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Diamonds Are Forever
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Reviews & Ratings for
Diamonds Are Forever More at IMDbPro »

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4 out of 8 people found the following review useful:

The best of Bond

10/10
Author: howard-30 from Washington, DC
16 February 2006

*** This review may contain spoilers ***

The best Bond girl of the all. Jill St John is very funny as well as good looking. Almost perfect camp, just right for Bond. She steals the movie from Connery.

The two villains are more interesting then most. Having gay lovers as murderers is very advanced for its time. Its a shame they have to be killed off, I would have liked to have seen them again.

I admit the final scene, strains credulity more than a bit if you decide to think but between St John in a bikini and Bond making jokes who wants to think.

The chase in the desert is fun with the Moon machine. Great light entertainment without the silly seriousness they sometimes try for.

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4 out of 8 people found the following review useful:

Broccoli with Cheese!

Author: Puck-20 from Bannana Republic
28 May 2003

Goodness, people sure take their James Bond movies seriously! You would think Ian Fleming was William Shakespeare's first cousin or something after reading some of these posts......anyway: I saw this when it came out in the theaters back in '71. I loved it then, and still do. It was FUNNY! Connery was funny, the situations he got in were funny, and the bad guys, Mr. Wint and Mr. Kidd... it was enjoyable to see these guys spew off one-liners as they knocked people off. After the oh-so-serious OHMSS, this movie was quite refreshing; it was nice to see the series start to not take itself so seriously.

Oh, a bit of trivia for you Roger Moore bashers. You might want to know that, for the first Bond movie, Dr. No, Ian Fleming [the creator of James Bond] originally wanted Roger Moore to be James Bond, since Moore fit Fleming's image for what Bond was supposed to look and act like...

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5 out of 10 people found the following review useful:

Sophisticated, stylish romp

10/10
Author: tforbes-2 from Massachusetts, USA
26 July 2003

Many people are apparently put off by this Bond film. Sure, Sean Connery is older, you see Blofeld (this time with a head of hair) and the series seemed a tad out of place in 1971, when the anti-war movement was running strong.

This movie is not Goldfinger, despite the presence of Guy Hamilton at the helm and Shirley Bassey as the singer of the title theme. What this movie is is a stylish romp that seems to bear some nod to the Batman TV series in terms of style. In some other respects, this movie plays almost like an Anglicized version of "The FBI," or like "The Persuaders."

And that is not at all bad!

The original femme fatale of the 1966 Batman series, Jill St. John, is the female lead here, and is fun to watch. She shows a lot of spirit in the role. Charles Grey is fun to watch as Blofeld, because he brings a real wit to the role. The dialogue is definitely sophisticated, and it is a very stylish production that I think holds up well. And Lana Wood does a fine job here, too! (Oh, and I met her in Detroit in May 2009; sweet lady!!)

This movie is also more daring in terms of sex than any other Bond: The public display of affection the thugs Wint and Kidd show, as well as the topless scene of Lana Wood's character.

Gadgets don't seem to dominate this outing. It's no 1960s Connery film (the lead actor's older), nor a 1970s Moore outing (more serious). This movie is sandwiched between the two eras, and it rightly should be taken on its own terms. Which means, I think it is one of the most enjoyable Bond films made--a sophisticated, stylish romp. It is, in my view, a most enjoyable Bond (and my personal favourite)!

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6 out of 12 people found the following review useful:

This was the best James Bond movie ever

10/10
Author: sjohns71 (sjohns71@yahoo.com) from United States
24 May 2007

Yes he was new, yes there were a few mistakes in the movie but he was a wonderful actor as well as a sweet person that I had the pleasure of meeting during the filming of this movie, I think he got better with time, me and my sister were both extras in this movie "Diamonds are Forever" we are easy to spot, in the Las Vegas scene, Circus Circus Casino, you'll see us 2 African American kids just happy to be there. I was thrilled to death to find that 38 yrs later this movie is still a favorite. It will always be mine. I think as far as the time when the movie was filmed, the scenes were great as well as the actors, if I had to do it over again, I would.

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6 out of 12 people found the following review useful:

This Christmas its Diamonds. Because Diamonds are Forever

10/10
Author: Tom Bixby (marchofthewoodensoldiers_2001@hotmail.com) from TOP SECRET
11 December 2001

With Diamonds are Forever as its starting point, the Bond series takes its first steps towards a revolution. Although Cubby Broccoli had yet to introduce the style , technique and humour that the Bond movies employed to define the 70's Action/Adventure movies,didn't untill The Spy Who Loved me [1977], the blueprints to all the greatest 70's Bond movies are very evident and apparent with Diamonds are Forever. From the very start of the fantastic pre-credits sequence in wich Bond hunts down Blofeld, presumably to avenge his wifes death [On Her Majesty's Secret Service, 1969], the claim is made that this is going to be lighter and more fun than anything on a Bond movie since Goldfinger [1964]. This is thanks to three important factors, Guy Hamilton who directed Goldfinger is back to direct his first Bond movie since the 1964 classic. With him Hamilton brings along alot of comic book orientated ideas and a wondefuly imaginative and humourous writer in Tom Manciewicz. Manciewicz is youthful and more American in his ways of writing and this gives Diamonds a fresh and polished feel to characters and action sequences. Sadly the script for Diamonds is one of the less involving and suspenseful of the series but no less enjoyable. The third factor in Diamonds success is the return of Sean Connery. Relaxed and re-energised after his hiatus from On Her Majesty's Secret Service, Connery looks to be enjoying himself, and this seems to be an inspiration to the rest of the cast and the overall look of the movie. In truth, Diamonds Are Forever is one of the most enjoyable and original of the entire Bond series.

It would have been nice perhaps that in the wake of On Her Majesty's Secret Service, George Lazenby and OHMSS's Director Peter Hunt had returned to do a follow up revenge story in wich Bond avenges Tersa [Diana Rigg] who was shot in the final moments of OHMSS. Sadly this wasn't to be. In its place we have the next best thing. Connery is back, the action is more fast and lighter, the sets are bigger and the characters are larger than life. Central to the success of the well written characters is the way in wich they are played, and Diamonds comes up with a killer cast. Charles Gray who was fantastic as a support in You Only Live Twice turns on the charm as a very subdued and eerie Blofeld. Perhaps working against Gray is the fact that the ghost of Telly Savalas, the best of the Blofelds echoes through the movie. Gray however is very comanding and humourous in the movie and it is refreshing to see a different look and style to the character. Equally impressive is Jill St John as Tiffany Case. St John comes over like Lucy from Charles Schultz Peanuts cartoons and in most movies this would seem out of place but gives Diamonds the humourous edge it needs. As efficient as St John is Lana Wood as Plenty O Toole. Wood is beautiful for the part and has a very apealing charm. Manciewicz provides Connery with one of the all time great Bond one-liners in conversation with Wood "Hi Im Plenty, Plenty O Toole" exclaims wood "After your father Perhaps" inquires Connery. Were as most Bonds give us one hench men, Diamonds gives us two, and homesexual ones at that. Mr Wint and Mr Kidd as portrayed by Bruce Glover and Putter Smith respectively are two of the most original creations of the action movie genre. The come across as some sort of Stoned Laurel and Hardy and again add to the humour and are vicious and nasty creations underneath the fun. Finally there is Jimmy Dean the Country music superstar who turns up here as the Howard Hughes clone Willard Whyte. Dean seems at first out of place in a Bond movie but eventually grows upon you as the humour escelates. Like most Bond movies there is at least one performance that doesn't work : Norman Burton as Felix Leiter. Burton has none of the style and charm Rick Van Nutter had in the role or the appeal that David Hedison would go on to have in future Bond movies. Burton is with out a doubt the worst of all the Leiters.

Add to all this the wondeful backdrop of Las Vegas. Vegas contains one of the most flashy glamorous settings for a Bond movie, and it is easy to believe what is going on there. Ken Adams sets are again a joy to marvel at, particularly Blofelds fortress at the movies climax and individual creations like the Moonbuggy, an ugly creation intentionally so. Guy Hamilton gets the direction right with the action sequences, and Connery once again in control of things throws himself enthusiastically into the role of Bond, more humour from Connery than we have ever seen before, and the action sequences once agin pack the punch. Diamonds however contains quite a few mistakes wich at times is distracting, the one obvious mistake is the sequence in the car chase in Vegas wich see's Bond and Plenty in a red sports car through a narrow alley, in order to fit in the car tilts to one side on its left wheels and an insert shot shows it tilting to its right side. Anyone who has ever tried that knows it is impossible! Mistakes come and go but with the pace so energetic you hardly notice. To support the energetic pace is John Barry's whirling and absorbing themes, a few notches down from them of OHMSS, But still efficient and mesmerising, and there is the traditional theme song, another classic sung with amazing skill by Shirley Bassey {Goldfinger].

Diamonds are Forever isn't all plain sailing. The plot of the movie is quite difficult at first to get stuck into, and as the characters a quite fresh and original it is difficult to appreciate them at first but they grow on you with time. The script as with You Only Live Twice has Bond struggling to grasp a space weapon from the hands of Blofeld, wich seems like an old song sung over. Thanks to Tom Manciewicz's fresh and enjoyable screenplay nothing seems tired, and Guy Hamilton milks everything he can from Comic Book/Pop Art humour and action. Manciewicz would later employ as simmilar writing style into Live and Let Die [1973] Superman:The Movie [1978] and Superman II [1980], but it is with Diamonds that he learned his trade. It is quite sad to see Sean Connery in his last official and EON Bond movie. But at least he went out with a bang and not a whimper. Over the years he BECAME Jmaes Bond and if it wasn't for the likes of Roger Moore and Pierce Brosnan the series may have ended with him. Connery is fantastic in Diamonds are Forever, wich is a very enjoyable and well made movie, and a great start for Bond in the 1970's.

You know what they say Sean, Never Say Never Again.

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10 out of 20 people found the following review useful:

Connery`s Worst Bond Outing

5/10
Author: Theo Robertson from Isle Of Bute, Scotland
29 January 2003

*** This review may contain spoilers ***

For many people James Bond is Sean Connery but that doesn`t mean a Bond film is an instant classic because Connery is in it . DIAMONDS ARE FOREVER is barely watchable enough , just think how bad it could have been without Big Sean

***** SPOILERS ******

What I hate about this film is there is no internal continuity with OHMSS . Blofeld killed Bond`s wife in the previous movie and it starts with Bond on the revenge trail where Bond apparently kills Blofeld in the pre title sequence , but as the film continues and it`s revealed Blofeld isn`t really dead all that`s gone before is quickly forgotten about as if it never happened in the first place . If they were going to ignore all this then why couldn`t the producers just kill off Blofeld and introduce another meglomanaic villain . Like wise Charles Gray`s performance is totally unconvincing , can you imagine Donald Plesance from YOU ONLY LIVE TWICE appearing in drag smoking a cigarette from a holder in an entirely camp manner ?

The production values are also very poor . The script resembles one of the latter Moore films where lots of things may happen but serves to disguise the fact that there is nothing happening plot wise . Are Blofeld`s henchman SPECTRE ? If so it`s never mentioned on screen and I found their garish uniforms of pale blue jumpsuits and red helmets both irritating and laughable . Jill St John plays one of the most forgettable Bond girls and director Guy Hamilton has a real bad off day especially during the action climax featuring the superimposed explosions of helicopters

There are a couple of good points about DIAMONDS ARE FOREVER which stop it from being a contender for worst Bond film . There is the welcome return of Connery in the lead and I couldn`t help but enjoy the inclusion of a couple of gay hitmen , the scene where one of them is dispatched with a bomb between his legs still brings a wry smile to my face though Bond`s wise crack after this causes me to groan out loud

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10 out of 20 people found the following review useful:

Looking old, 007...

4/10
Author: Gislef from Iowa City, IA
4 December 1998

Sean Connery looks older here in his last Eon/Bond film than in his later Never Say Never Again. Diamonds... marks the end of one era of James Bond, and the beginning of another. No, not the switch from Connery to Moore, but any semblance of hard-edged Fleming-style "reality" - Bond is now Spiderman the Secret Agent, never without a one-liner or a handy gadget. Connery downplays everything with the aura of a man collecting a big paycheck (see Trivia). Ms.'s St. John and Wood wander around in poor-fitting underwear most of the time. Charles Gray is an adequate Blofeld: more urbane than Pleasance and Savalas, but lacking the physical presence of the later and his Fleming-pictured equivalent (he also favors cigarette holders, over Savalas' hand-held favorites). The only saving grace is the dialogue: the bad guys get the best one-liners, and Wint & Kidd's homosexual killers are a hoot.

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0 out of 1 people found the following review useful:

The first slip up for James Bond

4/10
Author: Rickting from London
16 August 2015

*** This review may contain spoilers ***

In Diamonds Are Forever, James Bond played by a returning Sean Connery who's looking visibly older and visibly fed up of the role goes after some diamond smugglers and Blofeld again. The Bond franchise had been going well until this installment. While a fair distance from some of the horrors of later bad installments, DAF is a campy and flat affair full of bad jokes, poor performances and soulless stunts. Evidently thinking Bond two wheeling through an alley, driving a moon buggy through the desert and spending most of the finale in a crane is exciting, this one lacks the sparkle of the various locations used. DAF is still an escapist movie, boasts the odd thrill and is a bit of a relief after the darkness of On Her Majesty's Secret Service, but a complete lack of any reference to Tracy is pretty annoying. The Bond girl this time is a pretty weak and annoying character. Charles Gray is by far the worst on screen Blofeld although Mr Wint and Mr Kidd are good villains, though underused ultimately.

It's entertaining enough and doesn't take itself too seriously. It's hardly a disaster but it is just a bit lifeless. The plot is pleasingly straight forward although the script is a bit silly. The fatal flaw is the campy tone. Similar tonal issues would plague the Roger Moore era. It forgoes tension for not particularly funny humour. When Blofeld turns up again it's no surprise and the finale just isn't as good as it could have been. Everything in DAF is colourful and campy and the grit of Ian Fleming's novels is nowhere to be found. It isn't serious enough to work and while humour is a good thing there's too much of it here. The next installment Live and Let Die managed to reach a better tone. While not the worst in the Bond canon this is one of the weaker entries with the normally reliable Sean Connery completely going through the motions and failing to generate any excitement. Still, at least it wasn't George Lazenby again!

4/10

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0 out of 1 people found the following review useful:

"Sorry about your fulsome friend . . . "

7/10
Author: Edgar Allan Pooh from The Gutters of Baltimore
28 April 2014

*** This review may contain spoilers ***

. . . Jill St. John, as "Tiffany Case," consoles Sean Connery's "James Bond" midway through DIAMONDS ARE FOREVER. One would have wonder exactly WHICH "fulsome friend" Ms. St. John is lamenting. Two of the likely candidates are "Marie" and "Plenty." Neither character is on-screen long enough to even qualify for MLB's proverbial "cup of coffee." Bond rips off Marie's bikini top and garrotes her with it. Since the uncredited Denise Perrier, who played Marie, was not as famous as Ms. St. John, her chest points are clearly visible during this violent episode (1:44) and NOT modestly covered by pasties, as is the case when Bond beds Tiffany (1:08:30). This psychopathic sex-killing set-up (even if not carried to an ultimate conclusion) clearly inspired director Alfred Hitchcock's only topless scene the following year in FRENZY. (As a fellow Brit, Hitchcock was insanely jealous of Bond's glory and box office, churning out pale imitations such as TOPAZ and TORN CURTAIN in his declining years.) On the other hand, actress Lana Wood, as DIAMONDS' "Plenty O'Toole," suffers from benign neglect. Miss O'Toole spends plenty of her brief on-screen time during this film in swimming pools, being "doubled" by stunt-women and\or dummies. While "Plenty" may be more "fulsome" than "Marie," neither woman is likely to keep "Tiffany" awake at night. Perhaps a more intriguing point to note is that DIAMONDS' final Bond triumph just before the end credits depends on its audience accepting as "fact" that gays know nothing about wine!

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0 out of 1 people found the following review useful:

Bond #7: Down to earth

Author: unbrokenmetal from Hamburg, Germany
8 July 2008

Fleming's novels were more than once accused of sadism by critics, fortunately in most cases, not much of that made it into the movies. "Diamonds Are Forever", though, has not only some scenes of very dark humor (for example when Plenty is thrown out of the window - and the killer "apologises" for her safe landing with the words "I didn't know there was a pool down there"), but regrettably also a few others that border on the tasteless. I am thinking of the way Bond disposes of the 2 killers on the cruise ship, or when he happily says he "sincerely hopes" Franks is dead - in these scenes, the audience gets the impression he actually enjoys killing people in interesting, painful ways which is a long way from the old-school type of hero that would kill only for self-defense or if it really can't be avoided. From the fantasy in "Goldfinger" and "You Only Live Twice", we are down to earth here which also shows in the locations that are not exotic, but plainly continental Europe (Amsterdam) and the USA. There even is a car chase scene which would fit into anything from "Smokey And the Bandit" to "Kojak", but for Bond it's below standard to trash a few cars. What I liked best: the escape with the moon car is funny and unusual, the 2 athletic ladies kicking Bond where it hurts were a novelty, and I liked Charles Gray as a villain with a good reason to attack Washington DC ("If we destroy Kansas, the world may not hear about it for years"). Instead of a little known Bond girl whose participation in a Bond is the only highlight of her career, this time we get to see an actress already known for her other movies: Jill St.John was a great choice for the part of Tiffany Case. Not one of the top 10 Bond movies, but "Diamonds Are Forever" still has a handful of good moments.

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