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Michael Rogers is a chauffeur with little money, but big dreams. Foremost of these is building his dream house on the perfect piece of land. Michael gets his chance when his new girlfriend, Ellie, turns out to be an extremely wealthy heiress. The two are wed and are soon living in a modern home on Gipsy's Acre. Their idyllic life shatters around them with a series of bizarre events and threats. Micheal comes under the disapproving eye of both Ellie's greedy family and her interfering best-friend Greta. On top of that, local legend says their property is cursed. What danger lurks for the young newlyweds, and is it a human plot or something supernatural? Written by
The lyrics that Hayley Mills sings to the tune of The Doors' song "End Of The Night" are from William Blake's "Auguries of Innocence" (ca. 1803). "Every morn and every night Some to misery are born. Every morn and every night Some are born to sweet delight. Some are born to sweet delight, Some are born to endless night." See more »
Mike tells Ellie the first time the two meet that he's "only a rental car driver" even though a couple of scenes earlier it was revealed he actually lost that job and got a new job at a filling station instead. See more »
I am that figure of fiction, the family lawyer.
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Too slow to really be a thriller, but oddly interesting with terrific twist
Endless Night is one of those movies that is hugely flawed, and yet it sticks in the mind unlike many more polished movies. Extremely slow paced for much of it's length and with several sequences that feel almost unnecessary, and even a few which just seem wierd, the film than delivers a true knock out of a twist which makes one realise how well the story has been constructed. For this reason, in some respect it's more satisfying to watch the second time even if one is no longer surprised, because one can notice all the little clues that have been put in ,and many of the previously mentioned unnecessary or wierd bits seem more essential. There is, though, one huge red herring that seems rather pointless.
This was the last of the Hywell Bennett/Hayley Mills collaborations for the Boulting Brothers and it is possibly their most interesting. Cast are all excellent ,including George Sanders in one of his final roles, and this is just as well since the film is indeed extremely talky. The alternately eerie and romantic Bernard Herrmann score is very memorable, although they could have made sure Mills' singing voice [obviously dubbed] sounded like her normal voice.
Many will be unsatisfied with this film ,but try it if you fancy a somewhat different kind of thriller, even it's only really a thriller in the final half hour!
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