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Directed by | |||
| Stanley Kubrick | |||
Writing credits | ||
| Stanley Kubrick | (screenplay) | |
| Anthony Burgess | (novel) | |
Produced by | |||
| Stanley Kubrick | .... | producer | |
| Si Litvinoff | .... | executive producer | |
| Max L. Raab | .... | executive producer | |
| Bernard Williams | .... | associate producer | |
Cinematography by | |||
| John Alcott | (lighting cameraman) | ||
Film Editing by | |||
| Bill Butler | |||
Casting by | |||
| James Liggat | (as Jimmy Liggat) | ||
Production Design by | |||
| John Barry | |||
Art Direction by | |||
| Russell Hagg | |||
| Peter Sheilds | |||
Costume Design by | |||
| Milena Canonero | |||
Makeup Department | |||
| Olga Angelinetta | .... | hair stylist | |
| Barbara Daly | .... | makeup artist | |
| Leonard | .... | hair and coloring consultant (as Leonard of London) | |
| George Partleton | .... | makeup artist | |
| Freddie Williamson | .... | makeup artist (as Fred Williamson) | |
| Jim Gillespie | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Derek Cracknell | .... | assistant director | |
| Dusty Symonds | .... | assistant director | |
| Raymond Becket | .... | third assistant director (uncredited) | |
Art Department | |||
| Frank Bruton | .... | prop master | |
| Peter Hancock | .... | prop man | |
| Tommy Ibbetson | .... | prop man | |
| Christiane Kubrick | .... | paintings | |
| Christiane Kubrick | .... | sculptor | |
| Cornelius Makkink | .... | paintings | |
| Cornelius Makkink | .... | sculptor | |
| Herman Makkink | .... | paintings | |
| Herman Makkink | .... | sculptor | |
| Liz Moore | .... | paintings | |
| Liz Moore | .... | sculptor | |
| John Oliver | .... | prop man | |
| Bill Welch | .... | construction manager | |
Sound Department | |||
| Brian Blamey | .... | sound editor | |
| Peter Glossop | .... | boom operator | |
| Eddie Haben | .... | dubbing mixer | |
| John Jordan | .... | sound recordist | |
| Bill Rowe | .... | dubbing mixer | |
Visual Effects by | |||
| Sandy DellaMarie | .... | digital production coordinator: Pacific Title & Art Studio: re-release | |
| Mark Freund | .... | visual effects supervisor: Pacific Title & Art Studio: re-release | |
| George Gervan | .... | digital paint artist: Pacific itle & Art Studio: re-release | |
| Richard Gervan | .... | digital paint artist: Pacific Title & Art Studio: re-release | |
| Martin Hall | .... | digital paint artist: Pacific Title & Art Studio: re-release | |
| Maureen Healy | .... | digital paint artist: Pacific Title & Art Studio: re-release | |
| Heather Hoyland | .... | lead digital compositor: Pacific Title & Art Studio: re-release | |
| Greg Kimble | .... | digital compositor: Pacific Title & Art Studio: re-release | |
| Jeff Wells | .... | digital compositor: Pacific Title & Art Studio: re-release | |
| Chris Crowell | .... | digital compositor (restored version) (uncredited) | |
Stunts | |||
| Eddie Frewin | .... | stunt driver (uncredited) | |
| Roy Scammell | .... | stunt arranger (uncredited) | |
Camera and Electrical Department | |||
| Lou Bogue | .... | electrician (as Louis Bogue) | |
| Don Budge | .... | grip | |
| Tony Cridlin | .... | grip | |
| Ernest Day | .... | camera operator (as Ernie Day) | |
| Ron Drinkwater | .... | focus puller | |
| Laurie Frost | .... | assistant camera | |
| Derek Gattrell | .... | electrician (as Derek Gatrell) | |
| David Lenham | .... | assistant camera | |
| Mike Molloy | .... | camera operator | |
| Frank Wardale | .... | supervising electrician | |
| Ken Worringham | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Ron Beck | .... | wardrobe supervisor | |
Editorial Department | |||
| David Beesley | .... | assistant editor | |
| Peter Burgess | .... | assistant editor | |
| Gary Shepherd | .... | assistant editor | |
Music Department | |||
| Wendy Carlos | .... | composer: electronic music (as Walter Carlos) | |
Other crew | |||
| Len Barnard | .... | production accountant | |
| Terence A. Clegg | .... | location manager (as Terence Clegg) | |
| Andros Epaminondas | .... | production assistant | |
| Jan Harlan | .... | assistant to producer | |
| Kay Johnson | .... | secretary to director | |
| Mike Kaplan | .... | promotion coordinator | |
| Jonathan Marshall | .... | technical advisor (as Jon Marshall) | |
| Arthur Morgan | .... | location liaison | |
| Loretta Ordewer | .... | production secretary | |
| June Randall | .... | continuity | |
| Margaret Adams | .... | production assistant (uncredited) | |
| Pablo Ferro | .... | title designer (uncredited) | |
| Anthony Frewin | .... | assistant: Stanley Kubrick (uncredited) | |
| Dick Haydon | .... | stand-in: male (uncredited) | |
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| Freeway | V for Vendetta | Salò o le 120 giornate di Sodoma | Watchmen | Children of the Revolution |
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It's hard to judge a film such as this. Its cold and hard, yet can be exhilarating and sarcastic. It can be average, yet it can be visionary. Exploitive? Satirical? Too many questions to consider when one watches this film.
Even after 34 years, this film still speaks volumes about our current culture, which many ideals are ringing true today. The younger generations are out of control due to lack of parental control, junk culture is becoming commonplace, violence is desensitizing the masses, and we all seem to be enjoying the ride on the way down. It's very difficult to find movies which can make such startling commentary, yet hold on to such accusations for an extended period of time. Nowadays, films are focused-grouped to death, conformity is more powerful than artistry, and money is far more important than quality. Kubrick took a huge leap with this film, challenging society to take a hard look at itself. Unfortunately, society wasn't ready for this film, which is why it is revered now more than ever.