Martin is a troubled young man. With a mother who insists on treating him like a child, a stepfather who can't wait to see the back of him, and a brother with Down's Syndrome shut away in ... See full summary »
After she misses her train, a young woman is forced to hitch a ride back to town. After managing to get away from a lecherous trucker, she is given a ride by a good-looking but somewhat ... See full summary »
Miss Poly decides to spend a few months with her wealthy spinster aunt as a traveling companion. While in India her Aunt's demise leaves her alone to persue her freedom and explore an arms ... See full summary »
Charley Farthing is on the run. Chased by an irate husband with murder on his mind, Charley finds himself hopping on a ship, chased by authorities on a politically turmoiled island and ... See full summary »
Michael Rogers is a chauffeur with little money, but big dreams. Foremost of these is building his dream house on the perfect piece of land. Michael gets his chance when his new girlfriend, Ellie, turns out to be an extremely wealthy heiress. The two are wed and are soon living in a modern home on Gipsy's Acre. Their idyllic life shatters around them with a series of bizarre events and threats. Micheal comes under the disapproving eye of both Ellie's greedy family and her interfering best-friend Greta. On top of that, local legend says their property is cursed. What danger lurks for the young newlyweds, and is it a human plot or something supernatural? Written by
Not released in the US after a poor reception in the UK. See more »
Mike tells Ellie the first time the two meet that he's "only a rental car driver" even though a couple of scenes earlier it was revealed he actually lost that job and got a new job at a filling station instead. See more »
I am that figure of fiction, the family lawyer.
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The last film made by the illustrious Launder & Gilliat team is a psycho-thriller that desperately wants to be praised as "Hitchcockian" and even recruits Bernard Herrmann, Hitch's favourite composer, to write the score. Perhaps the Hitchcock film it most resembles, however, is "Frenzy" both seem to be the work of ageing filmmakers trying to get "with it".
"Endless Night" is extremely faithful to Agatha Christie's source novel (it may be the closest-ever filming of one of her novels) but neither of the two protagonists seem to come across with the same conviction that they do in the book. Hayley Mills struggles with a difficult part (Ellie is a fairly insipid character) while Hywel Bennett somehow never convinces as the enigmatic Michael.
There's lots of fun spotting familiar faces in the supporting cast, including an uncredited Nicholas Courtney (the Brigadier from "Doctor Who") as the auctioneer. Per Oscarsson is good as the insightful architect Santonix, who guesses something of what is going on, although our admiration for him is lessened by the hideously vulgar house he builds (which all the characters acclaim as a masterpiece!) I can't help wondering what Dame Agatha's loyal fans made of this film; the setting in an idyllic corner of rural England is traditional enough but the atmosphere is a great deal darker than usual. The novel, written in 1967, represented quite a bold departure for the writer (and a successful one) but the film at times descends into banality. Having said that, the twee nature of Ellie and Michael's romance gives the conclusion much more impact and the final images are startling.
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