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Duel (1971)

TV Movie  -   -  Action | Mystery | Thriller  -  13 November 1971 (USA)
7.7
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Ratings: 7.7/10 from 38,116 users  
Reviews: 284 user | 113 critic

A business commuter is pursued and terrorized by a malevolent driver of a massive tractor-trailer.

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Writers:

(screenplay), (story)
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Title: Duel (TV Movie 1971)

Duel (TV Movie 1971) on IMDb 7.7/10

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Nominated for 1 Golden Globe. Another 3 wins & 3 nominations. See more awards »
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Cast

Complete credited cast:
...
...
Mrs. Mann
Eddie Firestone ...
Cafe Owner
Lou Frizzell ...
Bus Driver
Gene Dynarski ...
Man in Cafe
Lucille Benson ...
Lady at Snakerama
Tim Herbert ...
Gas Station Attendant
Charles Seel ...
Old Man
Shirley O'Hara ...
Waitress
Alexander Lockwood ...
Old Man in Car
Amy Douglass ...
Old Woman in Car
Dick Whittington ...
Radio Interviewer (voice)
Carey Loftin ...
The Truck Driver (as Cary Loftin)
Dale Van Sickel ...
Car Driver (as Dale VanSickle)
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Storyline

While traveling through the desert for an appointment with a client, the businessman David Mann from California passes a slow and old tanker truck. The psychotic truck driver feels offended and chases David along the empty highway trying to kill him. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Fear is the driving force. See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 November 1971 (USA)  »

Also Known As:

Duellen  »

Filming Locations:

 »

Box Office

Budget:

$450,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (original)

Sound Mix:

(Westrex Recording System)|

Color:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Some of the scenes were later used as stock footage in The Incredible Hulk: Never Give a Trucker an Even Break (1978). Obvious scenes used were the red Valiant slamming into the fence, the use of the same phantom truck in new TV footage, and the use of a similar Valiant in new TV footage. Unhappy by the discovery that footage from the movie was recycled, and unable to sue because the studio owned both the film and Hulk series, Steven Spielberg insisted that all his future contracts have a clause designed to protect his films from being used as stock footage. See more »

Goofs

During the final chase scenes the camera cuts to the speedometer showing how fast the car is supposedly driving however the gear indicator is also visible and is clearly showing the car is in neutral gear the whole time. See more »

Quotes

[first lines]
[radio playing, driving down the road, approaches the truck]
[David coughs, coughs again]
David Mann: Talk about pollution.
See more »

Crazy Credits

The man with the sandwich is referred to as "Hoagy Man". See more »


Soundtracks

The Duel (end titles and end credits)
Written by Billy Goldenberg
Published by Leeds Music Corporation (ASCAP)
See more »

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User Reviews

 
City-slicker's nightmare
21 October 2003 | by (St. Paul, MN) – See all my reviews

Gleefully sadistic little thriller. Though the young Mr. Spielberg's hand is evident in many places (the economic storytelling style, the visual wit), the film's tone probably owes more to screenwriter (and 'Twilight Zone' veteran) Richard Matheson. The story has all the itchy paranoia of Matheson's best work, with Dennis Weaver's fussy little city man confronted by Tex-Mex suspicion at best, and relentless, illogical horror at worst, as he travels from one oasis of civilization to another for an important meeting. 'Duel' is essentially a city-slicker's nightmare, concentrating collective fears of wilderness and the mad souls who choose to dwell there. But at the same time it lightly satirizes those urbanite attitudes, and Weaver's Mann is often made to look laughable, with his silly necktie, and his little Plymouth Valiant, and his prissy, civilized approach to his problem. Spielberg revels in the black comic elements of Matheson's narrative, and the result is the perfect suspense/thriller tone--one never knows whether to laugh or scream. If the story lags a bit towards the end, and if the conclusion is rather a simple one, the film is still a model of economy and tone, and it features one of the most memorable villains in suspense-film history--one that weighs forty tons. 9 out of 10.


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