A young man who has lost his memory, escapes from prison with three other convicts. The other men help him find back bits of his past, until they arrive at a village where two warring families recognize him. Apparently he has a reputation for being a fast gun, and he has been paid to kill a man - who says he is his father. His younger brother is jealous of the attention the prodigal son receives,... See full summary »
Bitter over his wife's death due to what he believes was army negligence, Capt. Viktor Kaleb deserts the cavalry and disappears into the southwestern wasteland. But when marauding Apaches set up a stronghold just out of the cavalry's reach in Mexico, Kaleb is given amnesty in exchange for leading a small band of especially trained soldiers to wipe out the Indian stronghold. Written by
Jim Beaver <email@example.com>
He seemed to come straight out of the glare of the sun. We never knew what hit us.
Did he say anything?
He said it was a lot easier to kill men than it was to capture them. Next time, he'll stop us the easy way.
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A Nixon Doctrine Spaghetti western with Rambo in buckskins...
What can I say about this film?
Well, it has to be first Nixon doctrine spaghetti western with a frustrated general complaining about the rules of engagement that prevent him launching a search-and-destroy mission on an Apache stronghold in Mexico (Hmmmm...substitute Apaches for the Vietcong and Mexico for Vietnam...) It even has a buckskin Rambo, that being Captain Kaleb, who wants to take out the entire Apache nation after his wife is murdered.
Well, this gets me to the movie. It is one of those movie that used to get made in the Sixties and Early Seventies where scores of actors are assembled in various stock roles, with a screenplay that has recycled every action movie convention without much spark or imagination. And then there's Bekim Fehmiu. I've seen more vivid performances from driftwood.
In short, it's one of those movies you watch on a Saturday afternoon, when nothing else is on and pay very little attention to it.
The only exception I would have to make it for Piero Piccioni's score. It's got that cheezy late sixties jazz thing going on (apologies to Dennis Miller..)
Other than that, it is nothing terribly memorable...
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