A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action, while attempting to liberate a twelve-year-old prostitute.
Robert De Niro,
Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating. Written by
While recording narration, Malcolm McDowell would often feel the need to stretch his legs. So to satisfy McDowell and quite possibly get better narration from him, Stanley Kubrick and McDowell would play table tennis (a sport featured in Kubrick's own Lolita (1962)), and although they played many games, Kubrick never beat a rather skilled McDowell at table tennis. McDowell was later irritated to find that his salary had been docked for the hours spent playing the game. McDowell often kept Kubrick highly amused by his ability to belch on command (as illustrated at various points of the movie). They would play chess as well, and since Kubrick was an excellent chess player, McDowell never managed to beat him. Chess was a regular thing with many actors in Kubrick's films. He would regularly beat George C. Scott at chess while making Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), and also Jack Nicholson and Shelley Duvall on The Shining (1980). See more »
All of the newspaper reports seen are merely photographs, headlines or opening paragraphs placed over the original text. One report on Alex, for instance, goes on the reference "the Frothblowers Association and the Striptease Lovers' Association". See more »
There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.
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There are no opening credits after the title, which is followed by the opening shot of Alex the Droog. Although it is now commonplace for major films to not have opening credits, in 1971 it was considered rather unusual and was considered a trademark of director Stanley Kubrick. See more »
It's funny, after you watch a film many times you begin to fall in love with it. This is true with a lot of films but for Clockwork Orange, I only had to watch it 2 subsequent times to fall in love with it. There are so many elements of this film that bring it together and make you totally enjoy the story. The music in the film is one such example, at times it's beautiful and at times dark and disturbing, setting the right tone for the scene. Technically this is a sci-fi film because it does take place in the future and there is the plot which involves brainwashing. When many people think of Stanley Kubrick, they think of 2001 and this film. It's because this film stands out as possibly the scariest image of the near future
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