| Susan George | ... | Marianne McDonald / Evans | |
| Barry Evans | ... | Eli Frome | |
| Christopher Sandford | ... | Sebastian Smith | |
| Judy Huxtable | ... | Hildegarde | |
| Leo Genn | ... | The Judge | |
| Kenneth Hendel | ... | Rodriguez | |
| Paul Stassino | ... | Portugese Police Sergeant | |
| Alan Curtis | ... | Disco Manager | |
| Anthony Sharp | ... | Registrar | |
| Martin Wyldeck | ... | First Policeman | |
| Jon Laurimore | ... | Second Policeman (as John Laurimore) |
Directed by | |||
| Pete Walker | |||
Writing credits | ||
| Murray Smith | (screenplay) | |
Produced by | |||
| Pete Walker | .... | producer | |
Original Music by | |||
| Cyril Ornadel | |||
Cinematography by | |||
| Norman G. Langley | (as Norman Langley) | ||
Film Editing by | |||
| Tristam Cones | |||
Makeup Department | |||
| Charles E. Parker | .... | makeup supervisor (as Charles Parker) | |
Production Management | |||
| Robert Fennell | .... | unit manager (as Bob Fennell) | |
| Doreen Merriman | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Brian Lawrence | .... | assistant director | |
Sound Department | |||
| Tony Anscombe | .... | dubbing mixer | |
| Matt McCarthy | .... | dialogue editor | |
| Peter O'Connor | .... | sound recordist | |
| Simon Okin | .... | boom operator | |
Camera and Electrical Department | |||
| Jim Davis | .... | gaffer | |
| Tony Mander | .... | camera operator | |
| Tim Ross | .... | follow focus | |
| Peter Taylor | .... | follow focus | |
Editorial Department | |||
| Peter Bond | .... | assistant editor | |
Music Department | |||
| Cyril Ornadel | .... | conductor | |
Other crew | |||
| Norman Lambert | .... | location manager | |
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| The Last Seduction | Captives | The Ruling Class | To Live and Die in L.A. | King of New York |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section |
Pic is routine in all respects and a real timewaster! Marketed as a horror film, it's nothing more than a boring tale of a dysfunctional family trying to lay their mitts on a numbered Swiss Bank account containing incriminating documents, along with a sizeable amount of cash. Poor Marianne is about to inherit this stash on her 21st birthday, but her father and sister want to grab it from her. Nothing horrific (nor even interesting) here.
The cast is decidedly drab and unattractive (even toplined Susan George is unflatteringly photographed)and performances are strictly of the stock variety. Potentially interesting Portuguese scenery is also wasted by the pedestrian set-ups employed by helmer Pete Walker.
Director Walker made a few mildly interesting films ("House of Whipcord", "Frightmare") along with a goodly amount of dreck. Thankfully he retired in '82, saving viewers from further boredom.