At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at... See full summary »
During the hot summer, 5 kids, "Les Mistons", spy on two lovers. They follow Gerard and Bernadette everywhere. Les Mistons send a suggestive postcard to Bernadette once Gerard is away. But ... See full summary »
Paul is young, just demobbed from national service in the French Army, and dishillusioned with civilian life. As his girlfriend builds herself a career as a pop singer, Paul becomes more ... See full summary »
A young woman is going to Paris by bus, but when she steps out of her house she discovers that her garden and the whole village is flooded with water. With a boat and a bike she succeeds to... See full summary »
This short film is the first segment of five in the multinational feature Love at Twenty (1962), all five segments on the theme of first adult love. After indulging in much delinquency in ... See full summary »
Daniel needs some money to buy a duffle coat that is in fashion, so he agrees to work for a photographer by dressing up as Santa Claus. He discovers that it is much easier to meet girls ... See full summary »
At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at the house where she lives with her mother and her sister Muriel, for whom she intends Claude. During these holidays, Claude, Ann and Muriel become very close and he gradually falls in love with Muriel. But both families lay down a one-year-long separation without any contact before agreeing to the marriage. So Claude goes back to Paris when he has many love affairs before sending Muriel a break-off letter... Written by
Anne's last words in the film are, "If you send for a doctor, I will see him now." These were writer Emily Brontë's last words before she died, Truffaut who was an avid reader probably used her words in the film as an homage or to compare her to the character of Anne. See more »
The restored 130-minute version of Two English Girls is something of a misfire but not without compensations. For a director who complained about the overly-literary nature of French cinema, his mise-en-scene is very clumsy here, with excessive use of narration not just to fill in gaps but to tell us the characters thoughts and feelings during scenes where, had he done his job properly, we should know. At times it threatens to become a slideshow accompaniment to a book reading.
The plot ambles along directionlessly as Jean-Pierre Leaud's selfish young Frenchman selfishly destroys two sisters' lives without ever finding happiness himself. It's very much fantasy-fulfilment, with the two embodying Madonna and Whore and at times threatens to turn into a distaff Jules et Jim as everyone is oh so civilized about it all. The casting is also problematic. Kika Markham is fine as the free-spirit of sorts, but Stacey Tendeter is less effective as her 'purer' sister and the casting of the minor British roles is haphazard at best - David Markham is fine as a fortune teller, but the next-door neighbour is not exactly a natural actor and one scene features a London Bobby who looks about as English as Raimu on a particularly jowelly day.
It's one of those films that always seems to be on for another hour no matter how far into it you get, and it doesn't reward the effort with more than minor pleasures. But it is nice to see composer Georges Delerue in a small role as an estate agent and for all its clumsiness and overlength it has its moments and a mildly affecting ending. It's just a shame getting there took so long.
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