7.5/10
3,671
18 user 21 critic

Two English Girls (1971)

Les deux Anglaises et le continent (original title)
At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at... See full summary »

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(novel), (adaptation) | 1 more credit »
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Cast

Complete credited cast:
...
Claude Roc
...
Ann Brown
Stacey Tendeter ...
Muriel Brown
Sylvia Marriott ...
Mrs. Brown
Marie Mansart ...
Madame Roc
Philippe Léotard ...
Diurka
Irène Tunc ...
Ruta
Mark Peterson ...
Mr. Flint
Georges Delerue ...
Claude's Business Agent
Marie Iracane ...
Madame Roc's maidservant
Marcel Berbert ...
Vendeur d'art
Jeanne Lobre ...
Porter
David Markham ...
Palmist
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Storyline

At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at the house where she lives with her mother and her sister Muriel, for whom she intends Claude. During these holidays, Claude, Ann and Muriel become very close and he gradually falls in love with Muriel. But both families lay down a one-year-long separation without any contact before agreeing to the marriage. So Claude goes back to Paris when he has many love affairs before sending Muriel a break-off letter... Written by Yepok

Plot Summary | Add Synopsis

Taglines:

a film in color by Francois Truffaut See more »

Genres:

Romance | Drama

Certificate:

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Details

Country:

Language:

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Release Date:

18 November 1971 (France)  »

Also Known As:

Two English Girls  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

| (cut) | (cut)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Anne's last words in the film are, "If you send for a doctor, I will see him now." These were writer Emily Brontë's last words before she died, Truffaut who was an avid reader probably used her words in the film as an homage or to compare her to the character of Anne. See more »

Goofs

When Claude hurts his leg the torn rope of the swing is too long in the shot after the accident. See more »

Quotes

Muriel Brown: Dearest Claude... I came to see you to bury this thing. I'm glad you were the first, because it's you, because you wanted it. I shan't cry. Listen to me as you once did when I told you love was stirring in me. Now I tell you that is must die. So that I may live.
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Connections

Featured in Deux de la Vague (2010) See more »

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User Reviews

 
Not bad, but shame about that voice-over...
20 April 2006 | by (Rome, Italy) – See all my reviews

A mildly moving, inoffensive Truffaut movie about a young French bloke (played by Truffaut regular Jean-Pierre Léaud, far more remarkable in movies such as Les Quatrecent Coups) who in turn romances two English (or rather, Welsh!) sisters, set during the first decade of the 20th century. It's a French movie and features a love triangle, so that for a start could have turned it into a potentially unoriginal and cliché-ridden affair. Yet the main problem I had with it wasn't so much the well-treaded theme of the love triangle, as the voice-over which somehow gave the feeling the narrative was rather weak (and I suspect it was). The characters of the two sisters, especially the older sister, were surprisingly better drawn than the male lead's (or maybe it just had something to do with the fact the two actresses playing them were more appealing than the inexpressive, boyish Léaud - I simply could not bring myself to believe that these two girls would both feel so attracted to such a bland young man! He was definitely more engaging as Antoine Doinel!). The movie was also successful at portraying something of the difficulty in relations between the sexes in the Edwardian era - how young men and women really needed to go clandestine if they hoped to even get to know each other decently (not just carnally but also emotionally). The issue of women's sexuality, and how it was virtually denied them in this epoch - the price to be paid for so-called respectability - is also a theme that's successfully conveyed by the movie. How could a woman rightfully claim her own sexual identity in such a day and age? An interesting question worth raising. Fortunately, we were spared any simplistic clichés contrasting "libertine France" vs. "strait-laced Britain" as well.

This is on the whole also a good-looking movie, with lovely sets, costumes and photography. One question: why does everyone in the movie (including the title) keep referring to the two sisters as English when they live in Wales and define themselves as Welsh?


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