A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
While traveling through the desert for an appointment with a client, the businessman David Mann from California passes a slow and old tanker truck. The psychotic truck driver feels offended and chases David along the empty highway trying to kill him. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
There is an elderly couple who drive by in a red car. The woman yells at the man to keep driving. A similar couple in a red car acts out the same ordeal in Back to the Future (1985), of which Steven Spielberg was the Executive Producer. See more »
When David Mann first passes the truck, we get a view of the landscape and roadside objects as he passes. When he has to pass the truck a second time, a few miles down the road, the same footage is used (as evidenced by the same objects appearing on the roadside and horizon). See more »
[radio playing, driving down the road, approaches the truck]
[David coughs, coughs again]
Talk about pollution.
See more »
A scene plays out over the credits where David Mann sits on the edge of the cliff throwing stones. See more »
Hail on to the Truck driver ... truck driver FREAK!!
Steven Spielberg's first long feature film (sort of) may only just be a TV-movie, its influence, impact and entertainment value overwhelms the majority of big screen productions. The brilliance lies in the simple plot and the complete lack of background information you're denied. The film is a powerful collaboration between the superb writing skills of Richard Matheson (The Incredible Shrinking Man), the stunningly sublime cinematography by Jack Marta and the over talented vision of Steven Spielberg as a director. Duel easily is one of the ONLY movies ever made that'll keep you on the edge of your seat from beginning till end. What begins as an average day for salesman David Mann quickly turns into a merciless showdown between himself and a seemly driverless truck somewhere in a nearly forsaken countryside. The eerie shots of a giant, boisterous and filthy-looking truck versus the classy red Plymouth Valiant are the most tense road-rage images I ever beheld and they're guaranteed to make your blood pump faster!
The film is terrifically cut in half when the protagonist stops a roadside restaurant to analyze his uncanny situation. While recovering from the previous assault, Mann notices that the monstrous truck is also parked outside the diner so one of the unfriendly guests present there more than likely is his assaulter. This sequence, brilliantly illustrated by pan camera movements and atmospheric voice over sound, perfectly proves how an amazing director Spielberg is. Especially when you bear in mind he only was 26 at the time Duel was released and he mostly worked with a crew of veteran filmmakers. This simply is one of the most action-filled movies ever made and a timeless classic. THIS is how we like to see Spielberg! Giant monstrosity! Filthy trucks or man-eating sharks not the over-sentimental and melodramatic crap he's delivering nowadays.
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