After Billy Jack in sentenced to four years in prison for the "involuntary manslaughter" of the first film, the Freedom School expands and flourishes under the guidance of Jean Roberts. The... See full summary »
After a senator suddenly dies after completing (and sealing) an investigation into the nuclear power industry, the remaining senator and the state governor must decide on a person who will ... See full summary »
A pair of young vacationers are involved in a dangerous conflict with treasure hunters when they discover a way into a deadly wreck in Bermuda waters. Featuring extended underwater ... See full summary »
Dick Anthony Williams
Billy Jack is a half-Indian/half-white ex-Green Beret who is being drawn more and more toward his Indian side. He hates violence, but can't get away from it in the white man's world. Pitting the good guys, the students of the peace-loving free-arts school in the desert vs. the conservative bad guys in the near-by town, the movie plays definitive late-60s themes/messages: anti-establishment, make love not war, the senseless slaughter of God's creatures, the rape of society (figuratively and literally), two-sided justice, racial segregation and prejudices. Written by
Nic Cage <email@example.com>
Contract disputes between Tom Laughlin and various producers caused the film to change hands between three different film studios, and delaying its release for three years. In 1973, Laughlin filed a $51 million lawsuit against Warner studios for "improperly publicizing" the film. See more »
When Billy Jack performs a spinning back kick against one of the "boys" attacking him in the park, the face shown is clearly not Tom Laughlin's. It's his body double, Hapkido expert Bong Soo Han. See more »
[Billy Jack is surrounded by Posner's thugs]
You really think those Green Beret Karate tricks are gonna help you against all these boys?
Well, it doesn't look to me like I really have any choice now, does it?
That's right, you don't.
You know what I think I'm gonna do then? Just for the hell of it?
I'm gonna take this right foot, and I'm gonna whop you on that side of your face...
[points to Posner's right cheek]
...and you wanna know something? There's not a damn thing you're ...
[...] See more »
Special Improvised Material by The Cast and The Committee See more »
Generation Xters will not have a chance at understanding this to the magnitude planned. Keeping things in proper perspective requires consideration of the time frame of this movie. In the real world we were still "in country"/Nam and getting very fed up with the associated atrocities both there and here. The differences between liberals and conservatives were at an all-time-high. This movie definitely leans to the left on many issues but only really to point out how important it is to not lose our humanity. It was really about a man who, disillusioned by what he saw his own country do overseas, came home to find the same thing. The fighting scenes were excellent for their time. The use of a hard style of martial arts was different and very impressive. Tom's execution of moves were both well done and in most cases reasonably realistic (maybe a few too many karate chops). The acting was anywhere between good to just adequate,,, which in some cases gave it a more realistic feel (less hollywoodlike).
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