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Diamonds Are Forever (1971)

6.7
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Ratings: 6.7/10 from 58,718 users  
Reviews: 256 user | 103 critic

A diamond smuggling investigation leads James Bond to Las Vegas, where he uncovers an extortion plot headed by his nemesis, Ernst Stavro Blofeld.

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Title: Diamonds Are Forever (1971)

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Nominated for 1 Oscar. Another 1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Jimmy Dean ...
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Putter Smith ...
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Norman Burton ...
Joseph Fürst ...
Dr Metz (as Joseph Furst)
...
'M'
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'Q'
Leonard Barr ...
...
Margaret Lacey ...
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Storyline

James Bond's mission is to find out who has been smuggling diamonds, which are not re-appearing. He adopts another identity in the form of Peter Franks. He joins up with Tiffany Case, and acts as if he is smuggling the diamonds, but everyone is hungry for these diamonds. He also has to avoid Mr. Wint and Mr. Kidd, the dangerous couple who does not leave anyone in their way. Ernst Stavro Blofeld isn't out of the question. He may have changed his looks, but is he linked with the heist? And if he is, can Bond finally defeat his ultimate enemy. Written by simon

Plot Summary | Plot Synopsis

Taglines:

Bond is back...with the action [British advance double crown poster ; Style A] See more »


Certificate:

GP | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

17 December 1971 (USA)  »

Also Known As:

Ian Fleming's Diamonds Are Forever  »

Box Office

Budget:

$7,200,000 (estimated)

Gross:

$43,800,000 (USA)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(colour) (Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

According to Lana Wood's autobiography, she was the victim of a prank when she first met Sean Connery. Someone on the set told her to meet Sean at his Las Vegas hotel room. The door was open and she sat down in a chair. Sean called from the bathroom that he'd be there in a minute. He then walked out stark naked. They had a brief fling during filming, until she was abruptly dumped by Sean, who decided to carry on with Jill St. John instead. See more »

Goofs

Since the diamond cartel is careful to identify Peter Franks with fingerprints, it is odd that they didn't take the additional precaution of having a photograph of his face. See more »

Quotes

[first lines]
James Bond: [tossing Japanese man around] Where is he? I shan't ask you politely next time. Where is Blofeld?
Japanese man: Ca-Ca-Cairo.
See more »

Crazy Credits

THE END of DIAMONDS ARE FOREVER James Bond will return in LIVE AND LET DIE See more »

Connections

Followed by Bond 24 (2015) See more »

Soundtracks

Slumber, Inc.
(uncredited)
Written by John Barry
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
BOND#7: What Doesn't Stay in Vegas? Bond!
2 June 2007 | by (United States) – See all my reviews

MASTER PLAN: steal a lot of diamonds to fashion an orbiting super-duper laser to, guess what, blackmail the world! The pre-credits teaser functions as an epilogue to "On Her Majesty's Secret Service," with Bond hunting his arch-nemesis, Blofeld, in a quick series of scenes throughout the world. The filmmakers tried to recapture the best of "Goldfinger" in this one, using the same director and singer Bassey on the credits again. Ending up with even a pale imitation of the best Bonder is not such a bad thing, but it also points to the lack of originality besetting the series by this time. This one probably breaks the record for unusual types of killings, mostly courtesy of gay assassins Wint & Kidd, who go through a bunch of victims very quickly early on. The odd flavor and juxtaposition (detail of diamond smuggling over surreal liquidations) is an attempt to make Bond edgy & relevant now that the seventies began. The danger with all the attempts to be unusual, whether in regard to deaths or chases, is that it dips into a cutesy atmosphere a bit too far. Those fans fond of the seriousness in the previous film would probably not be amused, since it comes across as a dark parody of the usual spy stuff. That being said, Wint & Kidd, who represent the worst excesses of this film, end up as the highlights. From their very first scene in the desert, where they seem to draw inspiration from a scorpion, these two oddballs have the audience guessing on what they would do next - they are goofy, yes, but also lethal - interesting because they are somewhat original.

Bond's mission, tracking an involved diamond smuggling operation, takes him briefly to Amsterdam, but he ends up in Las Vegas for most of the story. A subplot involves a missing billionaire, obviously patterned after Howard Hughes, who was still living as a recluse at this time. M and, especially Moneypenny, have less screen time in this one, though Q pops up in an amusing scene testing one of his gizmos on some one-armed bandits (Vegas is no match for Q). Though the scenes in Vegas itself are less exotic than those of most Bond films, the film also makes good use of the surrounding desert terrain and there are numerous grand sets, notably a huge futuristic lab building, complete with tests of a fake moon landing, as well as a house built into the rocks. There is a good auto chase on the streets of Vegas, which has the infamous 'two-wheely' by Bond thru an alley. The two weird assassins pop up every now and then; they even have their own theme score, an eerie yet playful little tune. One of them looks very strange (Smith, a jazz musician with no acting experience), while the other (actor Glover, father of Crispin Glover) looks more normal but has very strange inflections to his speech. Every time they show up, a strange tension surfaces for the viewer. Besides Wint & Kidd, other outrageous foes for Bond include Bambi & Thumper, two wild martial arts girls who nearly knock his teeth in. Their scene has a lot of energy and you won't soon forget them. The story is well-paced for the most part, with less of those slow spots that afflicted many of the later Bonders. However, a couple of deleted scenes with the Plenty character makes things a bit confusing for her character arc.

Connery is, of course, several years older since his last Bonder, but he looks pretty much the same as he did in "You Only Live Twice." There may be a hint of grey around the edges and, in his scenes with M, it no longer comes across as 'the old man and the wiseguy kid' repartee, despite their best efforts. But Bond is still the ideal male here and it's still believable that femme fatale Tiffany falls for him by the end. She's a curious mixture of flaky girl and worldly woman, usually flippant in her approach, sort of reflecting the trivial nature of this Bonder, where nothing happening is really of grave import. That's why, when Blofeld's (him again) real plan is revealed, it's a bit out of left field; all of sudden, we see a super laser detonating missiles around the globe and everything has changed into matters of international import. Blofeld, as played by Gray, is more urbane and effeminate than the previous two versions, more attuned to a villain planning world domination, but he's also too civilized, too polite to Bond in the climactic sequence, diffusing his threatening presence. CIA liaison Leiter recalls the non-descript Leiter of "Goldfinger," as well. The climax on that oil rig sea platform in Baja is not very well done, with Blofeld's end especially disappointing (he would not return, except in the teaser of "For Your Eyes Only"). But, the epilogue is excellent. Bond, but not Connery, would return in "Live and Let Die." Bond:8 Villain:7 Femme Fatales:7 Henchmen/women:8 Leiter:6 Fights:8 Stunts/Chases:8 Gadgets:6 Auto:7 Locations:6 Pace:8 overall:7


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