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Lulu the Tool (1971)
"La classe operaia va in paradiso" (original title)

7.7
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Ratings: 7.7/10 from 1,112 users  
Reviews: 8 user | 10 critic

A conscientious factory worker gets his finger cut off by a machine. Although the physical handicap is not serious, the accident causes him to become more involved in political and revolutionary groups.

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Title: Lulu the Tool (1971)

Lulu the Tool (1971) on IMDb 7.7/10

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Cast

Cast overview, first billed only:
...
Lulù Massa
...
Lidia
...
Sindacalista
Luigi Diberti ...
Bassi
Donato Castellaneta ...
Marx
Giuseppe Fortis ...
Valli
Corrado Solari ...
Mena
...
Operaio
Luigi Uzzo
Giovanni Bignamini
Ezio Marano ...
The timekeeper
Adriano Amidei Migliano ...
The technician
Antonio Mangano
Lorenzo Magnolia
Federico Scrobogna ...
Pinuccio
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Storyline

Lulù is a real hard worker. For this reason he is loved by the masters and hated by his own colleagues. The unions decide agitations against the masters. Lulù doesn't agree till he cuts, by accident, one of his own fingers. Now, after he understood the worker's conditions, he agrees the unions and participates to the strike. He immediately is fired and, not only is abandoned by his lover, but also by the other workers. But the fights of the unions allow him under a new legislation to be hired again. At this point his mind starts giving collapse signs... Written by 1felco

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

Country:

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Release Date:

17 September 1971 (Italy)  »

Also Known As:

Lulu the Tool  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Second part of the "Trilogy of Neurosis" also including Investigation of a Citizen Above Suspicion (1970) and Property Is No Longer a Theft (1973). See more »

Quotes

Lulù Massa: If you want my food, take it. I'm not hungry, I've a rift in my stomach.
See more »

Connections

Referenced in The Mother and the Whore (1973) See more »

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User Reviews

man, life and factory as a one absurd condition
18 March 1999 | by (firenze,italy) – See all my reviews

The movie has a great power, first of all he gives to Lulu a mechanical soul, the camera follows his unhuman movements caused by too much work and let us understand something strange like madness. Then we have the political part: outside the factory people are pemanently screaming verses against owners like another machine that creates words, but the real impressing moment is inside the factory where man and machine became the same things so that the camera let us see the hidden mechanical part and the human movements togheter; the music too (by Ennio Morricone) adds a sense of robotic condition.


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