A business commuter is pursued and terrorized by the malevolent driver of a massive tractor-trailer.

Director:

Writers:

(screenplay), (story)
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1,283 ( 87)

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Nominated for 1 Golden Globe. Another 3 wins & 4 nominations. See more awards »
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Cast

Complete credited cast:
...
...
Mrs. Mann
...
Cafe Owner
Lou Frizzell ...
Bus Driver
...
Man in Cafe
...
...
Gas Station Attendant
Charles Seel ...
Old Man
Shirley O'Hara ...
Waitress
Alexander Lockwood ...
Old Man in Car
Amy Douglass ...
Old Woman in Car
Dick Whittington ...
Radio Interviewer (voice)
...
The Truck Driver (as Cary Loftin)
...
Car Driver (as Dale VanSickle)
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Storyline

While traveling through the desert for an appointment with a client, the businessman David Mann from California passes a slow and old tanker truck. The psychotic truck driver feels offended and chases David along the empty highway trying to kill him. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Terror in your rear view mirror. See more »

Genres:

Action | Thriller

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 November 1971 (USA)  »

Also Known As:

Dvoboj  »

Box Office

Budget:

$450,000 (estimated)
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Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (original) | (Extended Version)

Sound Mix:

(Westrex Recording System)|

Color:

(Technicolor)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Steven Spielberg can be seen reflected in the telephone booth during the scene where David Mann is calling the police. During his appearance on Inside the Actors Studio (1994) Spielberg admitted that this was not an intentional cameo, but instead was a mistake. He went on to state that several similar mistakes were revealed when the movie received a theatrical release in Europe, with 18 different occurrences where Spielberg could be seen because of the change in aspect ratio for theatrical release. See more »

Goofs

During the scene at the railway crossing, in one shot the lettering on the freight cars appears in mirror image. (It is not possible that we're seeing a reflection in the rear view mirror, as the train is in front of the car and still seems to be moving the right way anyway). See more »

Quotes

[first lines]
[radio playing, driving down the road, approaches the truck]
[David coughs, coughs again]
David Mann: Talk about pollution.
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Crazy Credits

The man with the sandwich is referred to as "Hoagy Man". See more »

Connections

Referenced in The Hitcher II: I've Been Waiting (2003) See more »

Soundtracks

The Duel (end titles and end credits)
Written by Billy Goldenberg
Published by Leeds Music Corporation (ASCAP)
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Frequently Asked Questions

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User Reviews

The ultimate car chase movie...

Leave it to prosemaster extraordinaire, Richard Matheson (a favorite of mine and the man Stephen King acknowledges as being his biggest influence), to come up a premise so simple yet so believable and terrifying that the viewer will never look at an eighteen-wheeler the same way ever again...and leave it to cinematic wunderkind, Stephen Spielburg, to do right by Matheson's script and win acclaim in the bargain.

Though some may argue that "Bullit", "Vanishing Point", or maybe even the original "Gone in 60 Seconds" could be called the ultimate car chase movie, "Duel" deserves this designation better because it does something none of the above films can claim. The story literally starts on the road and ends on the road. No location in the entire film is ever out of sight of the highway and, in spite of the brief conversation with the wife, virtually nothing else happens outside the highway. For David Mann (played adequately enough by Dennis Weaver) and the monster truck he's trying to get away from, the road and everything alongside it is their entire universe. Nothing else of importance exists outside of it.

Though it's never mentioned in the film, this would seem to take place on the California highways. When I went out there about eight years ago, I went down roads that seemed to be not too dissimiliar to the ones shown here. They seemed to stretch on forever, no vestiges of civilization in sight for miles. Spielburg uses this setting to great advantage. Being in your car in a crowded city intersection is one thing, but on those highways with nothing but your car and a homicidal maniac in a diesel for miles? The isolation factor that cars naturally produce jumps up a thousand percent. The radiator hose problem made me think of many other times that I had similar troubles with cars I've had. Of course, I never had someone trying to kill me at the time, but...

Anyone looking for drama, character development, or all the other elements that pseudo-critics point out as the mark of cinematic excellence are liable to be disappointed by "Duel". It's what King described in "Danse Macabre" as a Tale of the Hook. It's only purpose is to scare the hell out of you. Damn if it doesn't work. THAT'S the mark of a classic.


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