In 1594 in Brazil, the Tupinambás Indians are friends of the Frenches and their enemies are the Tupiniquins, friends of the Portugueses. A Frenchman (Arduíno Colassanti) is captured by the ...
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A poor family in the Northeast of Brazil (Fabiano, the father; Sinhá Vitória, the mother; their 2 children and a dog called Baleia) wander about the barren land searching for a better place... See full summary »
Our story begins with Macunaima's miraculous birth to an old woman in a tiny jungle settlement. Born full grown, he discovers his life's purpose which leads him and his family/followers on ... See full summary »
A semi-documentary on the people of Rio de Janeiro. The camera follows boys from a hillside shanty town who sell peanuts at Copacabana, Sugar Loaf Mountain, and a soccer game. Various ... See full summary »
Nelson Pereira dos Santos
Modesto De Souza,
The Caravana Rolidei rolls into town with the Gypsy Lord at the mike: he does magic tricks, the erotic Salomé dances, and the mute Swallow performs feats of strength. A young accordion ... See full summary »
Fictionalized account of the adventures of hired gunman Antonio das Mortes, set against the real life last days of rural banditism. The movie follows Antonio as he witnesses the descent of ... See full summary »
Geraldo Del Rey,
In the State of Bahia, Brazil, an educated black man returns to his home fishing village to try and free people from mysticism, in particular the Candomblé religion, which he considers a ... See full summary »
Lucy de Carvalho
Period piece about a Brazil that is no more. This movie is the sequel to "God and the Devil in the Land of the Sun" (Deus e o diabo na terra do sol), and takes place 29 years after Antonio ... See full summary »
Maurício do Valle,
The story of a famous Brazilian criminal, called The Red Light Bandit because he always used a red flashlight to break in the houses during the night. Working alone, he also used to rape his female victims.
Eldorado, a fictitious country in Latin America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins ... See full summary »
In 1594 in Brazil, the Tupinambás Indians are friends of the Frenches and their enemies are the Tupiniquins, friends of the Portugueses. A Frenchman (Arduíno Colassanti) is captured by the Tupinambás, and in spite of his trial to convince them that he is French, they believe he is Portuguese. The Frenchman becomes their slave, and maritally lives with Seboipepe (Ana Maria Magalhães). *Contains Spoilers* Later, he uses powder in the cannons that the Portuguese left behind to defeat the Tupiniquins in a battle. In order to celebrate the victory, the Indians decide to eat him. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The film was threatened to be vetoed by Brazilian censorship for depicting abundant full-frontal nudity, an issue which was laughed off by historians and researchers of native Brazilian peoples. See more »
This is a pseudo-documentary about a French mercenary whom is executed, ends up as a prisoner of the Portuguese and then is the "honored guest" of a cannibalistic Brazilian native tribe. The film is based on the 16th century account of a German explorer, Hans Staden, who was captured by the Tupinamba. The Frenchman becomes part of the tribe, is even given a wife and a hut, until he is to be eaten in a massive ceremony. During this time he tries to figure out a way to escape, by conforming to the tribe.
This film was originally banned in Brazil and was rejected from the Cannes Film Festival because of excessive nudity. The subject matter is portrayed in a documentary style, complete with shaky hand camera footage and including the spoken languages of French, Portuguese and Tupi. With the exception of the few European characters, the majority of the cast spends the film either bottomless, topless or both (also both sexes). The production value appears at first to be quite underwhelming, but I think instead it tries to emulate the simplicity and actuality of the situation rather than some ornate (or romanticized) recollection.
At the same time it is trying to be an objective observer, it is also a critique of mercantilism and its descendants; monetarism and capitalism. There is no real judgment being issued here, but rather is a look at the encounter of the cultures, in an anthropological or rather a more realistic reinterpretation of what occurred when these cultures interacted. Some have said this a black comedy, but I did not find too many places to break out into a roaring laughter (though I did chuckle a few times at the cultural misunderstandings).
This may sound like a rather dry film (which it is), but the relatively short running time makes it seem more like a PBS special than an actual feature film. The movie would also seem to resonate more with the situation and culture of Brazil (past and present). Brazil is a unique country, with a diverse history and culture. It was one of the first films that tried to relate to the "savages", in light of the audience's identification with the Europeans. Even 30 years later, its relevance continues.
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