Murder by the Book (15 Sep. 1971)

When one member of a mystery writing team wants to break from his less talented partner, he becomes the victim in a real-life murder mystery.

Director:

Steven Spielberg

Writers:

Steven Bochco, Richard Levinson (creator),

Stars:

Peter Falk, Jack Cassidy, Rosemary Forsyth

Cast

Episode complete credited cast:
Peter Falk	...	Columbo
Jack Cassidy	...	Ken Franklin
Rosemary Forsyth	...	Joanna Ferris
Martin Milner	...	Jim Ferris
Barbara Colby	...	Lilly La Sanka
Lynette Mettey	...	Gloria Jr. (as Lynnette Mettey)
Bernie Kuby	...	Mike Tucker
Hoke Howell	...	Sergeant
Marcia Wallace	...	Woman (credit only)
Haven Earle Haley	...	2nd Reporter

Storyline

Ken Franklin is a rich socialite living in a luxurious coastal mansion bought from his years of writing crime and mystery books. However, what he once wrote as fiction becomes reality as he murders a man and then desperatly tries to cover up his crime when he is blackmailed by a witness. As usual, Columbo arrives on the scene and begins to pester his suspect with questions about the murder. Mr. Franklin soon realises though, that no murder is perfect, and that one of his books may return to haunt him.

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Plot Keywords:

murder | partner | book | insurance policy | police lieutenant | 

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Genres:

Crime | Drama | Mystery | Thriller

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Details

Country:

USA

Language:

English

Release Date:

15 September 1971 (USA)

Filming Locations:

9000 West Sunset Blvd., West Hollywood, California, USA

Company Credits

Production Co:

Universal TV, Universal Studios

Technical Specs

Runtime:

76 min

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.33 : 1

Did You Know?

Trivia

Filmed after Columbo: Death Lends a Hand, but aired first. "Murder by the Book" was the first televised episode of both the "Columbo" series and the NBC Mystery Movie of which it was one of three rotating shows.

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Goofs

Position of Ken Franklin's hands and arms whilst being interviewed by the female reporter at his home.

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Quotes

[first lines]
[Jim works in his office]
Jim Ferris: [knock on the door] Who is it?
[another knock on the door]
Jim Ferris: [He opens the door - Ken is aiming a gun at his face. Jim laughs]
Ken Franklin: Oh, you're not intimidated.
Jim Ferris: Oh, come on, Ken. You're forgetting that I'm one-half of the world's greatest mystery-writing team? You, ah, don't have gloves on, your finger's not on the trigger, and there are no bullets in the cylinder.
Ken Franklin: [smiling] You're right. I'm a lousy practical joker.

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Connections

References Prescription: Murder (1968)

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Soundtracks

"Love Theme from 'Red Sky At Morning'"
Composed by Billy Goldenberg
Heard during the bar scene

User Reviews

Falk, Cassidy and Spielberg do their job very well but there are problems with Stephen Bocho's script

This was the first televised episode of the Columbo series (although it was filmed after "Death Lends a Hand")and it heralded one of the most successful TV series in history.

Jack Cassidy (who played the murderer in the series three times) enthuses smugness, arrogance and self-assuredness in equal measure here, as Ken Franklin, one half of a mystery writing team who hatches an elaborate plot to kill off his partner, Jim Ferris (played by Martin Milner) who decides to terminate their professional relationship, leaving Franklin exposed as merely a good publicist rather than a prolific writer.

The initial murder set-up is fantastic and Cassidy's performance facilitates an arguable accolade that he was the best Columbo murderer in the series.

Peter Falk is wonderfully understated in his role as Columbo and the character's inherent traits and oddities, which are underlined by a seeming slowness and absent-mindedness, contrast particularly well with Cassidy's character's extreme smugness: one of their early scenes together where Ken Franklin fabricates a motive for the killing through Jim Ferris's non-existent expo-see of identifying hit-men operating in the underworld exemplifies this very well. Franklin hints to Columbo this potential motive and Columbo (purposely or ignorantly) fails to latch on, forcing Franklin to express his disappointment in a markedly patronising manner and compare him unfavourably with the detective in the books, Mrs. Melville.

Also, noteworthy is the early directorial contribution of 24 year old Steven Spielberg. Notwithstanding, some elementary inclusions of cameras shadowing the actors and actresses, he adds some stylish and elaborate touches to uphold the general professionalism of the episode. One particularly stark image is of Jim Feriss's dead body lying on the settee, almost dark in the foreground, as Ken Franklin raises a glass to him in the background after he finishes answering a phone call to Ferris's distraught wife. I have no doubt that working to a restrictive 10-14 day schedule, Spieberg's efforts should not be underestimated.

Unfortunately, the event of the second murder, necessitated by a blackmailing scheme which is plotted by a female friend of Franklin's (and ironically referred to as "sloppy" by Columbo in his climatic summing up) takes the steam out of the whole thing. The cutting edge of the plot is compromised and the screen-time between Falk and Cassidy inexcusably lessens at this point to perhaps help the script-writer (Stephen Bocho) out of a tight corner, since he cannot singularly develop the story without another murder.

The climax is the most disappointing aspect of this episode. The initial banter and exchange of words between Falk and Cassidy is strongly and effectively executed, but it merely advertises the fact that it should have happened more in the episode. The main aggravation lies with the sealing clue (if it can be called a clue): Cassidy's character's hitherto smugness and arrogance is amazingly expelled by a clue that really does little to imply his guilt; and once this is mentioned, he capitulates in a rather unspectacular and uncharacteristic fashion.

All in all, a bold opening to the series, which inevitably advertises and foretells all that is good about Columbo, and, conversely, the problems associated with such ingenuity, i.e maintaining the high standards and particularly, creating a credible and suitably intelligent ending.