In future Britain, Alex DeLarge, a charismatic and psycopath delinquent, who likes to practice crimes and ultra-violence with his gang, is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating. Written by
The society depicted in the film was perceived by some as Communist (as Michel Ciment pointed out in an interview with Stanley Kubrick) due to its slight ties to Russian culture. The teenage slang has a heavily Russian influence, as in the novel; Anthony Burgess explains the slang as being, in part, intended to draw a reader into the world of the book's characters and to prevent the book from becoming outdated. There is some evidence to suggest that the society is a socialist one, or perhaps a society evolving from a failed socialism into a fully fascist society. In the novel, streets have paintings of working men in the style of Russian socialist art, and in the film, there is a mural of socialist artwork with obscenities drawn on it. As Malcolm McDowell points out on the DVD commentary, Alex's residence was shot on failed Labour Party architecture, and the name "Municipal Flat Block 18A, Linear North" alludes to socialist-style housing. Later in the film, when the new right-wing government takes power, the atmosphere is certainly more authoritarian than the anarchist air of the beginning. Kubrick's response to Ciment's question remained ambiguous as to exactly what kind of society it is. Kubrick asserted that the film held comparisons between both the left and right end of the political spectrum and that there is little difference between the two. Kubrick stated, "The Minister, played by Anthony Sharp, is clearly a figure of the Right. The writer, Patrick Magee, is a lunatic of the Left... They differ only in their dogma. Their means and ends are hardly distinguishable." See more »
In the marina scene, George is seen wearing his hat as he gets up in the shot of Dim falling into the water. Moments later as Alex is cutting Dim's hand, George is doubled over in the background without his hat. As Dim falls backward in recoil from the cut, George is seen in the same position with his hat on. See more »
There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.
See more »
There are no opening credits after the title, which is followed by the opening shot of Alex the Droog. Although it is now commonplace for major films to not have opening credits, in 1971 it was considered rather unusual and was considered a trademark of director Stanley Kubrick. See more »
the story of a young vicious hoodlum whose primary interests are rape and Beethoven and his supposed cure.
Kubrick's's best film ever.absolutely mind-blowing.quite disturbing though but that's what moves us.he has amazingly blended the disturbing scenes with the lovely music of Beethoven.a riveting journey of a vicious young hoodlum in modern England who is caught due to the betrayal of his friends and his journey through aversion therapy that drives him to try and do himself in and his cure at last.i never thought i would understand and really appreciate this film but i did and i say that it is one of the best films of the century.Kubrick has excelled himself and i truly feel it is his best film ever.it also has an absolutely mind-blowing performance by young Malcolm Mcdowell as Alex,the best acting performance i have seen.
81 of 145 people found this review helpful.
Was this review helpful to you?