In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
During a secretive business trip away, Mark learns that his wife Anna is growing restless in what he believed was their happy marriage. Upon his return home, he learns from her that she ... See full summary »
Dariya the maid getting a boy to touch her large breast is just one incident that occurs when Yohan and Victor infiltrate two families, forcing young Liza and blind Ekaterina to appear in porn, but they are not so innocent themselves.
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
Cardinal Richelieu and his power-hungry entourage seek to take control of seventeenth-century France, but need to destroy Father Grandier - the priest who runs the fortified town that prevents them from exerting total control. So they seek to destroy him by setting him up as a warlock in control of a devil-possessed nunnery, the mother superior of which is sexually obsessed by him. A mad witch-hunter is brought in to gather evidence against the priest, ready for the big trial. Written by
While preparing for the climactic demolition of the city walls, a technician mistook a signal from Ken Russell and detonated the explosives before the cameras were rolling. A large chunk of the set had to be rebuilt. However, a documentary on the second disk of the 2012 DVD release of the film contradicts this story. In this documentary, Russell states that it was himself that pressed the button which detonated the explosives without communicating this to the camera team. It is also stated that the scene had to be re-shot a month later as a consequence the cameras missing the destruction of the walls. See more »
Judith Paris's character is referred to as Sister Agnes in the film but listed as Sister Judith in the credits. See more »
Don't look at me! Look at your city! If your city is destroyed, your freedom is destroyed also... If you would remain free men, fight. Fight them or become their slaves.
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Ken Russell is one of those filmmakers whose work you can immediately identify. Whether your first was "Altered States" or (like me) "The Devils," you learn early on that if Mr. Russell's name is listed as director and/or writer, you can expect to be at least a little disturbed.
"The Devils" is, in my humble opinion, one of the best films ever made. I wish I hadnt been born so late because I can imagine how truly intense an experience it must've been to view "The Devils" in theater.
This film is the only film I've ever seen, regardless of genre, to take the viewer into the pit of hell and to hold her/him there unrelenting, uncompromising, and to make the viewer feel as s/he has actually experienced hell. I can only imagine how much difficulty Mr. Russell must have had when MPAA members saw this film. It's bleak, horrifying, shocking, disgusting and thoroughly delicious. Aldous Huxley (the author of the book on which this film was based) would have been proud to see that his true story of a Satanic Catholic church translated very well to film.
One last thing: I have never really been able to sit through the entire film since the first time I saw it. That is, odd as it sounds, extreme praise. What kind of hell would it be if I could sit comfortably?
Thank you, Ken Russell!
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