The assistant stage manager of a small-time theatrical company (Polly Browne) is forced to understudy for the leading lady (Rita) at a matinée performance at which an illustrious Hollywood ... See full summary »
The battle of the sexes and relationships among the elite of Britian's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of ... See full summary »
In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
The thirty year-old hard-worker Bobby Grady is married with two children with the frigid Amy Grady and their marriage is in crisis. Bobby is invited to work in the night shift for the owner... See full summary »
Story of the night that Mary Shelley gave birth to the horror classic "Frankenstein." Disturbed drug induced games are played and ghost stories are told one rainy night at the mad Lord ... See full summary »
Scottish archaeologist Angus Flint discovers an odd skull amid the ruins of a convent that he is excavating. Shortly thereafter, Lady Sylvia Marsh returns to Temple House, a nearby mansion,... See full summary »
The assistant stage manager of a small-time theatrical company (Polly Browne) is forced to understudy for the leading lady (Rita) at a matinée performance at which an illustrious Hollywood director (Cecil B. DeThrill) is in the audience scouting for actors to be in his latest "all-talking, all-dancing, all-singing" extravaganza. Polly also happens to fall in love with the leading man (Tony) and imagines several fabulous fantasy sequences in which the director is free to exercise his capacity for over-the-top visuals in this charming 1920's era flick. Written by
Bliss Blood <firstname.lastname@example.org>
I'm delighted to read of people discovering and praising this film right through to the present, and I'm both amused and appalled by those who find this film somehow terrible. Since I first saw it in 1971, I've always considered it an absolutely brilliant tour de force; how many musicals in the last 40 years have matched its unique energy and visual inventiveness? Sure, it kind of ransacks the original Sandy Wilson musical, but I think a conventional, strictly faithful film version would not have worked as well. This one has a streak of genius throughout, thanks to director Ken Russell, cast and crew. Twiggy is the charming heart of the film; kind of like an Alice in Wonderland amid all the colorful backstage madness. She emotionally anchors the film with her vulnerability. Practically every scene has a memorable flourish, and it's consistently witty. So few musicals capture this kind of spirit. It's a shame it isn't on DVD, but maybe there's hope for Blu-Ray? Ignore the naysayers. Try and catch it on TCM.
15 of 17 people found this review helpful.
Was this review helpful to you?