In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.
While traveling through the desert for an appointment with a client, the businessman David Mann from California passes a slow and old tanker truck. The psychotic truck driver feels offended and chases David along the empty highway trying to kill him. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This was one of Dennis Weaver's first film roles after he left Gunsmoke (1955). In one scene of the movie, Weaver's character stops for gas at a filling station. As he leaves the station in his car, the station worker is seen walking away with a stiff-legged walk like Weaver's "Gunsmoke" character, Chester Goode. See more »
A camera shadow can be seen around the edges when Mann is in the bathroom washing his face. See more »
[radio playing, driving down the road, approaches the truck]
[David coughs, coughs again]
Talk about pollution.
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A scene plays out over the credits where David Mann sits on the edge of the cliff throwing stones. See more »
While traveling through the desert for an appointment with a client, the businessman David Mann (Dennis Weaver) from California passes a slow and old tanker truck. The psychotic truck driver feels offended and chases David along the empty highway trying to kill him.
In the 70's, in Rio de Janeiro, most of the teenagers like me watched the impressive movie of a new and promising director called Steven Spielberg. On the beach, in school, in bars, everybody in Rio commented the story of a crazy truck driver that chases a common man in his car along the lonely roads through the desert. Thirty-six years later, I have just watched "Duel" on DVD with my son and it is fantastic to see how this movie has not aged. The tense and suspenseful story consists basically of a storyline, without development of characters, one actor, two stunts, lots of action and a magnificent work of direction and edition. One amazing detail is that all the afflictive and credible situation happens on the day light, i.e., Spielberg does not need to use the usual fear of the night to create a stunning tale of horror and fear, showing his talent of genius in his worldwide debut. My vote is eight.
Title (Brazil): "Encurralado" ("Trapped")
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