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Diamonds Are Forever (1971)

6.7
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Ratings: 6.7/10 from 62,003 users  
Reviews: 259 user | 105 critic

A diamond smuggling investigation leads James Bond to Las Vegas, where he uncovers an extortion plot headed by his nemesis, Ernst Stavro Blofeld.

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Title: Diamonds Are Forever (1971)

Diamonds Are Forever (1971) on IMDb 6.7/10

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Nominated for 1 Oscar. Another 1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Jimmy Dean ...
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Putter Smith ...
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Norman Burton ...
Joseph Fürst ...
Dr Metz (as Joseph Furst)
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'M'
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'Q'
Leonard Barr ...
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Margaret Lacey ...
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Storyline

James Bond's mission is to find out who has been smuggling diamonds, which are not re-appearing. He adopts another identity in the form of Peter Franks. He joins up with Tiffany Case, and acts as if he is smuggling the diamonds, but everyone is hungry for these diamonds. He also has to avoid Mr. Wint and Mr. Kidd, the dangerous couple who does not leave anyone in their way. Ernst Stavro Blofeld isn't out of the question. He may have changed his looks, but is he linked with the heist? And if he is, can Bond finally defeat his ultimate enemy. Written by simon

Plot Summary | Plot Synopsis

Taglines:

"Diamonds Are Forever"...forever...forever...forever... See more »


Certificate:

GP | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

17 December 1971 (USA)  »

Also Known As:

Ian Fleming's Diamonds Are Forever  »

Box Office

Budget:

$7,200,000 (estimated)

Gross:

$43,800,000 (USA)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(colour) (Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Final film of Bruce Cabot, whose character Albert R. Saxby is named after producer Albert R. Broccoli. See more »

Goofs

In the Lab scene the professors 'radiation shield' only appears part way through the scene. Ironic as this is what Bond is pretending to be inspecting. See more »

Quotes

[first lines]
James Bond: [tossing Japanese man around] Where is he? I shan't ask you politely next time. Where is Blofeld?
Japanese man: Ca-Ca-Cairo.
See more »

Crazy Credits

THE END of DIAMONDS ARE FOREVER James Bond will return in LIVE AND LET DIE See more »

Connections

Followed by Licence to Kill (1989) See more »

Soundtracks

Slumber, Inc.
(uncredited)
Written by John Barry
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
"Oh, providing the collars and cuffs match..."
26 July 2001 | by (England) – See all my reviews

Diamonds Are Forever is often described as a Roger Moore film starring Sean Connery, but it goes even farther than that. Whereas Moore ushered in ironic/silly codings, Diamonds contains the most overtly camp humour the series ever indulged in. The film also contains the most amount of nudity, and arguably the rudest jokes of the franchise. The title quote is Connery's quip to a girl with ever-changing wigs, while later we get the immortal "I'm afraid you've caught me with more than my hands up."

There's the sense of the odd, or uneasy, about this one all the way through. From the theme title (and what a great song!) precipitated by a cat's cry to the homosexual henchmen Mr.Wynt and Mr. Kidd. Their unnerving air is not the result of their gay, slightly homophobic, portrayal, but in Putter Smith's performance as Kidd. Not a trained actor, but an accomplished jazz bassist, this off-kilter playing creates an unconscious, unsettling atmosphere.

It's this juxtaposition which compels throughout. Like seeing Britain's top espionage agent doing the childhood "snogging with yourself" routine then smashing a man's head through a window just seconds later. It's a superficially lightweight film, but with a nasty, almost bitter undercurrent. Connery's obvious resistance to the role actually serves it well here, given that this is the first post-wife Bond movie. Bernard Lee plays an unusually terse M to complement this abrasive 007. Such a starch display cuts through the smug underpinnings of the character and makes the cheesy one-liners more palatable. He looks older than in any of his other Bond films - Never Say Never Again included – but this also fits his anguished, bereaved state. In line with this most misogynistic of Bond pictures, Jill St. John's character development passes from intelligent, through to devious and down into simpering bimbo.

Incidental music is a bit disattached, and often feels like it belongs to another film. It works against, rather than with, the picture it's there to support. Yet although not quite the best of the series, this and the following Live and Let Die are the most distinctive in look, feel and style. They're light, pacy, poppish takes on the format, full of comicbook verve and wit. Guy Hamilton's direction is also very good; making the most of the LA location with use of expansive aerial shots.

The plot seems fairly complex, though maybe that's because it's underdeveloped and submerged beneath slightly irrelevant setpieces. I had to smile at the line "Get him off that machine, that isn't a toy" as Sean boards the moonbuggy. I remember after the film it became one, a primary-coloured Dinky version with a spinning radar. Brings back memories, that.

Blofeld, who has now taken up cloning and cross-dressing, is played here by Charles Gray. Although at the time it was four years before he would become the criminologist in The Rocky Horror Picture Show, the two are now inseparable, in my mind at least. As if this wasn't enough high camp to go round, there's also Connery being demolished by Bambi and Thumper, a couple of sadistic female gymnasts.

If something about this quirky, offbeat Bond (and some sources list it as the seventh least successful in terms of gross) doesn't quite gel, then it greatly improves on repeat viewings.


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