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Directed by | |||
| Stanley Kubrick | |||
Writing credits | ||
| Stanley Kubrick | (screenplay) | |
| Anthony Burgess | (novel) | |
Produced by | |||
| Stanley Kubrick | .... | producer | |
| Si Litvinoff | .... | executive producer | |
| Max L. Raab | .... | executive producer | |
| Bernard Williams | .... | associate producer | |
Cinematography by | |||
| John Alcott | (lighting cameraman) | ||
Film Editing by | |||
| Bill Butler | |||
Casting by | |||
| James Liggat | (as Jimmy Liggat) | ||
Production Design by | |||
| John Barry | |||
Art Direction by | |||
| Russell Hagg | |||
| Peter Sheilds | |||
Costume Design by | |||
| Milena Canonero | |||
Makeup Department | |||
| Olga Angelinetta | .... | hairdresser | |
| Barbara Daly | .... | makeup artist | |
| George Partleton | .... | makeup artist | |
| Freddie Williamson | .... | makeup artist (as Fred Williamson) | |
| Jim Gillespie | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Derek Cracknell | .... | assistant director | |
| Dusty Symonds | .... | assistant director | |
| Raymond Becket | .... | third assistant director (uncredited) | |
Art Department | |||
| Frank Bruton | .... | prop master | |
| Peter Hancock | .... | prop man | |
| Tommy Ibbetson | .... | prop man | |
| Christiane Kubrick | .... | special paintings and sculpture | |
| Cornelius Makkink | .... | special paintings and sculpture | |
| Herman Makkink | .... | special paintings and sculpture | |
| Liz Moore | .... | special paintings and sculpture | |
| John Oliver | .... | prop man | |
| Bill Welch | .... | construction manager | |
Sound Department | |||
| Brian Blamey | .... | sound editor | |
| André Dias | .... | dialogue recordist (international versions) | |
| André Dias | .... | dubbing editor (international versions) | |
| Peter Glossop | .... | boom operator | |
| Eddie Haben | .... | dubbing mixer | |
| John Jordan | .... | sound recordist | |
| Bill Rowe | .... | dubbing mixer | |
Visual Effects by | |||
| Sandy DellaMarie | .... | digital production coordinator: Pacific Title & Art Studio: re-release | |
| Mark Freund | .... | visual effects supervisor: Pacific Title & Art Studio: re-release | |
| George Gervan | .... | digital paint artist: Pacific itle & Art Studio: re-release | |
| Richard Gervan | .... | digital paint artist: Pacific Title & Art Studio: re-release | |
| Martin Hall | .... | digital paint artist: Pacific Title & Art Studio: re-release | |
| Maureen Healy | .... | digital paint artist: Pacific Title & Art Studio: re-release | |
| Heather Hoyland | .... | lead digital compositor: Pacific Title & Art Studio: re-release | |
| Greg Kimble | .... | digital compositor: Pacific Title & Art Studio: re-release | |
| Chris Crowell | .... | digital compositor (restored version) (uncredited) | |
Stunts | |||
| Roy Scammell | .... | stunt arranger | |
| Eddie Frewin | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Lou Bogue | .... | electrician (as Louis Bogue) | |
| Don Budge | .... | grip | |
| Tony Cridlin | .... | grip | |
| Ernest Day | .... | camera operator (as Ernie Day) | |
| Ron Drinkwater | .... | focus puller | |
| Laurie Frost | .... | camera assistant | |
| Derek Gattrell | .... | electrician (as Derek Gatrell) | |
| David Lenham | .... | camera assistant | |
| Mike Molloy | .... | camera operator | |
| Frank Wardale | .... | supervising electrician | |
| Stanley Kubrick | .... | camera operator (uncredited) | |
| Douglas Milsome | .... | focus puller (uncredited) | |
| Ken Worringham | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Ron Beck | .... | wardrobe supervisor | |
Editorial Department | |||
| David Beesley | .... | assistant editor | |
| Peter Burgess | .... | assistant editor | |
| Gary Shepherd | .... | assistant editor | |
Music Department | |||
| Wendy Carlos | .... | electronic music composed and realised by (as Walter Carlos) | |
| Erika Eigen | .... | composer: additional music (uncredited) | |
Other crew | |||
| Len Barnard | .... | production accountant | |
| Terence A. Clegg | .... | location manager (as Terence Clegg) | |
| Andros Epaminondas | .... | production assistant | |
| Jan Harlan | .... | assistant to producer | |
| Kay Johnson | .... | director's secretary | |
| Mike Kaplan | .... | promotion coordinator | |
| Jonathan Marshall | .... | technical advisor (as Jon Marshall) | |
| Arthur Morgan | .... | location liaison | |
| Loretta Ordewer | .... | production secretary | |
| June Randall | .... | continuity | |
| Margaret Adams | .... | production assistant (uncredited) | |
| Pablo Ferro | .... | title designer (uncredited) | |
| Anthony Frewin | .... | assistant: Stanley Kubrick (uncredited) | |
| Dick Haydon | .... | stand-in: male (uncredited) | |
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Without a doubt, my absolute favorite film of all time. I first saw this movie three years ago and I have been in love with it (and Stanley Kubrick) ever since. I never get tired of seeing this movie. Why it remains so underappreciated (at least by "casual" movie viewers) is beyond me. Everything is great; acting, direction, cinematography, the sets, everything.
Something that I don't think anyone else commented on was the Russian motif. The names of the droogs (Alexander, George, Peter, and Dim...short for Dimitri) are decidedly Russian. The singer referenced in the record store, Johnny Zhivago, has obvious Russian overtones. The statement made by the Minister of the Interior about the "peace-loving citizens" is a direct reference to the name that Soviet government representatives applied to their people when talking about the Cold War. Red seems to stand out from other colors. And, of course, who could forget Nadsat, the Russian slang language? I wonder what Burgess and Kubrick were trying to suggest about the future of Ingsoc (those familiar with "1984" will understand)?