Kowalski works for a car delivery service. He takes delivery of a 1970 Dodge Challenger to take from Colorado to San Francisco, California. Shortly after pickup, he takes a bet to get the ... See full summary »
In the depression, Chaney, a strong silent streetfighter, joins with Speed, a promoter of no-holds-barred street boxing bouts. They go to New Orleans where Speed borrows money to set up ... See full summary »
The archetypical renegade Texas Ranger wages war against a drug kingpin with automatic weapons, his wits and martial arts after a gun battle leaves his partner dead. All of this inevitably ... See full summary »
Set against the urban jungle of 1963 New York's gangland subculture, this coming of age teenage movie is set around the Italian gang the Wanderers. Slight comedy, slight High School angst ... See full summary »
A Green Beret returns home from the Vietnam war to find that a gang of murderous bikers has killed his fiancee. He calls on several of his Green Beret buddies to come and help him take revenge on the gang.
Peter Fonda plays 'Heavenly Blues', the leader of Hell's Angels chapter from Venice, California while Bruce Dern plays 'Loser', his best pal. When they both botch their attempt to retrieve ... See full summary »
Billy Jack is a half-Indian/half-white ex-Green Beret who is being drawn more and more toward his Indian side. He hates violence, but can't get away from it in the white man's world. Pitting the good guys, the students of the peace-loving free-arts school in the desert vs. the conservative bad guys in the near-by town, the movie plays definitive late-60s themes/messages: anti-establishment, make love not war, the senseless slaughter of God's creatures, the rape of society (figuratively and literally), two-sided justice, racial segregation and prejudices. Written by
Nic Cage <email@example.com>
Without a doubt the BEST opening sequence in movie history (with the possible exception of Barbed Wire; spectacularly beautiful, tremendous aerial shots, and subject matter...whew! And from a non-Hollywood operation, no less!!! Hurrah! The horses seem almost moving on script. And the pure rawness and glory of nature is at its most striking. And, lastly, and far from least, the incredible song by Coven (who says one-hit wonders leave little legacy). The song perfectly frames the powerful/powerless relationship that is central to the movie, and the simple truth that spiritual power will always, ultimately, trump the material. A raw film it is, and that is its glory.
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