| Robert Hardy | ... | Zorn | |
| Shane Briant | ... | Emil | |
| Gillian Hills | ... | Elizabeth | |
| Yvonne Mitchell | ... | Hilda | |
| Paul Jones | ... | Carl Richter | |
| Patrick Magee | ... | Falkenberg | |
| Kenneth J. Warren | ... | Klaus (as Kenneth Warren) | |
| Michael Hordern | ... | Priest | |
| Robert Brown | ... | Fischinger | |
| Virginia Wetherell | ... | Inge | |
| Deirdre Costello | ... | Magda | |
| Barry Stanton | ... | Ernst | |
| Sidonie Bond | ... | Zorn's Wife | |
| Thomas Heathcote | ... | Coachman | |
| John Atkinson | ... | 1st Villager | |
| George Cormack | ... | 2nd Villager | |
| Mary Hignett | ... | Matronly Woman | |
| Sheila Raynor | ... | Old Crone | |
| Jan Adair | ... | 1st Girl | |
| Jane Cardew | ... | 2nd Girl | |
| rest of cast listed alphabetically: | |||
| Glenda Allen | ... | Girl (uncredited) | |
| Richard Beaumont | ... | Young Emil (uncredited) | |
Directed by | |||
| Peter Sykes | |||
Writing credits(in alphabetical order) | ||
| Frank Godwin | story | |
| Christopher Wicking | ||
Produced by | |||
| Michael Carreras | .... | producer | |
| Frank Godwin | .... | producer | |
Original Music by | |||
| Harry Robertson | (as Harry Robinson) | ||
Cinematography by | |||
| Arthur Grant | |||
Film Editing by | |||
| Chris Barnes | |||
Casting by | |||
| James Liggat | |||
Production Design by | |||
| Michael Stringer | |||
Costume Design by | |||
| Rosemary Burrows | |||
Makeup Department | |||
| Trevor Crole-Rees | .... | makeup artist | |
| Maude Onslow | .... | hairdresser | |
Production Management | |||
| Christopher Neame | .... | production manager | |
| Roy Skeggs | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Ted Morley | .... | assistant director | |
| Graham Fowler | .... | second assistant director (uncredited) | |
| Roger Stock | .... | third assistant director (uncredited) | |
Art Department | |||
| Bill Brodie | .... | assistant art director | |
| Bill Greene | .... | construction manager | |
Sound Department | |||
| Len Abbott | .... | dubbing mixer | |
| A.W. Lumkin | .... | recording director | |
| Terry Poulton | .... | sound editor | |
| John Purchese | .... | sound recordist | |
Camera and Electrical Department | |||
| Neil Binney | .... | camera operator | |
Costume and Wardrobe Department | |||
| Eileen Sullivan | .... | wardrobe mistress | |
Editorial Department | |||
| David Block | .... | colorist (uncredited) | |
Music Department | |||
| Philip Martell | .... | music supervisor | |
Other crew | |||
| Nat Cohen | .... | presenter | |
| Gladys Goldsmith | .... | continuity | |
| Caroline Langley | .... | production secretary (uncredited) | |
| Edna Thomas | .... | unit publicist (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
Deathly afraid that his daughter and son have gotten a touch of the crazy from their mother, a local Baron locks them up (seperatly of course, since they have a thing for each other, or more precisely the brother has a thing for the receptive sister *wink*) and keeps them drugged up. After the daughter escapes, she's subjected to having the 'bad' blood dispelled. Meanwhile, a string of murders of town women are occurring. Are these connected? You'll have to find that out for yourself. More anti-science then anti-religious. Snd while this isn't Hammer's finest hour, it's still engrossing (Over-acting and all) However, I thought that Shane Briant who plays Emil, the son was much better in the same year's "Straight on Till Morning"
DVD Extras: Commentary with Peter Sykes, Christopher Wicking, Virginia Wetherell and Journalist Jonathan Sothcott; Theatrical Trailer
Eye Candy: Fleeting glimpses of Gillian Hill's 'hills', and Virginia Wetherell full frontal.
My Grade: C+