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Stanley Kubrick (screenplay)
Anthony Burgess (novel)
2 February 1972 (USA) more
Being the adventures of a young man ... who couldn't resist pretty girls ... or a bit of the old ultra-violence ... went to jail, was re-conditioned ... and came out a different young man ... or was he ? more
In future Britain, charismatic delinquent Alex DeLarge is jailed and later volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem... but not all goes to plan. full summary | full synopsis
Nominated for 4 Oscars. Another 5 wins & 12 nominations more
Why Richard Kelly's The Box could be the best film of the year
(From QuietEarth. 12 November 2009, 10:36 AM, PST)
‘Mad Dog Morgan’ Comes To DVD Uncut
(From SoundOnSight. 11 November 2009, 11:51 AM, PST)
Best movie ever made more (1079 total)
Directed by | |||
| Stanley Kubrick | |||
Writing credits | ||
| Stanley Kubrick | (screenplay) | |
| Anthony Burgess | (novel) | |
Produced by | |||
| Stanley Kubrick | .... | producer | |
| Si Litvinoff | .... | executive producer | |
| Max L. Raab | .... | executive producer | |
| Bernard Williams | .... | associate producer | |
Cinematography by | |||
| John Alcott | (lighting cameraman) | ||
Film Editing by | |||
| Bill Butler | |||
Casting by | |||
| James Liggat | (as Jimmy Liggat) | ||
Production Design by | |||
| John Barry | |||
Art Direction by | |||
| Russell Hagg | |||
| Peter Sheilds | |||
Costume Design by | |||
| Milena Canonero | |||
Makeup Department | |||
| Olga Angelinetta | .... | hair stylist | |
| Barbara Daly | .... | makeup artist | |
| Leonard | .... | hair and coloring consultant (as Leonard of London) | |
| George Partleton | .... | makeup artist | |
| Freddie Williamson | .... | makeup artist (as Fred Williamson) | |
| Jim Gillespie | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Derek Cracknell | .... | assistant director | |
| Dusty Symonds | .... | assistant director | |
| Raymond Becket | .... | third assistant director (uncredited) | |
Art Department | |||
| Frank Bruton | .... | prop master | |
| Peter Hancock | .... | prop man | |
| Tommy Ibbetson | .... | prop man | |
| Christiane Kubrick | .... | paintings | |
| Christiane Kubrick | .... | sculptor | |
| Cornelius Makkink | .... | paintings | |
| Cornelius Makkink | .... | sculptor | |
| Herman Makkink | .... | paintings | |
| Herman Makkink | .... | sculptor | |
| Liz Moore | .... | paintings | |
| Liz Moore | .... | sculptor | |
| John Oliver | .... | prop man | |
| Bill Welch | .... | construction manager | |
Sound Department | |||
| Brian Blamey | .... | sound editor | |
| Peter Glossop | .... | boom operator | |
| Eddie Haben | .... | dubbing mixer | |
| John Jordan | .... | sound recordist | |
| Bill Rowe | .... | dubbing mixer | |
Visual Effects by | |||
| Sandy DellaMarie | .... | digital production coordinator: Pacific Title & Art Studio: re-release | |
| Mark Freund | .... | visual effects supervisor: Pacific Title & Art Studio: re-release | |
| George Gervan | .... | digital paint artist: Pacific itle & Art Studio: re-release | |
| Richard Gervan | .... | digital paint artist: Pacific Title & Art Studio: re-release | |
| Martin Hall | .... | digital paint artist: Pacific Title & Art Studio: re-release | |
| Maureen Healy | .... | digital paint artist: Pacific Title & Art Studio: re-release | |
| Heather Hoyland | .... | lead digital compositor: Pacific Title & Art Studio: re-release | |
| Greg Kimble | .... | digital compositor: Pacific Title & Art Studio: re-release | |
| Jeff Wells | .... | digital compositor: Pacific Title & Art Studio: re-release | |
| Chris Crowell | .... | digital compositor (restored version) (uncredited) | |
Stunts | |||
| Eddie Frewin | .... | stunt driver (uncredited) | |
| Roy Scammell | .... | stunt arranger (uncredited) | |
Camera and Electrical Department | |||
| Lou Bogue | .... | electrician (as Louis Bogue) | |
| Don Budge | .... | grip | |
| Tony Cridlin | .... | grip | |
| Ernest Day | .... | camera operator (as Ernie Day) | |
| Ron Drinkwater | .... | focus puller | |
| Laurie Frost | .... | assistant camera | |
| Derek Gattrell | .... | electrician (as Derek Gatrell) | |
| David Lenham | .... | assistant camera | |
| Mike Molloy | .... | camera operator | |
| Frank Wardale | .... | supervising electrician | |
| Ken Worringham | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Ron Beck | .... | wardrobe supervisor | |
Editorial Department | |||
| David Beesley | .... | assistant editor | |
| Peter Burgess | .... | assistant editor | |
| Gary Shepherd | .... | assistant editor | |
Music Department | |||
| Wendy Carlos | .... | composer: electronic music (as Walter Carlos) | |
Other crew | |||
| Len Barnard | .... | production accountant | |
| Terence A. Clegg | .... | location manager (as Terence Clegg) | |
| Andros Epaminondas | .... | production assistant | |
| Jan Harlan | .... | assistant to producer | |
| Kay Johnson | .... | secretary to director | |
| Mike Kaplan | .... | promotion coordinator | |
| Jonathan Marshall | .... | technical advisor (as Jon Marshall) | |
| Arthur Morgan | .... | location liaison | |
| Loretta Ordewer | .... | production secretary | |
| June Randall | .... | continuity | |
| Margaret Adams | .... | production assistant (uncredited) | |
| Pablo Ferro | .... | title designer (uncredited) | |
| Anthony Frewin | .... | assistant: Stanley Kubrick (uncredited) | |
| Dick Haydon | .... | stand-in: male (uncredited) | |
Stanley Kubrick's A Clockwork Orange (USA) (poster title)
more
136 min
Black and White | Color (Warnercolor)
1.37 : 1 more
Dolby Digital (re-issue) | Mono
Iceland:16 | Ireland:18 (re-rating) (2000) | Ireland:(Banned) (1971-2000) | South Korea:18 (2004) | South Korea:18 (2005) (DVD rating) | Italy:VM18 (DVD rating) | Canada:18A (Ontario) (re-rating) (2008) | Canada:R (Ontario) (original rating) | Canada:R (Manitoba/Nova Scotia) | Brazil:16 | USA:R (cut version) (1973) | USA:X | UK:(Banned) (withdrawn by director) (1973-1999) | South Africa:18 (Certificate G/1999/0748 DVD) | Argentina:X (original rating) | Argentina:18 (re-rating) | Australia:R | Canada:16+ (Quebec) | Canada:R (Alberta) (re-rating) (1999) | Chile:18 | Finland:K-15 (re-rating) | Finland:K-18 (original rating) | France:-16 (re-rating) | France:-18 (original rating) | Hong Kong:III | Israel:18 (video rating) | Israel:X (original rating) | Italy:VM14 (re-release) | Italy:VM18 (original rating) | Japan:R-15 | Malaysia:(Banned) | Mexico:D | Netherlands:18 | New Zealand:R18 | Norway:18 | Singapore:(Banned) | South Korea:(Banned) | Spain:(Banned) (original rating) | Spain:18 (re-rating) (1975) | Sweden:15 | UK:18 (re-rating) (1999) | UK:X (original rating) | West Germany:16 | Portugal:M/16
The book never tells us Alex's last name. He nicknames himself Alexander the Large while raping the music-loving girls. Malcolm McDowell ad libbed the name "DeLarge," a pun on "the Large," in "Scene 15," registry into prison, which is original to Stanley Kubrick and not in the novel. A continuity error occurs when a caption in "Scene 31," hospital, perhaps filmed earlier, gives Alex's last name as Burgess after Anthony Burgess. more
Errors made by characters (possibly deliberate errors by the filmmakers): Alex's last name is inconsistent (see trivia). When he goes into jail, he gives his name as DeLarge, but the newspaper articles call him Burgess. more
[first lines]
Alex:
There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.
more
Referenced in Sono otoko, kyôbô ni tsuki (1989) more
Symphony No.9 in D Minor, Opus 125 more
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A Clockwork Orange is the finest film that has ever been made, in my view. Stanley Kubrick has made so many masterpieces, and is by far the best director that ever graced our world. A Clockwork Orange is simply his finest hour!
The film grabs you and glues you to your seat from start to finish. Malcolm McDowell gives us a shining example of superior acting, and the movie is as perverted as any of Kubrick's masterpieces (and then some!). It contains horrifying violence, extreme emotions, perversity and weirdness at it's very worst. It all boils down to serve you a plethora of thoughts for you to take with you and contemplate, after the film ends.
However, with all the perversity bursting out of this film, you will probably NOT like this film the first time you see it. I know I didn't. Fortunately, I gave it a second chance, and thought: Hey, it was actually not bad at all. After the third time, I was lost for words.
After the fourth time, there was little doubt in my mind, that this was the finest film ever made, and regardless of how many great masterpieces I see, A Clockwork Orange still towers above them. I'm sure you'll agree, if you give it the chance it deserves, although it may require for you to see it more than once.