In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
Scottish archaeologist Angus Flint discovers an odd skull amid the ruins of a convent that he is excavating. Shortly thereafter, Lady Sylvia Marsh returns to Temple House, a nearby mansion,... See full summary »
The battle of the sexes and relationships among the elite of Britian's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of ... See full summary »
A send-up of the bawdy life of Romantic composer/piano virtuoso Franz Liszt, with ubiquitous phallic imagery and a good portion of the film devoted to Liszt's "friendship" with fellow ... See full summary »
Story of the night that Mary Shelley gave birth to the horror classic "Frankenstein." Disturbed drug induced games are played and ghost stories are told one rainy night at the mad Lord ... See full summary »
Both trifles and structure are tossed out the door by director Ken Russell in this film. Here, historical content matters not so much as metaphors, feelings, emotions, and interpretations, ... See full summary »
The prostitute Liz works on the streets of Los Angeles. She recalls her life in flashback, when she marries an alcoholic man. She leaves him with their son. Then she works as waitress in a ... See full summary »
The thirty year-old hard-worker Bobby Grady is married with two children with the frigid Amy Grady and their marriage is in crisis. Bobby is invited to work in the night shift for the owner... See full summary »
Cardinal Richelieu and his power-hungry entourage seek to take control of seventeenth-century France, but need to destroy Father Grandier - the priest who runs the fortified town that prevents them from exerting total control. So they seek to destroy him by setting him up as a warlock in control of a devil-possessed nunnery, the mother superior of which is sexually obsessed by him. A mad witch-hunter is brought in to gather evidence against the priest, ready for the big trial. Written by
While preparing for the climactic demolition of the city walls, a technician mistook a signal from Ken Russell and detonated the explosives before the cameras were rolling. A large chunk of the set had to be rebuilt. However, a documentary on the second disk of the 2012 DVD release of the film contradicts this story. In this documentary, Russell states that it was himself that pressed the button which detonated the explosives without communicating this to the camera team. It is also stated that the scene had to be re-shot a month later as a consequence the cameras missing the destruction of the walls. See more »
Judith Paris's character is referred to as Sister Agnes in the film but listed as Sister Judith in the credits. See more »
St Paul says that he who marries does a good thing, but he who remains chaste does something better.
Then I am content to do a good thing and leave the best to those that can face it.
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A few movies are so controversial that the Movie industry does their best to kill them off (see Terry Gilliams' "Brazil"). Such was the case with "The Devils" First, to clear a few things up...this did NOT come from a play, nor was it a novel. It is based on Aldous Huxley's painstakingly researched religious history of the famous Loudun exorcisms during the time of Richelieu. The book may be out of print, but my wife found a copy published in 1952 by Chatto & Windus. There are some more recent publications, but this one is lovely, with an engraving of Bishop Urban Grandier(the main character) dating back to 1627. Huxley actually includes original letters, which still exist, written by the participants of this travesty. Much of the dialogue of the film is directly from Huxley. The vision however is uniquely Russell's. When this movie was originally released, it was given an X rating, not due to sex, or even violence, although there is some of each. The plain fact is that the film in its original form is simply overpowering. The Movie Review board thought so! I was fortunate enough to see the original uncut version, rated X at the local art-house upon its release. This film is a shortened version. While still worthwhile, this film absolutely SCREAMS for a Criterion Collection restoration to its original (brilliant) form.
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