort went into shaping the final theatrical cut. It's amazing that the actors, unpaid for 2 years, already constantly returning to remote sets to incrementally add to to the shot count, would ALL reassemble for the extra shots that Woods would want to add. Listening to Muren, Danforth and McGee knock their own acting and talent is a real crack up. Everyone involved obviously loved the doing of this film. I am still impressed by the high quality of illusion achieved, especially the forced perspective work and the matte painting by Danforth.