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Canciones para después de una guerra (1976)

 -  Documentary  -  October 1977 (USA)
7.0
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Ratings: 7.0/10 from 118 users  
Reviews: 2 user

Shot during the fascist dictatorship in Spain, but not released until after the dictator General Franco had died... See full synopsis »

Director:

(as Basilio Martin Patino)
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Title: Canciones para después de una guerra (1976)

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Cast

Cast overview, first billed only:
Celia Gámez ...
Herself (archive footage)
Imperio Argentina ...
Herself (archive footage)
Miguel de Molina ...
Himself (archive footage)
Lalo Martel y los Reyes ...
Themselves (archive footage)
Estrellita Castro ...
Herself (archive footage)
Rosa León ...
(archive footage)
Orquesta Madrid ...
Themselves (archive footage)
Concha Piquer ...
(archive footage) (as Conchita Piquer)
Marta Flores ...
(archive footage)
Juan M. Torregrossa ...
(archive footage)
Pepe Blanco ...
(archive footage)
Antoñita Rusel ...
(archive footage)
Enrique Rodríguez ...
(archive footage)
Bonet de San Pedro ...
(archive footage)
Tomás Ríos y Orquesta ...
(archive footage)
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Storyline

Shot during the fascist dictatorship in Spain, but not released until after the dictator General Franco had died... See full synopsis »

Add Full Plot | Plot Synopsis

Plot Keywords:

spain | post civil war | See All (2) »

Genres:

Documentary

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Details

Country:

Language:

Release Date:

October 1977 (USA)  »

Box Office

Gross:

ESP 74,090,404 (Spain)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (DVD edition)

Sound Mix:

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Did You Know?

Connections

References Top Hat (1935) See more »

Soundtracks

María Dolores
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User Reviews

 
A sad parade of songs and images
16 April 2011 | by (Argentina) – See all my reviews

This documentary begins when the Spanish civil war has finished, that is in 1939. We can see a destroyed and hungry country trying to survive. What Mr Patiño chooses in the popular path, the then pop icons that in a way or another helped Spanis people, the survivors that is, to overcome the crisis.

In this curious parade there names of singers -from Imperio Argentina to Lola Flores or Miguel de Molina-, actors -from Jorge Mistral to Aurora Bautista or Fernando Rey-, writers -Camilo José Cela-, magazines, radio programs, advertising, movies.

The whole mechanism of Franco's propaganda is displayed carefully. It is worth to notice that the movie, finished in 1971, was banned and could be released after Franco's death Not curiously, the end gives us the image of the present King of Spain, the "gift" Mr Franco gave to Spain for the Opus Day to go on with its economical policy abel posadas


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