After she misses her train, a young woman is forced to hitch a ride back to town. After managing to get away from a lecherous trucker, she is given a ride by a good-looking but somewhat ... See full summary »
Martin is a troubled young man. With a mother who insists on treating him like a child, a stepfather who can't wait to see the back of him, and a brother with Down's Syndrome shut away in ... See full summary »
Young Jenny heads to the South of England to start a new career as a school teacher. Even before she has had a chance to settle in she meets Patrick, one of the local "lads". Within a short... See full summary »
Charley Farthing is on the run. Chased by an irate husband with murder on his mind, Charley finds himself hopping on a ship, chased by authorities on a politically turmoiled island and ... See full summary »
Miss Poly decides to spend a few months with her wealthy spinster aunt as a traveling companion. While in India her Aunt's demise leaves her alone to persue her freedom and explore an arms ... See full summary »
Michael Rogers is a chauffeur with little money, but big dreams. Foremost of these is building his dream house on the perfect piece of land. Michael gets his chance when his new girlfriend, Ellie, turns out to be an extremely wealthy heiress. The two are wed and are soon living in a modern home on Gipsy's Acre. Their idyllic life shatters around them with a series of bizarre events and threats. Micheal comes under the disapproving eye of both Ellie's greedy family and her interfering best-friend Greta. On top of that, local legend says their property is cursed. What danger lurks for the young newlyweds, and is it a human plot or something supernatural? Written by
The lyrics that Hayley Mills sings to the tune of The Doors' song "End Of The Night" are from William Blake's "Auguries of Innocence" (ca. 1803). "Every morn and every night Some to misery are born. Every morn and every night Some are born to sweet delight. Some are born to sweet delight, Some are born to endless night." See more »
Mike tells Ellie the first time the two meet that he's "only a rental car driver" even though a couple of scenes earlier it was revealed he actually lost that job and got a new job at a filling station instead. See more »
I am that figure of fiction, the family lawyer.
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Around 45 years ago, when I was just a young lad, Hayley Mills was my favorite actress, and her 1962 film "In Search of the Castaways" was my favorite film, but between this and that, I don't think I've seen Hayley in anything since 1965's "That Darn Cat." How nice, then, to see her, the other night, at age 26 in the 1972 British film "Endless Night," and to realize what a nubile nymph my old flame had turned into later in life! In this adaptation of a 1967 Agatha Christie novel, Hayley plays Ellie Thomsen, the 6th richest girl in the world, who, after one date with pretty-boy chauffeur Michael (excellently portrayed by Welsh actor Hywel Bennett), elopes with him and builds his dream house in the Herts countryside. It is hard to figure out what words best describe "Endless Night." It is not really a horror movie, or a love story, or a thriller, but certainly does have elements of all these types. The picture IS remarkably atmospheric, in no small measure due to yet another wonderfully evocative score by the great Bernard Herrmann, and should manage to baffle most viewers who are trying to figure out just where the story line is going. Besides the fine work by its two leads, veterans George Sanders (here in one of his last roles, and playing what his character self-describes as a "desiccated old poop") and Lois Maxwell add sterling support, and even Britt Ekland turns in a convincing performance as Ellie's tutor/companion. Throw in some gorgeous scenery in the Herts and Positano countrysides, a surprise final quarter hour that manages to subvert everything we thought we knew, and two or three mild scares and you've got yourself one very interesting entertainment. Kudos, indeed, to writer/director Sidney Gilliat! I just hope that I'm not foolish enough to wait another 40 years before watching Hayley Mills in another picture. Perhaps it's time for me to finally check out Hayley and Hywel in 1968's "Twisted Nerve"...IF it ever gets released on DVD!
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