After Jonathan Harker attacks Dracula at his castle (apparently somewhere in Germany), the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one ... See full summary »
A young coed (Nan Barlow) uses her winter vacation to research a paper on witchcraft in New England. Her professor recommends that she spend her time in a small village called Whitewood. He... See full summary »
John Llewellyn Moxey
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
Francis Barnard goes to Spain, when he hears his sister Elizabeth has died. Her husband Nicholas Medina, the son of the brutest torturer of the Spanish Inquisition, tells him she has died ... See full summary »
Scottish archaeologist Angus Flint discovers an odd skull amid the ruins of a convent that he is excavating. Shortly thereafter, Lady Sylvia Marsh returns to Temple House, a nearby mansion,... See full summary »
Mrs. Voorhees is dead, and Camp Crystal Lake is shut down, but a camp next to the infamous place is stalked by an unknown assailant. Is it Mrs. Voorhees' son Jason who didn't drown in the lake some 30 years before?
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
According to director Piers Haggard it was Samuel Z. Arkoff, producer for American International Pictures, who came up with the film's title. See more »
There are two spelling errors in the opening titles: the production company is called Tigron instead of Tigon (in the copyright notice beneath the main title), and screen veteran James Hayter is billed as James Hoyter. See more »
You must have patience, even while people die. Only thus can the whole evil be destroyed. You must let it grow.
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See this for Linda Hayden's sexually charged performance as Satan-loving teener Angel Blake, one of British Cinema's more memorable portrayals of pure evil in a petticoat.
Possessing a WITCHFINDER GENERAL-type atmosphere, helped immeasurably by Mark Wilkinson's truly beautiful score, this tale of superstition and a Satanic contagion that exhibits itself as an ugly, hairy patch on the skin (motivating alternate title SATAN'S SKIN) is evidence of solid horror-making afoot.
Patrick Wymark as the pseudo-Witchfinder anchors a mostly youthful cast who become victim to the spreading "disease".
The climax is a ballsy one for director Piers Haggard (who also helmed the taut VENOM) as he dares to portray Satan himself. It's always a risk serving up a visual absolute of a universal concept, but it works surprisingly well here because Haggard knows just how much to show.
As noted earlier, Linda Hayden is dynamite as the sexually provocative Angel and makes it easy to understand how many a fool would follow her to the depths of hell just for a taste of her own brand of heaven.
BLOOD ON SATAN'S CLAW, an evocative title if ever there was one, accomplishes everything it sets out to do.
It comes close to being delightfully lurid at times, and that's what gives it an edge.
Also worthy of applause is Dick Bush's striking, atmospheric cinematography.
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