A grandmother seeks a governess for her 16 year old granddaughter, Laurel, who manages to drive away each and every one so far by exposing their past, with a record of three in one week! ... See full summary »
While Miss Marple is on vacation in a luxurious Caribbean resort, a fellow guest confides he has evidence that another resident of the hotel is an unscrupulous serial murderer but is poisoned before he can reveal his identity to her.
Robert Michael Lewis
Rosemary Barton, the beautiful wife of a top attorney, dies during their anniversary party at an exclusive restaurant. Later a suicide note is found along with traces of cyanide in her drink, but murder cannot be ruled out.
Robert Michael Lewis
Effective psychological love story with a macabre twist not found in the original Joy Cowley novel. The dreary existence of middle- aged spinster Maura Prince takes an unexpected turn with ... See full summary »
A gang of young people call themselves the Living Dead. They terrorize the population from their small town. After an agreement with the devil, if they kill themselves firmly believing in ... See full summary »
Charley Farthing is on the run. Chased by an irate husband with murder on his mind, Charley finds himself hopping on a ship, chased by authorities on a politically turmoiled island and ... See full summary »
Michael Rogers is a chauffeur with little money, but big dreams. Foremost of these is building his dream house on the perfect piece of land. Michael gets his chance when his new girlfriend, Ellie, turns out to be an extremely wealthy heiress. The two are wed and are soon living in a modern home on Gipsy's Acre. Their idyllic life shatters around them with a series of bizarre events and threats. Micheal comes under the disapproving eye of both Ellie's greedy family and her interfering best-friend Greta. On top of that, local legend says their property is cursed. What danger lurks for the young newlyweds, and is it a human plot or something supernatural? Written by
The lyrics that Hayley Mills sings to the tune of The Doors' song "End Of The Night" are from William Blake's "Auguries of Innocence" (ca. 1803). "Every morn and every night Some to misery are born. Every morn and every night Some are born to sweet delight. Some are born to sweet delight, Some are born to endless night." See more »
A big plot point is made of the fact that all the windows in Mike and Ellie's dream house are one-way windows, allowing them to look out but no one outside to see in - yet in several exterior scenes characters can be seen looking out the windows. See more »
I am that figure of fiction, the family lawyer.
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Gripping, unusual Agatha Christie mystery. Splendid on all counts.
One of the rare, gratifying occasions when a mediocre book is transformed by experts into a first-rate, memorable movie. "Endless Night" was one of Agatha Christie's last novels--also one of her least satisfying. A macabre romance about a wealthy young American heiress (the glorious Hayley Mills in a mesmerizing, haunting performance) who falls in love with and impulsively marries her sexy albeit mysterious chauffeur (the wonderfully versatile Hywell Bennett who teamed with Ms. Mills in two previous films, the tender comedic drama "The Family Way" and the still-shocking psychosexual thriller "The Twisted Nerve").
The happy lovebirds build their dreamhouse (still an architectural wonder) in England's remote Lake District (lusciously photographed in stunning Technicolor), away from the prying eyes of her avaricious relatives, and their tenderly rendered love story seems headed for a deserved happy ending--until the final reel suddenly reveals a totally unexpected twist that I guarantee will astound even the most astute mystery buff, and leave the hapless viewer in a state of shaken anxiety and sadness. Such an unusual denoument didn't work on the printed page; on film it's a bona fide shocker, thanks to the mastery of its two leads, a knockout turn by the stunning Britt Ekland (as one of Ms. Mills' parasitic relatives), the expert direction by Sidney Gilliatt, and the magificently eerie soundtrack by Bernard Herrmann, no less. "Endless Night" was never released theatrically in the U.S. Properly promoted, it would have made a boxoffice killing. I caught its American premiere on a pay-cable station, expecting nothing (the book was hopeless) and, much to my amazement, finding myself enthralled by this classy artistic treat. Psychological thrillers don't come any better than "Endless Night," which lulls the viewer into a state of bliss not unlike its romantic leads--until the startlingly savage twist ends the film with a disturbing (and heartbreaking) resonance. Hywell Bennett and the grown-up Hayley Mills were two of the finest (not to mention comeliest) young British actors of the late '60s and early '70s, and "Endless Night" might well be their most memorable hour-and-a-half. A must-see for mystery buffs; highly recommended for everyone else.
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