After Billy Jack in sentenced to four years in prison for the "involuntary manslaughter" of the first film, the Freedom School expands and flourishes under the guidance of Jean Roberts. The... See full summary »
After a senator suddenly dies after completing (and sealing) an investigation into the nuclear power industry, the remaining senator and the state governor must decide on a person who will ... See full summary »
Harry manages The California Dolls, a female wrestling tag team endlessly touring America, and he's also romantically involved with one of them. Their fortunes seem on the slide (... See full summary »
Billy Jack is a half-Indian/half-white ex-Green Beret who is being drawn more and more toward his Indian side. He hates violence, but can't get away from it in the white man's world. Pitting the good guys, the students of the peace-loving free-arts school in the desert vs. the conservative bad guys in the near-by town, the movie plays definitive late-60s themes/messages: anti-establishment, make love not war, the senseless slaughter of God's creatures, the rape of society (figuratively and literally), two-sided justice, racial segregation and prejudices. Written by
Nic Cage <firstname.lastname@example.org>
Tom Laughlin had no martial arts training before he started training for the movie. He studied under a master teacher for six months before filming started, See more »
When the sheriff's deputy comes out with the bogus warrant to search for his daughter, the kids begin singing "Rainbow Made of Children." The tempo fluctuates wildly, as if several different takes were edited together. See more »
Without a doubt the BEST opening sequence in movie history (with the possible exception of Barbed Wire; spectacularly beautiful, tremendous aerial shots, and subject matter...whew! And from a non-Hollywood operation, no less!!! Hurrah! The horses seem almost moving on script. And the pure rawness and glory of nature is at its most striking. And, lastly, and far from least, the incredible song by Coven (who says one-hit wonders leave little legacy). The song perfectly frames the powerful/powerless relationship that is central to the movie, and the simple truth that spiritual power will always, ultimately, trump the material. A raw film it is, and that is its glory.
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