Martin is a troubled young man. With a mother who insists on treating him like a child, a stepfather who can't wait to see the back of him, and a brother with Down's Syndrome shut away in ... See full summary »
After she misses her train, a young woman is forced to hitch a ride back to town. After managing to get away from a lecherous trucker, she is given a ride by a good-looking but somewhat ... See full summary »
Miss Poly decides to spend a few months with her wealthy spinster aunt as a traveling companion. While in India her Aunt's demise leaves her alone to persue her freedom and explore an arms ... See full summary »
Michael Rogers is a chauffeur with little money, but big dreams. Foremost of these is building his dream house on the perfect piece of land. Michael gets his chance when his new girlfriend, Ellie, turns out to be an extremely wealthy heiress. The two are wed and are soon living in a modern home on Gipsy's Acre. Their idyllic life shatters around them with a series of bizarre events and threats. Micheal comes under the disapproving eye of both Ellie's greedy family and her interfering best-friend Greta. On top of that, local legend says their property is cursed. What danger lurks for the young newlyweds, and is it a human plot or something supernatural? Written by
Not released in the US after a poor reception in the UK. See more »
A big plot point is made of the fact that all the windows in Mike and Ellie's dream house are one-way windows, allowing them to look out but no one outside to see in - yet in several exterior scenes characters can be seen looking out the windows. See more »
I am that figure of fiction, the family lawyer.
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I won't say it's a bad film, but I have to believe the liberties taken with the adaptation of the story go well beyond the nudity and modern setting. (I will say that the house with the remote-controlled indoor swimming pool in the living room was a bit over the top.)
I will confess that I did not guess the direction the plot would take, but what was so disappointing was the profusion of loose ends and entirely pointless characters. Agatha didn't usually write them that way - everyone ended up with a role in the outcome of the story. Here we are presented with in-laws, neighbors, family friends, and a mysterious old woman --- all of whom have nothing at all to do with the resolution of the story. Most of them could have been omitted entirely and the story would have been essentially unchanged.
My DVD even featured an editing error: about 10 seconds of the film repeat precisely (when the girl's parents are observed getting back into their car to leave.)
There is also a broken window that is never explained, a ghostly appearance that is never accounted for or revisited, a car is observed to take an unusually long to get somewhere - but we are never given the significance. An architect seems to know things the audience does not -- yet no explanation is offered of how he knows them.
Like Agatha's best writing, characters and clues and complications pile up... but then they are inexplicably thrown away in favor of an unexpected, yet rather anticlimactic resolution.
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